ANOHNI

As the 20th anniversary of 9/11 looms near, William Basinski contemplates the enduring legacy of 'The Disintegration Loops' (his elegy to the 2001 Attacks), while quarantined in the midst of COVID-19.

Artist Shirin Neshat explains the film: "I was interested in how female singers are universally treated as objects of desire. At first, Cate looks gorgeous, but when she sings it's a [masculine] voice. The audience heckles her, and she becomes confrontational. When the music comes back on, she does a seductive dance but her face is evil. For her final act of subversion, she takes off her hair and makeup and walks away. That part was Cate's idea. Fuck the beauty."

Artist Shirin Neshat explains the film: "I was interested in how female singers are universally treated as objects of desire. At first, Cate looks gorgeous, but when she sings it's a [masculine] voice. The audience heckles her, and she becomes confrontational. When the music comes back on, she does a seductive dance but her face is evil. For her final act of subversion, she takes off her hair and makeup and walks away. That part was Cate's idea. Fuck the beauty."

Her ex-wife won’t meet her. Her daughter rejects her. Her mother still calls her “son.” As Marianna transitions from male to female, she is abandoned by her loved ones, alone in a world unwilling to accept her true self. This multi-award-winning documentary is an intensely sympathetic and powerful account of one individual’s struggle to gain acceptance—even in the midst of profound physical hardship.

A Documentary feature film directed by Lian Lunson celebrating the late Kate McGarrigle.

This hourlong semi-documentary records the musical stage collaboration between director Robert Wilson and veteran performance artist Marina Abramovic. Also included is a wealth of background material about Abramovic's life and earlier works.

O poeta, cantor/compositor e mulherengo Leonard Cohen é entrevistado em sua casa sobre sua vida e época. A entrevista é intercalada com fotos de arquivo e performances ao vivo de uma mistura eclética de músicos, incluindo U2, Nick Cave, Jarvis Cocker (da banda Pulp), Beth Orton e Rufus Wainwright, com depoimentos do próprio Cohen, que abre seu baú de memórias e revela suas fontes de inspiração.

A transgender woman returns – with her two male lovers – to her family home in the countryside to look after her dying mother.

O encontro anual de três décadas de drag queens e seus fãs em Manhattan é retratado neste documentário colorido. O filme concentra-se no espetáculo do evento, fornecendo exemplos abundantes de figurinos elaborados, perucas extravagantes e apresentações musicais excêntricas que caracterizam o evento.