Production Manager
A reinvention of the Greek myth of Orpheus and Eurydice, set in contemporary Manila as a rock musical.
Assistant Director
A reinvention of the Greek myth of Orpheus and Eurydice, set in contemporary Manila as a rock musical.
Kints
Kints and Charles have been together for almost a decade. One day, Kints wakes up and discovers that her lover has changed, literally. Although troubled at first, she eventually understands that what happened is a natural phenomenon. Through this, she is reminded that people change all the time and love can change people.
Production Design
This is not a film by Khavn. A crime-thriller retro-road movie based on the Kuratong Baleleng Rubout Massacre of 1995.
Line Producer
Hendrix dreams of hip-hop greatness, but he’s spiraling down a rabbit-hole of crime and poverty until he meets Doc, an old poet still haunted by his martial law past. Can they turn each other’s lives around before they’re swallowed by their circumstance?
Production Manager
Horácia passou os últimos trinta anos em um centro correcional feminino. Ex-professora do ensino fundamental, ela leva uma vida tranquila ajudando outras pessoas a praticar a leitura e a escrita. Quando outra detenta confessa seu crime, Horácia é libertada e procura sua família que se afastou.
Aling Martina
Andrés Bonifacio is celebrated as the father of the Philippines Revolution against Spanish colonial rule. This eight-hour epic examines this myth, undertaking an expedition into history through various interwoven narrative threads, held together by an exploration of the individual’s role in history.
Production Manager
Andrés Bonifacio is celebrated as the father of the Philippines Revolution against Spanish colonial rule. This eight-hour epic examines this myth, undertaking an expedition into history through various interwoven narrative threads, held together by an exploration of the individual’s role in history.
An itinerant tattoo artist joins a talent reality show for lesbians in the hopes of winning the prize money that will enable her to get artificially inseminated and achieve her lifelong dream of becoming a mother.
Line Producer
An intimate and often heartbreaking portrait of one of the Philippines' most beloved screen icons.
Ramon
Filipinas, 1972. Coisas misteriosas estão acontecendo em um bairro remoto, como barulhos estranhos vindo da floresta, as vacas sendo agredidas, um homem encontrando sangrando até morrer e casas sendo queimadas. Simultaneamente, Ferdinand Marcos anuncia o decreto nº 1081, colocando todo o arquipélago filipino sob lei marcial.
Cinematography
The bizarre history of Filipino B-films, as told through filmmaker Andrew Leavold's personal quest to find the truth behind its midget James Bond superstar Weng Weng.
Tating
Algumas histórias se cruzam: uma mãe leva os seus dois filhos pelo interior das Filipinas, em busca de vingança, um estudante de direito comete um duplo assassinato e um homem de família cede à violência e é condenado à prisão.
Line Producer
Algumas histórias se cruzam: uma mãe leva os seus dois filhos pelo interior das Filipinas, em busca de vingança, um estudante de direito comete um duplo assassinato e um homem de família cede à violência e é condenado à prisão.
Costume Design
EDSA XXX takes us on a wild ride through the ups and downs, twists and turns in the life of one man’s downfall and the rise to fame of another. The present leader KULOG NEGRO has led the country to progress; his rallying call is championing poverty for the benefit of tourists and film festivals. But the well-meaning leader is a mere puppet in the political arena and someone has just decided that he has to go.
Associate Producer
EDSA XXX takes us on a wild ride through the ups and downs, twists and turns in the life of one man’s downfall and the rise to fame of another. The present leader KULOG NEGRO has led the country to progress; his rallying call is championing poverty for the benefit of tourists and film festivals. But the well-meaning leader is a mere puppet in the political arena and someone has just decided that he has to go.
Producer
Erwin Romulo, the late Alexis Tioseco’s best friend, recalls the events after the critic and his girlfriend’s untimely death in their home in Quezon City. Diaz makes use of one long take to allow Romulo an uninterrupted narration of the events. The pain of recalling is palpable.
Translator
In a rural area, a father forces his daughter into prostitution. Somewhere else, two men embark on a quest for a buried treasure.
Sound
In a rural area, a father forces his daughter into prostitution. Somewhere else, two men embark on a quest for a buried treasure.
Production Manager
In a rural area, a father forces his daughter into prostitution. Somewhere else, two men embark on a quest for a buried treasure.
Loleng
In a rural area, a father forces his daughter into prostitution. Somewhere else, two men embark on a quest for a buried treasure.
Assistant Production Manager
Mondomanila tells the story of teenage anti-hero Tony de Guzman and the rough neighborhood he calls home.
The directors want to shoot a film about a man known as the son of god. But what starts out as a practical joke, extends to become a curious portrait of what could either be a petty fraud or the world’s most secret miracle. A film crew tracks his bizarre pilgrimage as magic and religion, faith and doubt, real and unreal blur and melt to the point that one of the director becomes one of the characters. The film traverses all descriptions, before ending as both an affirmation of faith for the faithless and a criticism of faith for the overly faithful.
Carol
Hong Sang-Soo’s Lost in the Mountains (South Korea, 32min) the visitor is the supremely self-centred Mi-Sook, who drives to Jeonju on impulse to see her classmate Jin-Young – only to discover that her friend is having an affair with their married professor, who Mi-Sook once dated herself. The level of social embarrassment goes off the scale. In Naomi Kawase’s Koma (Japan, 34min), Kang Jun-Il travels to a village in rural Japan to honour his grandfather’s dying wish by returning a Buddhist scroll to its ancestral home. Amid ancient superstitions, a new relationship forms. And in Lav Diaz’ Butterflies Have No Memories (Philippines, 42min) ‘homecoming queen’ Carol returns to the economically depressed former mining town she came from – and becomes the target of an absurd kidnapping plot hatched by resentful locals. Serving as his own writer, cameraman and editor, Diaz casts the film entirely from members of his crew and delivers a well-seasoned mix of social realism and fantasy. —bfi
Ferding, Santos and Willy only drink in despair. One day, a Canadian woman’s visit changes everything.
