Nelo Cosimi
출생 : 1894-01-01, Macerata, Italy
사망 : 1945-10-05
약력
Nelo Cosimi was a film director, screenwriter and actor who was born in Macerata, Italy in 1894 and died in Buenos Aires, Argentina on October 5, 1945, the country where he had developed his activity in the cinema.
Luis
A threatened financier is impersonated during a train ride by an identical-looking salesman.
Film about the life of Francisco Ramírez, leader of Entre Ríos.
Based on a quechua legend, Malambo tells the story of a woman who lost her husband and son because of the greedy patrón of an hacienda. She swore that she would never remove the cloth over her eyes until her dead were avenged by the deaths of the patrón and his daughter. Nature seems to be on her side, since a drought has afflicted the land. Her other son, Malambo, accepts the duty of revenge. Malambo is no normal human: he is the runa-uturungo, or Hombre Tigre, of Quechua lore, and he cannot be wounded by bullets. He leads the obreros to rise in revolt and defeats the patrón. However, instead of killing the patrón's daughter--the blind Urpila --he falls in love with her, thereby breaking his mother's heart.
A bandit is accused of killing a young man who was actually killed by his girlfriend's stepfather who was in love with her.
Ramón Maggia
The relationship of the young night school teacher with her students.
A huge store in Buenos Aires is about to close due to restrictions on imports. The owner of the store returns from a vacation in France, and knowing the financial situation proceeds to throw a big gala party. He hires a man he had met abroad to pose as a fake earl, hoping to attract wealthy clients.
Director
Unreleased Argentine film.
Director
Young officer is tried for espionage when some documents turn up missing.
Writer
The life of the gaucho Juan Moreira, his fall into crime, persecution and death.
Director
The life of the gaucho Juan Moreira, his fall into crime, persecution and death.
Director
Argentinian film partially sonorized with discs.
Argentinian film partially sonorized with discs.
A woman and his lover spend a season at the mountains, in order to recover from the excesses of life in the city. But peace doesn’t last long: he tries to seduce a country-woman and she invites a mongrel over to her bedroom. The film is, in essence, a melodrama filled with jealousy and betrayal, but it also showcases some original elements that no other cinematography would have dared to suggest in 1929, like the possibility of a romance between an Indian and a white woman (with her taking the first step).
Director
A woman and his lover spend a season at the mountains, in order to recover from the excesses of life in the city. But peace doesn’t last long: he tries to seduce a country-woman and she invites a mongrel over to her bedroom. The film is, in essence, a melodrama filled with jealousy and betrayal, but it also showcases some original elements that no other cinematography would have dared to suggest in 1929, like the possibility of a romance between an Indian and a white woman (with her taking the first step).
Writer
Director
Director
A 1926 film.
Juan Manuel de Rosas
The life and times of Manuelita Rosas.
A 1924 film.
A 1924 film.
Incano
A 1923 film.
Writer
Amancio, the son of a judge, is the real master and lord of a town, and wants to impose his property criteria over the owners of ranches and horses. He stops the eviction of Eulalia’s family ranch, with the hidden intention of making her his lover. Silvestre, an outsider that arrives at the village, meets Eulalia by chance, after suffering a zulky accident. He will find trouble as well, as his horse doesn’t have a property mark.
Amancio, the son of a judge, is the real master and lord of a town, and wants to impose his property criteria over the owners of ranches and horses. He stops the eviction of Eulalia’s family ranch, with the hidden intention of making her his lover. Silvestre, an outsider that arrives at the village, meets Eulalia by chance, after suffering a zulky accident. He will find trouble as well, as his horse doesn’t have a property mark.
Director
Amancio, the son of a judge, is the real master and lord of a town, and wants to impose his property criteria over the owners of ranches and horses. He stops the eviction of Eulalia’s family ranch, with the hidden intention of making her his lover. Silvestre, an outsider that arrives at the village, meets Eulalia by chance, after suffering a zulky accident. He will find trouble as well, as his horse doesn’t have a property mark.
Director
A 1922 film.
Director
A 1922 film.
A 1921 film.
Inspired by the tango "De vuelta al pago", by the pianist Armando Chimenti.
Rural melodrama about the social and humanistic events that occurred at the dawn of the past times.
El Pesao
A woman driven by misery to a path of degradation until the inexorable end of which the tango symbolizes, at the same time, her condemnation and her liberation.
The confrontation of civic sophistication with uncontaminated humble rural life.
