ANOHNI

As the 20th anniversary of 9/11 looms near, William Basinski contemplates the enduring legacy of 'The Disintegration Loops' (his elegy to the 2001 Attacks), while quarantined in the midst of COVID-19.

Artist Shirin Neshat explains the film: "I was interested in how female singers are universally treated as objects of desire. At first, Cate looks gorgeous, but when she sings it's a [masculine] voice. The audience heckles her, and she becomes confrontational. When the music comes back on, she does a seductive dance but her face is evil. For her final act of subversion, she takes off her hair and makeup and walks away. That part was Cate's idea. Fuck the beauty."

Artist Shirin Neshat explains the film: "I was interested in how female singers are universally treated as objects of desire. At first, Cate looks gorgeous, but when she sings it's a [masculine] voice. The audience heckles her, and she becomes confrontational. When the music comes back on, she does a seductive dance but her face is evil. For her final act of subversion, she takes off her hair and makeup and walks away. That part was Cate's idea. Fuck the beauty."

Her ex-wife won’t meet her. Her daughter rejects her. Her mother still calls her “son.” As Marianna transitions from male to female, she is abandoned by her loved ones, alone in a world unwilling to accept her true self. This multi-award-winning documentary is an intensely sympathetic and powerful account of one individual’s struggle to gain acceptance—even in the midst of profound physical hardship.

A Documentary feature film directed by Lian Lunson celebrating the late Kate McGarrigle.

This hourlong semi-documentary records the musical stage collaboration between director Robert Wilson and veteran performance artist Marina Abramovic. Also included is a wealth of background material about Abramovic's life and earlier works.

Compositor de canciones; poeta; ícono de la contracultura; y consumado seductor. Todo eso es el canadiense Leonard Cohen, un grande de la música desde que apareció en escena en 1967. Este documental le rinde homenaje.

Sylvie es transexual y vive de prostituirse. Dos o tres momentos de felicidad, el resto negrura y malestar, tristeza rotunda. Ama a dos hombres, a Djamel, un norteafricano que vende sus favores a hombres y mujeres en los lavabos de una estación de autobuses, un chiquillo de treinta años que suspira por la familia que renegó de él. Y ama a Mikhail, inmigrante ruso con permiso de residencia, destrozado por la guerra de Chechenia y desertor.

The three-decade-old annual Manhattan gathering of drag queens and their fans is portrayed in this colorful documentary. The film concentrates on the spectacle of the event, providing abundant examples of the elaborate costumes, flamboyant wigs, and campy musical performances that characterize the event.