Nouri Bouzid
Nacimiento : 1945-01-01, Sfax, Tunisia
Screenplay
In late 2013, Zina and Djo, both in their twenties, come back to Tunisia from the Syrian front where they were sequestrated and raped. Zina was separated from her two-month-old child and Djo finds out she's pregnant and plunges into mutism and expresses her Syrian horror only in the novel she is writing. Tunisian lawyer, Nadia and Dora, a humanitarian doctor, assist them in their hard and lengthy reconstruction; impeded by the violence of their close circles, the harsh view on the social networks and their angst. Nadia, also Driss' lawyer, a 21-year-old persecuted homosexual who's been banned from all school establishments, asks him to help Zina in the hopes that their stirring meeting will allow them to open their black boxes, to assume themselves and stand up to the unjust society.
Director
In late 2013, Zina and Djo, both in their twenties, come back to Tunisia from the Syrian front where they were sequestrated and raped. Zina was separated from her two-month-old child and Djo finds out she's pregnant and plunges into mutism and expresses her Syrian horror only in the novel she is writing. Tunisian lawyer, Nadia and Dora, a humanitarian doctor, assist them in their hard and lengthy reconstruction; impeded by the violence of their close circles, the harsh view on the social networks and their angst. Nadia, also Driss' lawyer, a 21-year-old persecuted homosexual who's been banned from all school establishments, asks him to help Zina in the hopes that their stirring meeting will allow them to open their black boxes, to assume themselves and stand up to the unjust society.
Director
Writer
A Tunisian breakdancer falls in with fundamentalists with designs to turn the young man into a suicide bomber.
Director
A Tunisian breakdancer falls in with fundamentalists with designs to turn the young man into a suicide bomber.
Writer
The 40-year-old Omrane is in charge to find maid placements in Tunis for the girls from his village. But the most rebel of the girls has escaped and he has to look for her to get her back in the right path. The girl refuses to lose the freedom she just obtained. For her part, the young Fedlah who was enthusiastic by going to town quickly discovers a world where childhood doesn't belong to.
Director
The 40-year-old Omrane is in charge to find maid placements in Tunis for the girls from his village. But the most rebel of the girls has escaped and he has to look for her to get her back in the right path. The girl refuses to lose the freedom she just obtained. For her part, the young Fedlah who was enthusiastic by going to town quickly discovers a world where childhood doesn't belong to.
Production Design
An 18 year old on the island Djerba, Aicha, is married to Said, who works in Tunis for much of the year. Aicha breaks with tradition and decides to join Said in Tunis, weaving rugs to make money. Said asks that she give him a son, so Aicha lives under the rule of her mother-in-law.
Writer
An 18 year old on the island Djerba, Aicha, is married to Said, who works in Tunis for much of the year. Aicha breaks with tradition and decides to join Said in Tunis, weaving rugs to make money. Said asks that she give him a son, so Aicha lives under the rule of her mother-in-law.
Writer
Three well-educated North African women cope with sexual stereotyping in modern Tunisia.
Amina a married Muslim woman living in Tunis with her two daughters. Even though she is allowed certain freedoms as a Muslim woman this is curtailed when she meets her old friend from school Aida.
Director
Three well-educated North African women cope with sexual stereotyping in modern Tunisia.
Amina a married Muslim woman living in Tunis with her two daughters. Even though she is allowed certain freedoms as a Muslim woman this is curtailed when she meets her old friend from school Aida.
Writer
1967. En la Goulette, una pequeña ciudad portuaria tunecina, conviven en perfecta armonía distintos grupos étnicos. Yousseí, el musulmán, Jojo, el judío tunecino, y Giuseppe, el siciliano católico, eran tan inseparables como sus tres hijas de 16 años. En una especie de conspiración adolescente, las tres chicas deciden perder su virginidad el 15 de Agosto, el día de la Virgen. Lo malo es que se fijan en chicos de distinta religión, lo que supone violar un tabú. Todo ello ocurre en vísperas de la guerra de los Seis Días, contienda que enfrentará para siempre a judíos y musulmanes.
Writer
The death of a prince brings a young woman back to the palace where she was born into servitude. The lingering legacy is brought into light from behind frosted windows and velvet curtains.
Director
The second Gulf War from 1990 to 1991 represents in the collective Arab memory a turning point in regards to the Arab nationalism’s self-perception as well as a moment of deep historical and existential insecurity. Five Arab directors discuss the events from their personal perspective.
Writer
Francia /// Fred, fotógrafo de profesión, viaja a Túnez para hacer un reportaje sobre los Bezness, jóvenes gigolós que venden sus encantos a los turistas de todas las edades y sexos. Explorando este mundo en el que la imagen es una violación y su representación un tabú, Fred conoce a Roufa, hermoso y seductor moreno que vive de su cuerpo y sueña con partir a Europa. Desde ese momento, Fred se convertirá en el protegido de Roufa para poder adentrarse en el mundo de esta juventud en el que cohabitan tradición y modernidad
Director
Francia /// Fred, fotógrafo de profesión, viaja a Túnez para hacer un reportaje sobre los Bezness, jóvenes gigolós que venden sus encantos a los turistas de todas las edades y sexos. Explorando este mundo en el que la imagen es una violación y su representación un tabú, Fred conoce a Roufa, hermoso y seductor moreno que vive de su cuerpo y sueña con partir a Europa. Desde ese momento, Fred se convertirá en el protegido de Roufa para poder adentrarse en el mundo de esta juventud en el que cohabitan tradición y modernidad
Writer
Retrato de la alegre, sensual y mediterránea sociedad tunecina a través de los ojos adolescentes de Noura, de 12 años. (FILMAFFINITY)
Writer
Youssef Soltane, a 45-year-old Tunisian intellectual, is the product of a generation that lived the era of euphoria and great ideologies in the sixties, and their subsequent failure. He was incarcerated and tortured for his political opinions. Furthermore, his relationship with Zineb, a young, beautiful bourgeois, only brings him more trouble. During one long winter night, Youssef wanders in search of an emotional haven, prey to all the questions that flood his memory.
Director
Youssef Soltane, a 45-year-old Tunisian intellectual, is the product of a generation that lived the era of euphoria and great ideologies in the sixties, and their subsequent failure. He was incarcerated and tortured for his political opinions. Furthermore, his relationship with Zineb, a young, beautiful bourgeois, only brings him more trouble. During one long winter night, Youssef wanders in search of an emotional haven, prey to all the questions that flood his memory.
Writer
In the ensuing days before his wedding bridegroom Hachemi faces both the anxieties of the future and the shadows of the past. His best friend, Farfat, is the topic of street graffiti and local gossip, which calls his manhood into question. This ripples out to affect Hachemi for, unbeknownst to anyone, as apprenticed youths they were molested by Ameur, the local carpenter. Farfat is banished from his father's home and the shared secret between the two friends threatens to undo more than just the wedding, but their very lives.
Director
In the ensuing days before his wedding bridegroom Hachemi faces both the anxieties of the future and the shadows of the past. His best friend, Farfat, is the topic of street graffiti and local gossip, which calls his manhood into question. This ripples out to affect Hachemi for, unbeknownst to anyone, as apprenticed youths they were molested by Ameur, the local carpenter. Farfat is banished from his father's home and the shared secret between the two friends threatens to undo more than just the wedding, but their very lives.