Minotauro
Bubble Man
São Paulo, un futuro distópico no muy lejano al presente. Un virus que ataca principalmente el cerebro y la capacidad de recordar se ha esparcido por el mundo. Tres jóvenes queer vagan por una ciudad desgarrada por la pandemia y el capitalismo desenfrenado, recordando antiguos amantes, compartiendo sus experiencias con el sida o recibiendo consejos de maquillaje.
Sound Editor
A character who has a voice and a body narrates an interrupted love experience. This immersion in subjectivity, as well as some fragments of almost lost poems by Safo and Lucrécio and some musical paths, lead us through images of different bodies of other people in constant motion in the streets, at parties, at home or inside the subway, while they move from somewhere indefinite to another in the city of São Paulo - in an indeterminate mix between the most everyday concreteness of the gesture and the possible abstraction of dance.
Director of Photography
A character who has a voice and a body narrates an interrupted love experience. This immersion in subjectivity, as well as some fragments of almost lost poems by Safo and Lucrécio and some musical paths, lead us through images of different bodies of other people in constant motion in the streets, at parties, at home or inside the subway, while they move from somewhere indefinite to another in the city of São Paulo - in an indeterminate mix between the most everyday concreteness of the gesture and the possible abstraction of dance.
A character who has a voice and a body narrates an interrupted love experience. This immersion in subjectivity, as well as some fragments of almost lost poems by Safo and Lucrécio and some musical paths, lead us through images of different bodies of other people in constant motion in the streets, at parties, at home or inside the subway, while they move from somewhere indefinite to another in the city of São Paulo - in an indeterminate mix between the most everyday concreteness of the gesture and the possible abstraction of dance.
Editor
A character who has a voice and a body narrates an interrupted love experience. This immersion in subjectivity, as well as some fragments of almost lost poems by Safo and Lucrécio and some musical paths, lead us through images of different bodies of other people in constant motion in the streets, at parties, at home or inside the subway, while they move from somewhere indefinite to another in the city of São Paulo - in an indeterminate mix between the most everyday concreteness of the gesture and the possible abstraction of dance.
Writer
A character who has a voice and a body narrates an interrupted love experience. This immersion in subjectivity, as well as some fragments of almost lost poems by Safo and Lucrécio and some musical paths, lead us through images of different bodies of other people in constant motion in the streets, at parties, at home or inside the subway, while they move from somewhere indefinite to another in the city of São Paulo - in an indeterminate mix between the most everyday concreteness of the gesture and the possible abstraction of dance.
Flávio loses his sexual appetite editing porn videos. José, his husband, is trying to create an equation that determines when humans will colonize Mars. Flávio is focused on a more internal journey, and José is trying to find ways to bring Flávio's lust back. Meanwhile, Hypnos, god of sleep and youtuber, tries to give people back the art of rest.
Art Direction
Flávio loses his sexual appetite editing porn videos. José, his husband, is trying to create an equation that determines when humans will colonize Mars. Flávio is focused on a more internal journey, and José is trying to find ways to bring Flávio's lust back. Meanwhile, Hypnos, god of sleep and youtuber, tries to give people back the art of rest.
Director
A character who has a voice and a body narrates an interrupted love experience. This immersion in subjectivity, as well as some fragments of almost lost poems by Safo and Lucrécio and some musical paths, lead us through images of different bodies of other people in constant motion in the streets, at parties, at home or inside the subway, while they move from somewhere indefinite to another in the city of São Paulo - in an indeterminate mix between the most everyday concreteness of the gesture and the possible abstraction of dance.
When an ordinary man attests the fakeness among the broadcastings and screens entanglement, a mysterious digital voice emerges to show him which secrets are hidden behind the false truths.
Editor
The story of the decline of the Soares family in the final months of the 19th century. Isabel is the dying mother, and her daughters are Maria and Ana. The three women try hard to forget about their pasts in the coffee farm and face the industrial times that start to take over Brazil.
Writer
The story of the decline of the Soares family in the final months of the 19th century. Isabel is the dying mother, and her daughters are Maria and Ana. The three women try hard to forget about their pasts in the coffee farm and face the industrial times that start to take over Brazil.
Director
The story of the decline of the Soares family in the final months of the 19th century. Isabel is the dying mother, and her daughters are Maria and Ana. The three women try hard to forget about their pasts in the coffee farm and face the industrial times that start to take over Brazil.
João, a middle-class filmmaker, goes through a series of encounters with people like his long-time friend Irene; his boyfriend Álvaro; Matias, a young man he meets in the subway and has a sexual experience with, among others, some acquainted, others unknown. These encounters affect him and slowly begin to reveal a play of time frames which blends together life and creative process, present and memory.
Editor
João, a middle-class filmmaker, goes through a series of encounters with people like his long-time friend Irene; his boyfriend Álvaro; Matias, a young man he meets in the subway and has a sexual experience with, among others, some acquainted, others unknown. These encounters affect him and slowly begin to reveal a play of time frames which blends together life and creative process, present and memory.
Writer
João, a middle-class filmmaker, goes through a series of encounters with people like his long-time friend Irene; his boyfriend Álvaro; Matias, a young man he meets in the subway and has a sexual experience with, among others, some acquainted, others unknown. These encounters affect him and slowly begin to reveal a play of time frames which blends together life and creative process, present and memory.
Director
João, a middle-class filmmaker, goes through a series of encounters with people like his long-time friend Irene; his boyfriend Álvaro; Matias, a young man he meets in the subway and has a sexual experience with, among others, some acquainted, others unknown. These encounters affect him and slowly begin to reveal a play of time frames which blends together life and creative process, present and memory.
Vizinho 5
Gabriel is installed next to a tree in a noble neighborhood of the city of São Paulo. Clarisse accompanies astonished and inert the treatment given to Gabriel, at the same time that leads a stagnant life and dependent of the mother.
Editor
Clara, una enfermera solitaria de la periferia de São Paulo, es contratada por Ana, una mujer misteriosa y pudiente, que precisa de una niñera para su hijo nonato. Contra todo pronóstico, las dos desarrollarán un fuerte vínculo, hasta que una noche fatídica lo cambie todo.
Reinaldo Estevão
Clara, una enfermera solitaria de la periferia de São Paulo, es contratada por Ana, una mujer misteriosa y pudiente, que precisa de una niñera para su hijo nonato. Contra todo pronóstico, las dos desarrollarán un fuerte vínculo, hasta que una noche fatídica lo cambie todo.
Director
Singer that so speaks to the moon / my story is the same as yours / my love also ran away.
Within me lives a silence. At night, he goes with his claws, hunting for something to scream.
Tan needs to cry.
Screenplay
Después de ser violada por dos extraños dentro de su propia casa, Diana decide mantener su trauma en secreto. Mario, su esposo, tiene algo que ocultar también. En los días que siguen, el silencio que crece entre los dos se convierte en su propio tipo de violencia.
Thanks
In the city of São Paulo, the routine of gravedigger apprentice Deodato changes when a new working girl arrives at the cemetery. Together, they must re-register the abandoned tombs, but strange events make the apprentice wonder about the consequences of messing with the dead.
Sandra is pregnant and wants a girl. Her husband Marcos wants a soccer player.
A teacher awaits the arrival of his late students. Far away, a young couple wakes up surrounded by trees. It’s ten-fifteen in the morning.
The most mysterious object. The most concrete thing.
Editor
The most mysterious object. The most concrete thing.
Writer
The most mysterious object. The most concrete thing.
Director
The most mysterious object. The most concrete thing.
Marcos hosts Robert in his house – and falls in love with him. When Michael Jackson dies, Marcos goes sick and Lígia, his sister, comes to help them.
Estate agent
En un barrio de clase media en una ciudad en el campo de Brasil, la especulación inmobiliaria es una amenaza para la memoria afectiva de un grupo de amigos. Su respuesta a esta inminente transformación es follar en los sitios de construcción. ¿Y el amor? ¿Es el amor solo una construcción?
Director
Employee exploited by her employer changes her life by winning the lottery.
Director
Get down a little; I bow my head and disappear at the end of his bone.
Get down a little; I bow my head and disappear at the end of his bone.
Writer
Three families, in three different situations, have to deal with a sudden change in their lives, caused by a loss or a re encounter. Three mothers sing their love for their children while facing difficult times. A film about affection on the borders of painful happenings.
Director
Three families, in three different situations, have to deal with a sudden change in their lives, caused by a loss or a re encounter. Three mothers sing their love for their children while facing difficult times. A film about affection on the borders of painful happenings.
Script
I saw leaves that were moving. I thought: "It's a bird in its nest". I separated the leaves and looked; but there was no bird. The leaves continued to move. As I ran, faster and faster, I screamed. What moved the leaves? What moves my heart, my legs?
Director
I saw leaves that were moving. I thought: "It's a bird in its nest". I separated the leaves and looked; but there was no bird. The leaves continued to move. As I ran, faster and faster, I screamed. What moved the leaves? What moves my heart, my legs?
Editor
With her husband having lost his job, Helena opens her own grocery store, but is soon plagued by strange occurrences.
Director
An experimental collective film lasting little more than an hour, compiled from 10 episodes by a total of 14 different young Brazilian filmmakers. The project was an initiative of the directing duo Felipe Bragança and Marina Meliande, who sent a ‘letter of concern’ to inspire the participants. In it, a 16-year-old girl wrote about her dreams, which have been translated by the directors into films about love, youth and the possibilities of cinema.
Two men talk by a window while they observe the neighborhood.
Writer
Two men talk by a window while they observe the neighborhood.
Director
Two men talk by a window while they observe the neighborhood.
Editor
The city outside and the city within. Inside: a couple starting to grow old. Outside: a city in constant flux - new buildings, a noisy airport, a troubling new neighbor, gossip. Things that never change amid things that change too fast. The fragmented everyday, seen through a lens that's indirect and selective. Rosa and Benjamin: What's absent or left unsaid tells as much as what comes inside a confining frame - what we put off-limits exposes what we take for granted.
Jornalista 1
Essay on Eva Nil, the first star of Brazilian cinema.
Editor
Screenplay
Director
Extra
Clarisse notices a small green leaf growing out of her right arm.
Editor
Clarisse notices a small green leaf growing out of her right arm.
Musical
Unable to meet in the city, Alice and Alex embark on an emotional journey of love and loss.
Vítor
A son and father must tell the mother the sad news.
Assistant Director
A brief occurrence at the hospital waiting room.
Editor
Rafael sleeps. Rafael waits. Rafael hugs. Rafael lies down. Rafael cries.
Screenplay
Rafael sleeps. Rafael waits. Rafael hugs. Rafael lies down. Rafael cries.
Director
Rafael sleeps. Rafael waits. Rafael hugs. Rafael lies down. Rafael cries.
Caetano Gotardo
Vitor Simalha
Two animal road corpse removers end up finding a dead woman and decide to collect her body clandestinely.
Screenplay
Two animal road corpse removers end up finding a dead woman and decide to collect her body clandestinely.
