Kristine Kintana

Películas

Orphea
Production Manager
A reinvention of the Greek myth of Orpheus and Eurydice, set in contemporary Manila as a rock musical.
Orphea
Assistant Director
A reinvention of the Greek myth of Orpheus and Eurydice, set in contemporary Manila as a rock musical.
Living Things
Kints
Kints and Charles have been together for almost a decade. One day, Kints wakes up and discovers that her lover has changed, literally. Although troubled at first, she eventually understands that what happened is a natural phenomenon. Through this, she is reminded that people change all the time and love can change people.
Bamboo Dogs
Production Design
This is not a film by Khavn. A crime-thriller retro-road movie based on the Kuratong Baleleng Rubout Massacre of 1995.
Respect
Line Producer
Hendrix dreams of hip-hop greatness, but he’s spiraling down a rabbit-hole of crime and poverty until he meets Doc, an old poet still haunted by his martial law past. Can they turn each other’s lives around before they’re swallowed by their circumstance?
The Woman Who Left
Production Manager
Filipinas, años 90. Horacia ha pasado treinta años en un centro penitenciario y ha sido liberada después de que alguien confesase su presunto crimen. Abrumada por su nueva libertad, llega a la dolorosa conclusión de que su aristocrática ex-pareja le había tendido una trampa. A medida que se sucedan varios secuestros de ricos, Horacia encontrará en ello su oportunidad de planificar su venganza.
A Lullaby to the Sorrowful Mystery
Aling Martina
Narra la crónica de la búsqueda de Gregoria de Jesús -una de las pocas mujeres que encabezaron la resistencia filipina contra España- para encontrar el cuerpo de su marido, el libertador Andrés Bonifacio, ejecutado durante la rebelión.
A Lullaby to the Sorrowful Mystery
Production Manager
Narra la crónica de la búsqueda de Gregoria de Jesús -una de las pocas mujeres que encabezaron la resistencia filipina contra España- para encontrar el cuerpo de su marido, el libertador Andrés Bonifacio, ejecutado durante la rebelión.
Ned’s Project
An itinerant tattoo artist joins a talent reality show for lesbians in the hopes of winning the prize money that will enable her to get artificially inseminated and achieve her lifelong dream of becoming a mother.
The Last Pinoy Action King
Line Producer
An intimate and often heartbreaking portrait of one of the Philippines' most beloved screen icons.
From What Is Before
Ramon
The Philippines, 1972. Mysterious things are happening in a remote barrio. Wails are heard from the forest, cows are hacked to death, a man is found bleeding to death at the crossroad and houses are burned. Ferdinand E. Marcos announces Proclamation No. 1081 putting the entire country under Martial Law.
The Search for Weng Weng
Cinematography
The bizarre history of Filipino B-films, as told through filmmaker Andrew Leavold's personal quest to find the truth behind its midget James Bond superstar Weng Weng.
Norte, The End of History
Tating
A man is wrongly jailed for murder while the real killer roams free. The murderer is an intellectual frustrated with his country’s never-ending cycle of betrayal and apathy. The convict is a simple man who finds life in prison more tolerable, when something mysterious and strange starts happening to him.
Norte, The End of History
Line Producer
A man is wrongly jailed for murder while the real killer roams free. The murderer is an intellectual frustrated with his country’s never-ending cycle of betrayal and apathy. The convict is a simple man who finds life in prison more tolerable, when something mysterious and strange starts happening to him.
EDSA XXX: Nothing Ever Changes in the Ever-Changing Republic of Ek-Ek-Ek
Costume Design
EDSA XXX takes us on a wild ride through the ups and downs, twists and turns in the life of one man’s downfall and the rise to fame of another. The present leader KULOG NEGRO has led the country to progress; his rallying call is championing poverty for the benefit of tourists and film festivals. But the well-meaning leader is a mere puppet in the political arena and someone has just decided that he has to go.
EDSA XXX: Nothing Ever Changes in the Ever-Changing Republic of Ek-Ek-Ek
Associate Producer
EDSA XXX takes us on a wild ride through the ups and downs, twists and turns in the life of one man’s downfall and the rise to fame of another. The present leader KULOG NEGRO has led the country to progress; his rallying call is championing poverty for the benefit of tourists and film festivals. But the well-meaning leader is a mere puppet in the political arena and someone has just decided that he has to go.
An Investigation on the Night That Won't Forget
Producer
Erwin Romulo, the late Alexis Tioseco’s best friend, recalls the events after the critic and his girlfriend’s untimely death in their home in Quezon City. Diaz makes use of one long take to allow Romulo an uninterrupted narration of the events. The pain of recalling is palpable.
Florentina Hubaldo, CTE
Translator
In a rural area, a father forces his daughter into prostitution. Somewhere else, two men embark on a quest for a buried treasure.
Florentina Hubaldo, CTE
Sound
In a rural area, a father forces his daughter into prostitution. Somewhere else, two men embark on a quest for a buried treasure.
Florentina Hubaldo, CTE
Production Manager
In a rural area, a father forces his daughter into prostitution. Somewhere else, two men embark on a quest for a buried treasure.
Florentina Hubaldo, CTE
Loleng
In a rural area, a father forces his daughter into prostitution. Somewhere else, two men embark on a quest for a buried treasure.
Mondomanila
Assistant Production Manager
Mondomanila tells the story of teenage anti-hero Tony de Guzman and the rough neighborhood he calls home.
Son of God
The directors want to shoot a film about a man known as the son of god. But what starts out as a practical joke, extends to become a curious portrait of what could either be a petty fraud or the world’s most secret miracle. A film crew tracks his bizarre pilgrimage as magic and religion, faith and doubt, real and unreal blur and melt to the point that one of the director becomes one of the characters. The film traverses all descriptions, before ending as both an affirmation of faith for the faithless and a criticism of faith for the overly faithful.
Visitors
Carol
Hong Sang-Soo’s Lost in the Mountains (South Korea, 32min) the visitor is the supremely self-centred Mi-Sook, who drives to Jeonju on impulse to see her classmate Jin-Young – only to discover that her friend is having an affair with their married professor, who Mi-Sook once dated herself. The level of social embarrassment goes off the scale. In Naomi Kawase’s Koma (Japan, 34min), Kang Jun-Il travels to a village in rural Japan to honour his grandfather’s dying wish by returning a Buddhist scroll to its ancestral home. Amid ancient superstitions, a new relationship forms. And in Lav Diaz’ Butterflies Have No Memories (Philippines, 42min) ‘homecoming queen’ Carol returns to the economically depressed former mining town she came from – and becomes the target of an absurd kidnapping plot hatched by resentful locals. Serving as his own writer, cameraman and editor, Diaz casts the film entirely from members of his crew and delivers a well-seasoned mix of social realism and fantasy. —bfi
Butterflies Have No Memories
Ferding, Santos and Willy only drink in despair. One day, a Canadian woman’s visit changes everything.