Jodie Mack
출생 : 1983-01-01, Londra
약력
Jodie Mack is an English-born American experimental filmmaker and animator. She attended the University of Florida and earned her MFA in film, video, and new media at the School of the Art Institute of Chicago and teaches at Dartmouth College
Director
16mm, color, silent
Editor
The third film in Mack's Wasteland series, Moons, Sons observes the rapid thaw of natural forms.
Director of Photography
The third film in Mack's Wasteland series, Moons, Sons observes the rapid thaw of natural forms.
Director
The third film in Mack's Wasteland series, Moons, Sons observes the rapid thaw of natural forms.
Director
Culled from instructional publications like "101 Fabulous Rotary Cut Quilts" and "The Joy of Quilting," these cel-based animations - filmed "front and back" - take inspiration from mesmerizing computer graphics. Swelling and contracting in complexity, the loops linger and labor over product and means.
Herself
A summing up of the spontaneous Super 8 filmmaking I have done over the past decade exploring nature, home, and friends using improvised distorting lenses, macro photography, and pixillation. I imagine that it would fit the film scholar P. Adams Sitney's definition of a " Quotidian Lyric". Music by 2 of my favorite percussion ensembles : Ensemble et. al. and TIGUE.
Director
Different temporalities collide as we see frozen ice cubes of flowers from the first bloom from Mack's garden being reunited with roots from the very same plants.
Director of Photography
Featuring crystallized magic markers and the kidney stone of a horse, the generously-curated mineral collection of Mary Johnson comes to life in a manual labor of love for the process of archival procedure.
Editor
Featuring crystallized magic markers and the kidney stone of a horse, the generously-curated mineral collection of Mary Johnson comes to life in a manual labor of love for the process of archival procedure.
Director
Featuring crystallized magic markers and the kidney stone of a horse, the generously-curated mineral collection of Mary Johnson comes to life in a manual labor of love for the process of archival procedure.
Animation
붕괴된 사회로부터 당도한 한 통의 엽서. 은 일상의 사물들을 끌어와 공간을 재해석하고 노동과 소외에 관한 경험을 기록한다. 팝 음악과 함께 흐르는 각종 패턴의 향연은 형상과 풍경의 짝을 찾아 나선다. 영화에 등장하는 직물, 여행, 언어 그리고 음악의 콜라주는 이들의 변신담이 세계 경제 안에서 어떻게 기능하게 되는지를 드러낸다.
Sound
붕괴된 사회로부터 당도한 한 통의 엽서. 은 일상의 사물들을 끌어와 공간을 재해석하고 노동과 소외에 관한 경험을 기록한다. 팝 음악과 함께 흐르는 각종 패턴의 향연은 형상과 풍경의 짝을 찾아 나선다. 영화에 등장하는 직물, 여행, 언어 그리고 음악의 콜라주는 이들의 변신담이 세계 경제 안에서 어떻게 기능하게 되는지를 드러낸다.
Production Design
붕괴된 사회로부터 당도한 한 통의 엽서. 은 일상의 사물들을 끌어와 공간을 재해석하고 노동과 소외에 관한 경험을 기록한다. 팝 음악과 함께 흐르는 각종 패턴의 향연은 형상과 풍경의 짝을 찾아 나선다. 영화에 등장하는 직물, 여행, 언어 그리고 음악의 콜라주는 이들의 변신담이 세계 경제 안에서 어떻게 기능하게 되는지를 드러낸다.
Editor
붕괴된 사회로부터 당도한 한 통의 엽서. 은 일상의 사물들을 끌어와 공간을 재해석하고 노동과 소외에 관한 경험을 기록한다. 팝 음악과 함께 흐르는 각종 패턴의 향연은 형상과 풍경의 짝을 찾아 나선다. 영화에 등장하는 직물, 여행, 언어 그리고 음악의 콜라주는 이들의 변신담이 세계 경제 안에서 어떻게 기능하게 되는지를 드러낸다.
Cinematography
붕괴된 사회로부터 당도한 한 통의 엽서. 은 일상의 사물들을 끌어와 공간을 재해석하고 노동과 소외에 관한 경험을 기록한다. 팝 음악과 함께 흐르는 각종 패턴의 향연은 형상과 풍경의 짝을 찾아 나선다. 영화에 등장하는 직물, 여행, 언어 그리고 음악의 콜라주는 이들의 변신담이 세계 경제 안에서 어떻게 기능하게 되는지를 드러낸다.
Music
붕괴된 사회로부터 당도한 한 통의 엽서. 은 일상의 사물들을 끌어와 공간을 재해석하고 노동과 소외에 관한 경험을 기록한다. 팝 음악과 함께 흐르는 각종 패턴의 향연은 형상과 풍경의 짝을 찾아 나선다. 영화에 등장하는 직물, 여행, 언어 그리고 음악의 콜라주는 이들의 변신담이 세계 경제 안에서 어떻게 기능하게 되는지를 드러낸다.
Producer
붕괴된 사회로부터 당도한 한 통의 엽서. 은 일상의 사물들을 끌어와 공간을 재해석하고 노동과 소외에 관한 경험을 기록한다. 팝 음악과 함께 흐르는 각종 패턴의 향연은 형상과 풍경의 짝을 찾아 나선다. 영화에 등장하는 직물, 여행, 언어 그리고 음악의 콜라주는 이들의 변신담이 세계 경제 안에서 어떻게 기능하게 되는지를 드러낸다.
Director
붕괴된 사회로부터 당도한 한 통의 엽서. 은 일상의 사물들을 끌어와 공간을 재해석하고 노동과 소외에 관한 경험을 기록한다. 팝 음악과 함께 흐르는 각종 패턴의 향연은 형상과 풍경의 짝을 찾아 나선다. 영화에 등장하는 직물, 여행, 언어 그리고 음악의 콜라주는 이들의 변신담이 세계 경제 안에서 어떻게 기능하게 되는지를 드러낸다.
Editor
The interconnected circuitry. The aggregated flora. Alternating currents of the visual field.
Camera Operator
The interconnected circuitry. The aggregated flora. Alternating currents of the visual field.
Director
The interconnected circuitry. The aggregated flora. Alternating currents of the visual field.
Director
Made entirely by hand from cut marbled paper, this odyssey of remnants re-imagines a dream-sequence love.
Director
A choreographed motion study for twinkling trinkets, beaming baubles, and glaring glimmers. A bow ballet ablaze (for bedazzled buoyant bijoux brought up to boil).
Director
Tacky threads luminesce at a firefly’s pace, twinkling through remnants of chintzy opulence and gaudy glamour prestissimo brilliante.
Director
A quilted call and response. A battle of extreme extremes.
Camera Operator
Eye candy as a special treat. Let Your Light Shine is the ultimate Spectrum Short film, a photokinetic stroboscopic spectacle for spectacles. A work in the tradition of the absolute animation film of the 1930s, which requires prismatic glasses to achieve the maximum result.
Editor
Eye candy as a special treat. Let Your Light Shine is the ultimate Spectrum Short film, a photokinetic stroboscopic spectacle for spectacles. A work in the tradition of the absolute animation film of the 1930s, which requires prismatic glasses to achieve the maximum result.
Director
Eye candy as a special treat. Let Your Light Shine is the ultimate Spectrum Short film, a photokinetic stroboscopic spectacle for spectacles. A work in the tradition of the absolute animation film of the 1930s, which requires prismatic glasses to achieve the maximum result.
Director
A shiny otherworld of holographic reverie pairs dollar store gift bags and haunting resound, unfolding an effervescent melancholy in three parts. Mesmerising RGB bling-bling for the cinema, featuring compositions for bowed vibraphone by Elliot Cole.
Director
'Tie-dye' film study. Psychedelic patterns and colours mix on the various materials then explode onto the retina. The 16mm material perfectly captures the details of the materials.
Director
Paper sample books discarded and dumpstered by long-gone businesses undergo a series of sequential experiments in pattern, rhythm, colour and text(ure). A call and response of flickering and lingering, this catalogue of catalogues remembers a tactile economy.
Director
Interweaving the forms of personal filmmaking, abstract animation, and the rock opera, this animated musical documentary examines the rise and fall of a nearly-defunct poster and postcard wholesale business; the changing role of physical objects and virtual data in commerce; and the division (or lack of) between abstraction in fine art and psychedelic kitsch. Using alternate lyrics as voice over narration, the piece adopts the form of a popular rock album reinterpreted as a cine-performance.
Director
A 2012 series of looped screensaver video art made by Jodie Mack
Director
A swimming study of paisley patterns traces this decorative motif from its origins in Persian weavings to appearances Irish quilting and American Counterculture. Extending on the stroboscopic tradition of anti-animation, this short material study fixates upon discarded materials to examine the decorative and its relationship to the cycles of industry and evolving modes of production. - Jodie Mack
Director
Named after a type of Belgian lace, this spectral study investigates intricate illusion and optical arrest.
Director
A scanned and spinning document of roughly forty phenakistoscopes made from discarded cardboard. Complete with digital scan glitches and singing by Perry Como.
Director
Discordant dysfunction down to the nitty griddy.
Director
Hollis Frampton's T-Shirt Collection - animated!
Director
Filmmaker Jodie Mack’s video animated short is the cat’s pajamas. Literally. The London-born experimental animator’s overlay of recycled everyday patterns and materials has a homey, patchwork quality well-suited to its just-barely-domesticated feline subjects. Its playful and eye-catching collage also offers us the chance to consider the relationship between fine-art sensibilities and the castoff items of mass-market design. – Robert Avila
Director
The lyrics are from the musical "Finian's Rainbow," the carpets of color from Jodie Mack's inspired imagination. As with forebears like Len Lye and Oskar Fischinger, Mack's frame-by-frame animation translates line, texture and rhythm into pure kinetic energy. - Max Goldberg
Director
Broken-hearted and mashed up.
Producer
Broken-hearted and mashed up.
Editor
Broken-hearted and mashed up.
Cinematography
Broken-hearted and mashed up.
Producer
Junk mail detritus forms a handicraft salute to new media.
Cinematography
Junk mail detritus forms a handicraft salute to new media.
Director
Junk mail detritus forms a handicraft salute to new media.
Producer
Everybody's watching.
Director
Everybody's watching.
Cinematography
Everybody's watching.
Producer
A flurry of security envelopes casts spells on the screen.
Editor
A flurry of security envelopes casts spells on the screen.
Director
A flurry of security envelopes casts spells on the screen.
Director
A series of chromatic intersections. Audience members form teams who respond to vertical lines by shouting "plaid" and to horizontal lines by shouting "rad". This approximation of the sound was recorded at the Anthology Film Archives in February, 2011.
Director
Rapid-fire florals and morning bird songs bridge interior and exterior, design and nature.
Director
A pattern parade followed by calm.
Director
A maximum cycle that celebrates mesmerizing computer graphics made for looping on a small, decoupaged monitor. Created for the "Post-Scarcity" show at 65GRAND Chicago in June, 2009.
Director
A collaboration with Chicago’s Judson Claiborne that captures the desert hallucinations of David Morehouse, former CIA spy and author of Psychic Warriors.
Music
A 28-minute musical that explores simultaneous disillusionment and hope in glorious color and song.
Director
A 28-minute musical that explores simultaneous disillusionment and hope in glorious color and song.
Director
Animated photo-negatives illustrate a WWII tragedy.
Director
A bite-sized star punch exercise in direct animation with colored acetate.
Director
A stroboscopic dance party.
Director
Direct animation with stained-glass contact paper, ink, and acetate.
Director
Colors and bubbles bustle energetically via oil, ink and clear acetate.
Director
A study in foreground and background made with a video camera, a set of handmade filters, and a canoe.
Director
Shapes shake nervously. Lines sway back and forth. The sun sets.
