Nelo Cosimi

Nelo Cosimi

Nacimiento : 1894-01-01, Macerata, Italy

Muerte : 1945-10-05

Historia

Nelo Cosimi was a film director, screenwriter and actor who was born in Macerata, Italy in 1894 and died in Buenos Aires, Argentina on October 5, 1945, the country where he had developed his activity in the cinema.

Perfil

Nelo Cosimi

Películas

Mirad los lirios del campo
Narra la historia de un hombre, que, con mucho sacrificio, se forma en medicina. En la Facultad se enamora pero termina casándose por interés con otra mujer más rica.
El tercer huésped
Luis
A threatened financier is impersonated during a train ride by an identical-looking salesman.
Centauros del pasado
Film about the life of Francisco Ramírez, leader of Entre Ríos.
Malambo
Based on a quechua legend, Malambo tells the story of a woman who lost her husband and son because of the greedy patrón of an hacienda. She swore that she would never remove the cloth over her eyes until her dead were avenged by the deaths of the patrón and his daughter. Nature seems to be on her side, since a drought has afflicted the land. Her other son, Malambo, accepts the duty of revenge. Malambo is no normal human: he is the runa-uturungo, or Hombre Tigre, of Quechua lore, and he cannot be wounded by bullets. He leads the obreros to rise in revolt and defeats the patrón. However, instead of killing the patrón's daughter--the blind Urpila --he falls in love with her, thereby breaking his mother's heart.
Sendas cruzadas
A bandit is accused of killing a young man who was actually killed by his girlfriend's stepfather who was in love with her.
La maestrita de los obreros
Ramón Maggia
Con guión de Alejandro Casona según el libro"La maestrita degli operai" de Edmondo D'Amicis. trata sobre una joven maestra de una escuela nocturna que va ganando el corazón de sus alumnos.
La quinta calumnia
Una enorme tienda de Buenos Aires está a punto de cerrar debido a las restricciones sobre las importaciones. El dueño de la tienda regresa de unas vacaciones en Francia, y en conocimiento de la situación financiera procede a hacer una gran fiesta de gala. Contrata a un hombre que había conocido en el extranjero para hacerse pasar por un falso conde, con la esperanza de atraer a clientes adinerados.
La carga de los valientes
Transcurre en 1827 durante la lucha con fuerzas brasileras en Carmen de Patagones esta historia de un teniente del fortín que se enamora de la joven ahijada de la pulpera.
El cantor del circo
Director
Unreleased Argentine film.
El escuadrón azul
Director
Young officer is tried for espionage when some documents turn up missing.
Juan Moreira
Writer
The life of the gaucho Juan Moreira, his fall into crime, persecution and death.
Juan Moreira
Director
The life of the gaucho Juan Moreira, his fall into crime, persecution and death.
Dios y la Patria
Director
Argentinian film partially sonorized with discs.
Dios y la Patria
Argentinian film partially sonorized with discs.
La quena de la muerte
A woman and his lover spend a season at the mountains, in order to recover from the excesses of life in the city. But peace doesn’t last long: he tries to seduce a country-woman and she invites a mongrel over to her bedroom. The film is, in essence, a melodrama filled with jealousy and betrayal, but it also showcases some original elements that no other cinematography would have dared to suggest in 1929, like the possibility of a romance between an Indian and a white woman (with her taking the first step).
La quena de la muerte
Director
A woman and his lover spend a season at the mountains, in order to recover from the excesses of life in the city. But peace doesn’t last long: he tries to seduce a country-woman and she invites a mongrel over to her bedroom. The film is, in essence, a melodrama filled with jealousy and betrayal, but it also showcases some original elements that no other cinematography would have dared to suggest in 1929, like the possibility of a romance between an Indian and a white woman (with her taking the first step).
Federales y Unitarios
Writer
Federales y Unitarios
Director
Federales y Unitarios
El lobo de la ribera
Director
A 1926 film.
Manuelita Rosas
Juan Manuel de Rosas
The life and times of Manuelita Rosas.
El arriero de Yacanto
A 1924 film.
Odio serrano
A 1924 film.
La leyenda del puente inca
Incano
A 1923 film.
Mi alazán tostao
Writer
Amancio, the son of a judge, is the real master and lord of a town, and wants to impose his property criteria over the owners of ranches and horses. He stops the eviction of Eulalia’s family ranch, with the hidden intention of making her his lover. Silvestre, an outsider that arrives at the village, meets Eulalia by chance, after suffering a zulky accident. He will find trouble as well, as his horse doesn’t have a property mark.
Mi alazán tostao
Amancio, the son of a judge, is the real master and lord of a town, and wants to impose his property criteria over the owners of ranches and horses. He stops the eviction of Eulalia’s family ranch, with the hidden intention of making her his lover. Silvestre, an outsider that arrives at the village, meets Eulalia by chance, after suffering a zulky accident. He will find trouble as well, as his horse doesn’t have a property mark.
Mi alazán tostao
Director
Amancio, the son of a judge, is the real master and lord of a town, and wants to impose his property criteria over the owners of ranches and horses. He stops the eviction of Eulalia’s family ranch, with the hidden intention of making her his lover. Silvestre, an outsider that arrives at the village, meets Eulalia by chance, after suffering a zulky accident. He will find trouble as well, as his horse doesn’t have a property mark.
Buenos Aires también tiene
Director
A 1922 film.
El remanso
Director
A 1922 film.
Los hijos de naides
A 1921 film.
De vuelta al pago
Inspired by the tango "De vuelta al pago", by the pianist Armando Chimenti.
En buena ley
Rural melodrama about the social and humanistic events that occurred at the dawn of the past times.
El tango de la muerte
El Pesao
A woman driven by misery to a path of degradation until the inexorable end of which the tango symbolizes, at the same time, her condemnation and her liberation.
Venganza gaucha
Campo ajuera
The confrontation of civic sophistication with uncontaminated humble rural life.