Pedro Sena Nunes

Pedro Sena Nunes

Nacimiento : 1968-05-18, Lisbon, Portugal

Perfil

Pedro Sena Nunes

Películas

Fruta Tocada por Falta de Jardineiro
Director
Expression is part of the being human. Water is the source of an impossible life that rocks and consolidates the figure of a young woman. A poem by Jorge Listopad.
Pequena Desordem Silenciosa
Director
FO[U]R VOID
Director
An experimental/art-leaning short, screendance film in which four human characters appear stuck in an interior, futuristic landscape outside of time. As they struggle with themselves as well as with each other, they seem to reach upon dance (whether experienced or internalized, solitary or otherwise) as an instinctive/conceptual way out of an inescapable void.
Geração Soma
Director
Poti Pati
Producer
Poti Pati
Director
Quatro Estações e Outono
Director
A film director follows the autumnal trail of leaves that once graced the branches. A girl builds autumns as she wanders in a labyrinth of leaves. A man persists on watering the place the tree left behind. A woman who lived that autumn. All of them in a space called Jorge Listopad.
Quatro Estações e Outono
Writer
A film director follows the autumnal trail of leaves that once graced the branches. A girl builds autumns as she wanders in a labyrinth of leaves. A man persists on watering the place the tree left behind. A woman who lived that autumn. All of them in a space called Jorge Listopad.
Glimpses of Beauty
Director
Photographer-turned-radiologist José Fontes revisits the now-inactive Miguel Bombarda psychiatric hospital where, for two weeks in 1968, he captured the complexities of everyday life in a series of harrowing photographs. As past and present converge – as old photographs meet present-day visual sketches, and as the silence of neglect clashes with deep-seated aural textures – a tentative cinematic patchwork blooms with the intent of capturing (or outright creating) fleeting visions of beauty in a most disquieting environment.
2 and 2, Are Four
Director
We’ve accustomed, erroneously, to furiously fear our body’s fragility. This fragility which is so controversial to us to the point of inducing in ourselves the typical and contained movements, already tired. Once, twice. The same movements, the fears, the counted expirations, the subtracted bodies, the blind horizons. But the day comes when we understand that the fragility is precious and that the movement’s arrhytmia is safe. And we dance, accomplices in the differences of a shared fall.
pt.es
Producer
In this film there is a crescent count until the demystification of a bridge that connects and separates one country from another. Portugal and Spain, distant by fragments of their memories, images, objects, voices and ruins. Time runs out... An anxiety floats above the border and also a strength of believing that it is possible to change some things until the very last minute of our cross-over. In a world of contradictions, inequalities remain, existing surprising stories in almost forgotten lands. We are standing before a jigsaw puzzle organized into a map of ideas and memories.
pt.es
Director
In this film there is a crescent count until the demystification of a bridge that connects and separates one country from another. Portugal and Spain, distant by fragments of their memories, images, objects, voices and ruins. Time runs out... An anxiety floats above the border and also a strength of believing that it is possible to change some things until the very last minute of our cross-over. In a world of contradictions, inequalities remain, existing surprising stories in almost forgotten lands. We are standing before a jigsaw puzzle organized into a map of ideas and memories.
Toros en la aldea
Director
Todos los años, en la Beira Alta, la provincia con mayor índice de despoblación, trece aldeas de la Raia rejuvenecen para una corrida de toros con características únicas en el mundo: a Capeia Arraiana. Los mayordomos preparan la fiesta y contribuyen para el patrimonio etnográfico, iniciando un ritual de emancipación en donde se ven confrontados con la fuerza del toro. Empuñando “O Forcão”, objeto rudimentario hecho e madera, varios hombres lidian los toros muchas veces traídos de España. Las aldeas compiten entre sí por ser la mejor Capeia del año.
Mergulho
Art Direction
Fallen to an aquatic world, they move ineffably in a dense, clear atmosphere as if it was their first autonomous moment.
Mergulho
Producer
Fallen to an aquatic world, they move ineffably in a dense, clear atmosphere as if it was their first autonomous moment.
Mergulho
Writer
Fallen to an aquatic world, they move ineffably in a dense, clear atmosphere as if it was their first autonomous moment.
Mergulho
Director
Fallen to an aquatic world, they move ineffably in a dense, clear atmosphere as if it was their first autonomous moment.
Elogio ao ½
Editor
Elogio ao ½
Director
A Morte do Cinema
Director
Entraste no jogo, tens que jogar assim na terra como no céu
Editor
Entraste no jogo, tens que jogar assim na terra como no céu
Director
25 do 4 em 99
Editor
25 do 4 em 99
Director
Filhos da Mãe
Producer
Filhos da Mãe
Editor
Filhos da Mãe
Director
Margens
Producer
There is a complex geo-human situation of isolation in Trás-os-Montes, a region in northeastern of Portugal. A used railroad bridge bought for only 22 villagers.
Margens
Director
There is a complex geo-human situation of isolation in Trás-os-Montes, a region in northeastern of Portugal. A used railroad bridge bought for only 22 villagers.
Eléctricos
Script
Eléctricos
Director
Nunca Mais de Livras de Mim
Director