Caetano Gotardo

São Paulo, in a dystopian future not so very far from the present. A virus is circulating, one that mainly attacks the brain and the ability to remember. A state that has forgotten a past marked by colonialism and dictatorship desperately awaits some indeterminate “Golden Phase.” Three young queer people drift through a city bled dry by the pandemic and rampant capitalism, remembering each another’s late lovers, sharing their experiences with HIV, getting makeup tips for masked faces and ultimately coming together with others forgotten by society for an antique revue in the salon of a singer named Mirta.

A character who has a voice and a body narrates an interrupted love experience. This immersion in subjectivity, as well as some fragments of almost lost poems by Safo and Lucrécio and some musical paths, lead us through images of different bodies of other people in constant motion in the streets, at parties, at home or inside the subway, while they move from somewhere indefinite to another in the city of São Paulo - in an indeterminate mix between the most everyday concreteness of the gesture and the possible abstraction of dance.

A character who has a voice and a body narrates an interrupted love experience. This immersion in subjectivity, as well as some fragments of almost lost poems by Safo and Lucrécio and some musical paths, lead us through images of different bodies of other people in constant motion in the streets, at parties, at home or inside the subway, while they move from somewhere indefinite to another in the city of São Paulo - in an indeterminate mix between the most everyday concreteness of the gesture and the possible abstraction of dance.

A character who has a voice and a body narrates an interrupted love experience. This immersion in subjectivity, as well as some fragments of almost lost poems by Safo and Lucrécio and some musical paths, lead us through images of different bodies of other people in constant motion in the streets, at parties, at home or inside the subway, while they move from somewhere indefinite to another in the city of São Paulo - in an indeterminate mix between the most everyday concreteness of the gesture and the possible abstraction of dance.

A character who has a voice and a body narrates an interrupted love experience. This immersion in subjectivity, as well as some fragments of almost lost poems by Safo and Lucrécio and some musical paths, lead us through images of different bodies of other people in constant motion in the streets, at parties, at home or inside the subway, while they move from somewhere indefinite to another in the city of São Paulo - in an indeterminate mix between the most everyday concreteness of the gesture and the possible abstraction of dance.

A character who has a voice and a body narrates an interrupted love experience. This immersion in subjectivity, as well as some fragments of almost lost poems by Safo and Lucrécio and some musical paths, lead us through images of different bodies of other people in constant motion in the streets, at parties, at home or inside the subway, while they move from somewhere indefinite to another in the city of São Paulo - in an indeterminate mix between the most everyday concreteness of the gesture and the possible abstraction of dance.

Flávio loses his sexual appetite editing porn videos. José, his husband, is trying to create an equation that determines when humans will colonize Mars. Flávio is focused on a more internal journey, and José is trying to find ways to bring Flávio's lust back. Meanwhile, Hypnos, god of sleep and youtuber, tries to give people back the art of rest.

Flávio loses his sexual appetite editing porn videos. José, his husband, is trying to create an equation that determines when humans will colonize Mars. Flávio is focused on a more internal journey, and José is trying to find ways to bring Flávio's lust back. Meanwhile, Hypnos, god of sleep and youtuber, tries to give people back the art of rest.

A character who has a voice and a body narrates an interrupted love experience. This immersion in subjectivity, as well as some fragments of almost lost poems by Safo and Lucrécio and some musical paths, lead us through images of different bodies of other people in constant motion in the streets, at parties, at home or inside the subway, while they move from somewhere indefinite to another in the city of São Paulo - in an indeterminate mix between the most everyday concreteness of the gesture and the possible abstraction of dance.

When an ordinary man attests the fakeness among the broadcastings and screens entanglement, a mysterious digital voice emerges to show him which secrets are hidden behind the false truths.

The story of the decline of the Soares family in the final months of the 19th century. Isabel is the dying mother, and her daughters are Maria and Ana. The three women try hard to forget about their pasts in the coffee farm and face the industrial times that start to take over Brazil.

The story of the decline of the Soares family in the final months of the 19th century. Isabel is the dying mother, and her daughters are Maria and Ana. The three women try hard to forget about their pasts in the coffee farm and face the industrial times that start to take over Brazil.

The story of the decline of the Soares family in the final months of the 19th century. Isabel is the dying mother, and her daughters are Maria and Ana. The three women try hard to forget about their pasts in the coffee farm and face the industrial times that start to take over Brazil.

João, a middle-class filmmaker, goes through a series of encounters with people like his long-time friend Irene; his boyfriend Álvaro; Matias, a young man he meets in the subway and has a sexual experience with, among others, some acquainted, others unknown. These encounters affect him and slowly begin to reveal a play of time frames which blends together life and creative process, present and memory.

João, a middle-class filmmaker, goes through a series of encounters with people like his long-time friend Irene; his boyfriend Álvaro; Matias, a young man he meets in the subway and has a sexual experience with, among others, some acquainted, others unknown. These encounters affect him and slowly begin to reveal a play of time frames which blends together life and creative process, present and memory.

João, a middle-class filmmaker, goes through a series of encounters with people like his long-time friend Irene; his boyfriend Álvaro; Matias, a young man he meets in the subway and has a sexual experience with, among others, some acquainted, others unknown. These encounters affect him and slowly begin to reveal a play of time frames which blends together life and creative process, present and memory.

João, a middle-class filmmaker, goes through a series of encounters with people like his long-time friend Irene; his boyfriend Álvaro; Matias, a young man he meets in the subway and has a sexual experience with, among others, some acquainted, others unknown. These encounters affect him and slowly begin to reveal a play of time frames which blends together life and creative process, present and memory.

Gabriel is installed next to a tree in a noble neighborhood of the city of São Paulo. Clarisse accompanies astonished and inert the treatment given to Gabriel, at the same time that leads a stagnant life and dependent of the mother.

상파울루의 빈민가 출신 클라라는 임신한 아나의 가정부로 취직한다. 아나는 전문 유모가 아닌 클라라가 미심쩍었지만 점점 그녀에게 의존하게 되고 급기야 두 사람 사이에 묘한 감정이 싹트기 시작한다. 그리고 보름달이 뜬 어느 날 클라라는 아나의 임신과 관련된 충격적인 비밀을 알게 되고 예정일에 앞서 아이가 태어나면서 겉잡을 수 없는 사건이 벌어지는데…

상파울루의 빈민가 출신 클라라는 임신한 아나의 가정부로 취직한다. 아나는 전문 유모가 아닌 클라라가 미심쩍었지만 점점 그녀에게 의존하게 되고 급기야 두 사람 사이에 묘한 감정이 싹트기 시작한다. 그리고 보름달이 뜬 어느 날 클라라는 아나의 임신과 관련된 충격적인 비밀을 알게 되고 예정일에 앞서 아이가 태어나면서 겉잡을 수 없는 사건이 벌어지는데…

Singer that so speaks to the moon / my story is the same as yours / my love also ran away.

Within me lives a silence. At night, he goes with his claws, hunting for something to scream.

Tan needs to cry.

자신의 집에서 성폭행을 당한 후 남편에게 그 사실을 말하지 않기로 한 아내. 남편에게 남모르는 근심과 복수 계획이 있다는 건 알지 못한다.

In the city of São Paulo, the routine of gravedigger apprentice Deodato changes when a new working girl arrives at the cemetery. Together, they must re-register the abandoned tombs, but strange events make the apprentice wonder about the consequences of messing with the dead.

Sandra is pregnant and wants a girl. Her husband Marcos wants a soccer player.

A teacher awaits the arrival of his late students. Far away, a young couple wakes up surrounded by trees. It’s ten-fifteen in the morning.

The most mysterious object. The most concrete thing.

The most mysterious object. The most concrete thing.

The most mysterious object. The most concrete thing.

The most mysterious object. The most concrete thing.

Marcos hosts Robert in his house – and falls in love with him. When Michael Jackson dies, Marcos goes sick and Lígia, his sister, comes to help them.

In a middle-class neighbourhood in a city in the countryside of Brazil, the real estate speculation is a menace to the affective memory of a group of friends. Their answer to this imminent transformation is to fuck in the construction sites. And what about love? Is love just a construction?

Employee exploited by her employer changes her life by winning the lottery.

Get down a little; I bow my head and disappear at the end of his bone.

Get down a little; I bow my head and disappear at the end of his bone.

Three families, in three different situations, have to deal with a sudden change in their lives, caused by a loss or a re encounter. Three mothers sing their love for their children while facing difficult times. A film about affection on the borders of painful happenings.

Three families, in three different situations, have to deal with a sudden change in their lives, caused by a loss or a re encounter. Three mothers sing their love for their children while facing difficult times. A film about affection on the borders of painful happenings.

I saw leaves that were moving. I thought: "It's a bird in its nest". I separated the leaves and looked; but there was no bird. The leaves continued to move. As I ran, faster and faster, I screamed. What moved the leaves? What moves my heart, my legs?

I saw leaves that were moving. I thought: "It's a bird in its nest". I separated the leaves and looked; but there was no bird. The leaves continued to move. As I ran, faster and faster, I screamed. What moved the leaves? What moves my heart, my legs?

중산층의 평범한 주부 헬레나는 자신의 꿈이었던 슈퍼마켓 사업을 시작하지만 남편의 실직과 경기 침체 등 그녀의 원대한 꿈은 시작부터 덜컹거린다. 어느 날 가게 한쪽 벽에 정체를 알 수 없는 검은 얼룩이 발견되고 얼룩이 커져가면서 그녀의 사업과 일상도 흔들리게 되는데... 느슨한 미스터리 플롯에 중산층의 위기감과 미묘한 계급갈등을 능숙하게 엮어내는 수작. (2012년 제16회 부천국제판타스틱영화제)

An experimental collective film lasting little more than an hour, compiled from 10 episodes by a total of 14 different young Brazilian filmmakers. The project was an initiative of the directing duo Felipe Bragança and Marina Meliande, who sent a ‘letter of concern’ to inspire the participants. In it, a 16-year-old girl wrote about her dreams, which have been translated by the directors into films about love, youth and the possibilities of cinema.

Two men talk by a window while they observe the neighborhood.

Two men talk by a window while they observe the neighborhood.

Two men talk by a window while they observe the neighborhood.

The city outside and the city within. Inside: a couple starting to grow old. Outside: a city in constant flux - new buildings, a noisy airport, a troubling new neighbor, gossip. Things that never change amid things that change too fast. The fragmented everyday, seen through a lens that's indirect and selective. Rosa and Benjamin: What's absent or left unsaid tells as much as what comes inside a confining frame - what we put off-limits exposes what we take for granted.

Essay on Eva Nil, the first star of Brazilian cinema.

Clarisse notices a small green leaf growing out of her right arm.

Clarisse notices a small green leaf growing out of her right arm.

Unable to meet in the city, Alice and Alex embark on an emotional journey of love and loss.

A son and father must tell the mother the sad news.

A brief occurrence at the hospital waiting room.

Rafael sleeps. Rafael waits. Rafael hugs. Rafael lies down. Rafael cries.

Rafael sleeps. Rafael waits. Rafael hugs. Rafael lies down. Rafael cries.

Rafael sleeps. Rafael waits. Rafael hugs. Rafael lies down. Rafael cries.

Two animal road corpse removers end up finding a dead woman and decide to collect her body clandestinely.

Two animal road corpse removers end up finding a dead woman and decide to collect her body clandestinely.