Jodie Mack

Jodie Mack

Nacimiento : 1983-01-01, Londra

Historia

Jodie Mack is an English-born American experimental filmmaker and animator. She attended the University of Florida and earned her MFA in film, video, and new media at the School of the Art Institute of Chicago and teaches at Dartmouth College

Perfil

Jodie Mack

Películas

Mush
Director
16mm, color, silent
Wasteland No. 3: Moons, Sons
Editor
The third film in Mack's Wasteland series, Moons, Sons observes the rapid thaw of natural forms.
Wasteland No. 3: Moons, Sons
Director of Photography
The third film in Mack's Wasteland series, Moons, Sons observes the rapid thaw of natural forms.
Wasteland No. 3: Moons, Sons
Director
The third film in Mack's Wasteland series, Moons, Sons observes the rapid thaw of natural forms.
Quilting Instructions 1-14
Director
Culled from instructional publications like "101 Fabulous Rotary Cut Quilts" and "The Joy of Quilting," these cel-based animations - filmed "front and back" - take inspiration from mesmerizing computer graphics. Swelling and contracting in complexity, the loops linger and labor over product and means.
Brief Glimpses on the Way to Joy (Part 1)
Herself
A summing up of the spontaneous Super 8 filmmaking I have done over the past decade exploring nature, home, and friends using improvised distorting lenses, macro photography, and pixillation. I imagine that it would fit the film scholar P. Adams Sitney's definition of a " Quotidian Lyric". Music by 2 of my favorite percussion ensembles : Ensemble et. al. and TIGUE.
Wasteland No. 2: Hardy, Hearty
Director
Different temporalities collide as we see frozen ice cubes of flowers from the first bloom from Mack's garden being reunited with roots from the very same plants.
Hoarders Without Borders
Director of Photography
Featuring crystallized magic markers and the kidney stone of a horse, the generously-curated mineral collection of Mary Johnson comes to life in a manual labor of love for the process of archival procedure.
Hoarders Without Borders
Editor
Featuring crystallized magic markers and the kidney stone of a horse, the generously-curated mineral collection of Mary Johnson comes to life in a manual labor of love for the process of archival procedure.
Hoarders Without Borders
Director
Featuring crystallized magic markers and the kidney stone of a horse, the generously-curated mineral collection of Mary Johnson comes to life in a manual labor of love for the process of archival procedure.
The Grand Bizarre
Animation
A kinetic journey through the graphic motifs of textiles paired with figures and landscapes to explore the technological development of fabric production and consumption alongside systems of visual and spoken language. The piece investigates recurring graphic symbols and how their cross-cultural appropriation functions within a global economy.
The Grand Bizarre
Sound
A kinetic journey through the graphic motifs of textiles paired with figures and landscapes to explore the technological development of fabric production and consumption alongside systems of visual and spoken language. The piece investigates recurring graphic symbols and how their cross-cultural appropriation functions within a global economy.
The Grand Bizarre
Production Design
A kinetic journey through the graphic motifs of textiles paired with figures and landscapes to explore the technological development of fabric production and consumption alongside systems of visual and spoken language. The piece investigates recurring graphic symbols and how their cross-cultural appropriation functions within a global economy.
The Grand Bizarre
Editor
A kinetic journey through the graphic motifs of textiles paired with figures and landscapes to explore the technological development of fabric production and consumption alongside systems of visual and spoken language. The piece investigates recurring graphic symbols and how their cross-cultural appropriation functions within a global economy.
The Grand Bizarre
Cinematography
A kinetic journey through the graphic motifs of textiles paired with figures and landscapes to explore the technological development of fabric production and consumption alongside systems of visual and spoken language. The piece investigates recurring graphic symbols and how their cross-cultural appropriation functions within a global economy.
The Grand Bizarre
Music
A kinetic journey through the graphic motifs of textiles paired with figures and landscapes to explore the technological development of fabric production and consumption alongside systems of visual and spoken language. The piece investigates recurring graphic symbols and how their cross-cultural appropriation functions within a global economy.
The Grand Bizarre
Producer
A kinetic journey through the graphic motifs of textiles paired with figures and landscapes to explore the technological development of fabric production and consumption alongside systems of visual and spoken language. The piece investigates recurring graphic symbols and how their cross-cultural appropriation functions within a global economy.
The Grand Bizarre
Director
A kinetic journey through the graphic motifs of textiles paired with figures and landscapes to explore the technological development of fabric production and consumption alongside systems of visual and spoken language. The piece investigates recurring graphic symbols and how their cross-cultural appropriation functions within a global economy.
Wasteland No. 1: Ardent Verdant
Editor
The interconnected circuitry. The aggregated flora. Alternating currents of the visual field.
Wasteland No. 1: Ardent Verdant
Camera Operator
The interconnected circuitry. The aggregated flora. Alternating currents of the visual field.
Wasteland No. 1: Ardent Verdant
Director
The interconnected circuitry. The aggregated flora. Alternating currents of the visual field.
Curses
Director
Made entirely by hand from cut marbled paper, this odyssey of remnants re-imagines a dream-sequence love.
Something Between Us
Director
A choreographed motion study for twinkling trinkets, beaming baubles, and glaring glimmers. A bow ballet ablaze (for bedazzled buoyant bijoux brought up to boil).
Razzle Dazzle
Director
Tacky threads luminesce at a firefly’s pace, twinkling through remnants of chintzy opulence and gaudy glamour prestissimo brilliante.
Blanket Statement #2: It's All or Nothing
Director
A quilted call and response. A battle of extreme extremes.
Let Your Light Shine
Camera Operator
Eye candy as a special treat. Let Your Light Shine is the ultimate Spectrum Short film, a photokinetic stroboscopic spectacle for spectacles. A work in the tradition of the absolute animation film of the 1930s, which requires prismatic glasses to achieve the maximum result.
Let Your Light Shine
Editor
Eye candy as a special treat. Let Your Light Shine is the ultimate Spectrum Short film, a photokinetic stroboscopic spectacle for spectacles. A work in the tradition of the absolute animation film of the 1930s, which requires prismatic glasses to achieve the maximum result.
Let Your Light Shine
Director
Eye candy as a special treat. Let Your Light Shine is the ultimate Spectrum Short film, a photokinetic stroboscopic spectacle for spectacles. A work in the tradition of the absolute animation film of the 1930s, which requires prismatic glasses to achieve the maximum result.
Glistening Thrills
Director
A shiny otherworld of holographic reverie pairs dollar store gift bags and haunting resound, unfolding an effervescent melancholy in three parts. Mesmerising RGB bling-bling for the cinema, featuring compositions for bowed vibraphone by Elliot Cole.
Undertone Overture
Director
'Tie-dye' film study. Psychedelic patterns and colours mix on the various materials then explode onto the retina. The 16mm material perfectly captures the details of the materials.
New Fancy Foils
Director
Paper sample books discarded and dumpstered by long-gone businesses undergo a series of sequential experiments in pattern, rhythm, colour and text(ure). A call and response of flickering and lingering, this catalogue of catalogues remembers a tactile economy.
Dusty Stacks of Mom: The Poster Project
Director
Interweaving the forms of personal filmmaking, abstract animation, and the rock opera, this animated musical documentary examines the rise and fall of a nearly-defunct poster and postcard wholesale business; the changing role of physical objects and virtual data in commerce; and the division (or lack of) between abstraction in fine art and psychedelic kitsch. Using alternate lyrics as voice over narration, the piece adopts the form of a popular rock album reinterpreted as a cine-performance.
Yellowsaver
Director
A 2012 series of looped screensaver video art made by Jodie Mack
Persian Pickles
Director
A swimming study of paisley patterns traces this decorative motif from its origins in Persian weavings to appearances Irish quilting and American Counterculture. Extending on the stroboscopic tradition of anti-animation, this short material study fixates upon discarded materials to examine the decorative and its relationship to the cycles of industry and evolving modes of production. - Jodie Mack
Point de Gaze
Director
Named after a type of Belgian lace, this spectral study investigates intricate illusion and optical arrest.
Round and Round – Phenakistoscope Phun
Director
A scanned and spinning document of roughly forty phenakistoscopes made from discarded cardboard. Complete with digital scan glitches and singing by Perry Como.
Blanket Statement #1: Home Is Where the Heart Is
Director
Discordant dysfunction down to the nitty griddy.
Hollis Well
Director
Hollis Frampton's T-Shirt Collection - animated!
August Song
Director
Filmmaker Jodie Mack’s video animated short is the cat’s pajamas. Literally. The London-born experimental animator’s overlay of recycled everyday patterns and materials has a homey, patchwork quality well-suited to its just-barely-domesticated feline subjects. Its playful and eye-catching collage also offers us the chance to consider the relationship between fine-art sensibilities and the castoff items of mass-market design. – Robert Avila
The Future Is Bright
Director
The lyrics are from the musical "Finian's Rainbow," the carpets of color from Jodie Mack's inspired imagination. As with forebears like Len Lye and Oskar Fischinger, Mack's frame-by-frame animation translates line, texture and rhythm into pure kinetic energy. - Max Goldberg
Unsubscribe Nø. 4: The Saddest Song in the World
Director
Broken-hearted and mashed up.
Unsubscribe Nø. 4: The Saddest Song in the World
Producer
Broken-hearted and mashed up.
Unsubscribe Nø. 4: The Saddest Song in the World
Editor
Broken-hearted and mashed up.
Unsubscribe Nø. 4: The Saddest Song in the World
Cinematography
Broken-hearted and mashed up.
Unsubscribe #3: Glitch Envy
Producer
Junk mail detritus forms a handicraft salute to new media.
Unsubscribe #3: Glitch Envy
Cinematography
Junk mail detritus forms a handicraft salute to new media.
Unsubscribe #3: Glitch Envy
Director
Junk mail detritus forms a handicraft salute to new media.
Unsubscribe No. 2: All Eyes on the Silver Screen
Producer
Everybody's watching.
Unsubscribe No. 2: All Eyes on the Silver Screen
Director
Everybody's watching.
Unsubscribe No. 2: All Eyes on the Silver Screen
Cinematography
Everybody's watching.
Unsubscribe #1: Special Offer Inside
Producer
A flurry of security envelopes casts spells on the screen.
Unsubscribe #1: Special Offer Inside
Editor
A flurry of security envelopes casts spells on the screen.
Unsubscribe #1: Special Offer Inside
Director
A flurry of security envelopes casts spells on the screen.
Rad Plaid
Director
A series of chromatic intersections. Audience members form teams who respond to vertical lines by shouting "plaid" and to horizontal lines by shouting "rad". This approximation of the sound was recorded at the Anthology Film Archives in February, 2011.
Posthaste Perennial Pattern
Director
Rapid-fire florals and morning bird songs bridge interior and exterior, design and nature.
Harlequin
Director
A pattern parade followed by calm.
Screensaver #1
Director
A maximum cycle that celebrates mesmerizing computer graphics made for looping on a small, decoupaged monitor. Created for the "Post-Scarcity" show at 65GRAND Chicago in June, 2009.
Twilight Spirit
Director
A collaboration with Chicago’s Judson Claiborne that captures the desert hallucinations of David Morehouse, former CIA spy and author of Psychic Warriors.
Yard Work Is Hard Work
Music
A 28-minute musical that explores simultaneous disillusionment and hope in glorious color and song.
Yard Work Is Hard Work
Director
A 28-minute musical that explores simultaneous disillusionment and hope in glorious color and song.
Lilly
Director
Animated photo-negatives illustrate a WWII tragedy.
All Stars
Director
A bite-sized star punch exercise in direct animation with colored acetate.
Mannequins Harlequin
Director
A stroboscopic dance party.
A Joy
Director
Direct animation with stained-glass contact paper, ink, and acetate.
Ebullition
Director
Colors and bubbles bustle energetically via oil, ink and clear acetate.
Untitled (for R.)
Director
A study in foreground and background made with a video camera, a set of handmade filters, and a canoe.
Two-Hundred Feet
Director
Shapes shake nervously. Lines sway back and forth. The sun sets.