Ernst Busch

"Busch singt" consists of 6 films "About the first part of our century" and does not present Ernst Busch only as a singer but is a film with and about Busch as a chronicler and fighter for communist ideals of his time. Konrad Wolf died during the production, he directed part 3 "1935 oder Das Faß der Pandora" and part 5 "Ein Toter auf Urlaub".

As a painter in the court of King Carlos IV, Goya has attained wealth and reputation. He believes in King and Church, yet he is also a Spaniard who dearly loves his people. This contradiction presents him with a dilemma.

Documentary about East Berlin.

During the Thirty Years' War, the camp-follower Anna Fierling, called "Mother Courage", travels the length and breadth of Europe with her covered wagon. She does not care if it's Catholics or Protestants she trades with as long as business thrives. She loses her three children as a result of the war: bold and spirited Eilif, sincere and upright Swiss Cheese and mute Katrin, who saves the children of Halle by beating a drum on a farmstead roof In wartime, the Fierling children's virtues prove to be deadly. Yet, Mother Courage, remains incorrigible. She will not have anyone "spoil the war" for her and so sets out once more after the soldiers with her wagon.

It is the year 1936 and the Spanish Civil War is raging. When the German commander of an international brigade is badly wounded he gives his five comrades a message which he divides up and secretes into in five cartridges. All five shells must reach the battalion in order for the message to be relayed. But Frenchman Pierre can’t bear the heat of the Sierra. When he leaves their hide-out to drink from a well he is hit by an enemy bullet.

A young woman born illegitimately comes to terms with the challenge of getting married.

Kuhle Wampe takes place in early-1930s Berlin. The film begins with a montage of newspaper headlines describing steadily-rising unemployment figures. This is followed by scenes of a young man looking for work in the city and the family discussing the unpaid back rent. The young man, brother of the protagonist Anni, removes his wristwatch and throws himself from a window out of despair. Shortly thereafter his family is evicted from their apartment. Now homeless, the family moves into a garden colony of sorts with the name “Kuhle Wampe.”

Illustrates both the powerlessness of the ordinary worker as well as an intimate portrait of the joys and sorrows of a small group of people in the harbor section of Hamburg.

Hell on Earth (German: Niemandsland) is a 1931 German film directed by Victor Trivas. The film is also known as No Man's Land in France.

Trece maletas caras, marcadas sólo con las iniciales O.F., y un telegrama con una reserva llegan al hotel del aburrido pueblucho de Ostend. Todos los habitantes especulan sobre el misterioso visitante. El editor del periódico local aprovecha la ocasión y asegura que las maletas pertenecen a un millonario que está de vuelta a su hogar, y enseguida el pueblo rebosa de actividad. Se ensaya una fiesta y comienzan a construir un cine, una ópera, un ayuntamiento. En medio de una época en crisis Ostend vive el auge de la ciudad y se convierte en un símbolo para la economía mundial.

Tras el final de la I Guerra Mundial, el clima en la frontera franco-alemana es de resentimiento y todo es propicio a la tensión y la hostilidad. Una mina, antiguamente alemana, es repartida a partir de 1918 entre Francia y Alemania. Hay un accidente en túneles del sector francés y se desata un incendio. Por supuesto, las partidas de ayuda no se movilizan con la misma celeridad sabiendo que las víctimas no son alemanas. Un grupo de tres viejos mineros alemanes, que la noche anterior habían sido tratados poco amigablemente en una posada francesa, inician su propia incursión de rescate, utilizando para ello un camino en plena línea limítrofe entre ambas naciones.

This Brechtian musical about a young woman who flees from her decrepit, noble fiancé and marries a sailor is an interesting, although not a completely successful attempt to translate the sort of stage show to film. It has some good points, including the complete abandonment of the sort of surrealistic stage design that had enlivened the silent cinema. Instead, this tries for a purely cinematic technique, including multiple exposures, undercranking and distorting camera angles and lenses.

Film by Lupu Pick.

In London at the turn of the century, underworld kingpin Mack the Knife marries Polly Peachum without the knowledge of her father, the equally enterprising 'king of the beggars'.

Katharina Knie is a 1929 German silent drama film directed by Karl Grune and starring Eugen Klöpfer, Carmen Boni and Adele Sandrock. It is based on the 1928 play of the same title by Carl Zuckmayer.