Raphaël Lefèvre

Es verano en un pequeño pueblo del sureste de España. Una tormenta amenaza con volver a desbordar el río que lo atraviesa. Una vieja creencia popular afirma que algunas mujeres están predestinadas a desaparecer con cada nueva inundación porque tienen "el agua adentro". Ana (Luna Pamies) vive con su madre (Bárbara Lennie) y con su abuela (Nieve de Medina) en una casa a la que el resto del pueblo mira con suspicacia. En medio de la atmósfera eléctrica que precede a la lluvia, Ana conoce a José (Alberto Olmo) a la vez que lucha por aventar a los fantasmas.

The story of a young woman who will never fit in but whom the cinema, because it is able to appreciate her extraordinary existence, helps her to find her own special place in the world.

Claire Doyon met Isabelle Caroline at the 'plan autism' in Paris in 2017. They immediately became friends. In this film, Claire Doyon stages Isabelle in a rose garden and questions her about her autism, her relationship to pain, her hypersensoriality, her love of roses. Claire is looking for answers to try to better understand her daughter, Isabelle lends herself to the game and confides.

After a long night of partying, Nora announces to her friends that she is going to leave them for good. Adrift, the little group spends their last hours together in a bittersweet atmosphere, but Leo, the quietest of the group, slowly sinks into deep distress.

A car drives along the French coasts. Inside, a father takes his daughter to Paris to begin her student life, a new life in an unknown city, far from her childhood and far from him. This one to one journey is their first, maybe their last. Nothing seems exceptional but both of them know they'll have to say goodbye.

The power plant has been closed down for a while, but one of the turbines is still running. A solitary worker, who’s most likely dedicated all of his life to this big dying monster, is finally forced to face reality. He’s got only one friend − his big black and white canine companion. Almost with no words and with a great irruption of archive material, Julietta Korbel portrays this man and the Chavalon power plant with the gentleness of who’s shooting a real-life documentary subject.

Chady and David work on cargo ships on Lake Geneva. They are both foreigners in Switzerland. On the oscillating waters of the lake, the young men, who are haunted by the memories of their home countries, share secrets, memories and the same feeling of being uprooted. A strange intimacy forms between the two men.

En el sur de España, una peculiar carrera de pichones pintados a mano premiará no al más rápido, sino a aquel que consiga seducir a una pichona y volar el mayor tiempo posible a su lado.

M da voz a un hombre que fue víctima de abusos sexuales en su infancia, que denunció a los medios tras grabar la confesión de uno de sus agresores.

Paris, verano de 1979. Anne, una productora de películas porno gay baratas, es una mujer violenta, víctima del alcohol y de sus propios demonios. Cuando Loïs, su editora y pareja, la abandona tras años de relación, Anne queda destrozada. Desesperada y decidida a reconquistarla, hace una película mucho más ambiciosa. Pero un asesino misterioso enmascarado merodea en su entorno y esto alterará su vida.

One summer afternoon, a little theater of desire and domination, tender and sometimes cruel, is established between the young waiters and clients in a Provence bar.

One summer afternoon, a little theater of desire and domination, tender and sometimes cruel, is established between the young waiters and clients in a Provence bar.

One summer afternoon, a little theater of desire and domination, tender and sometimes cruel, is established between the young waiters and clients in a Provence bar.

Amel is a young photographer. When she loses her husband, her life changes. Encouraged by her father-in-law, she takes a taste of life by photographing street boys. Without fear of being scandalous, she makes the choice to look at men as men look at women.

A sexual reverie unfolds over the course of one ethereal night. Characters wander through an erotic maze of love and lust, blurring the lines between wet dream and lucid nightmare as a macabre, erotic stage performance sends a ripple of lustful desires through its audience and performers.

Fernando decide enfrentarse a la naturaleza contaminada de Tras-os-Montes en busca de cigüeñas negras, una especie en vías de extinción. Mientras observa a estos animales salvajes a bordo de su canoa, vuelca debido a los rápidos. Salvado milagrosamente por dos turistas chinas que se perdieron recorriendo el camino hacia Santiago de Compostela, escapa al bosque a la espera de encontrar la senda de regreso. El bosque, salvaje y misterioso, no tarda en mostrar su lado oscuro, sembrando a su paso obstáculos y encuentros cuanto menos inquietantes. El suyo será un viaje iniciático hacia la búsqueda de sí mismo, de una iluminación mística pasoliniana, de lo pagano a lo divino.

A village in southern Spain. On a hot summer afternoon, a woman grabs a rabbit, strokes it, then kills it with her bare hands before skinning it. Her grandchildren witness this rite of death which they will never forget. The streets echo with an ancestral legend which has it that the spirit of a woman with a broken heart prowls at night, so that she will not be forgotten.

That evening, Victor, aged thirteen, does not want to go home. Also, ayoung woman, Sandrine, pushes away the the moment when she will find her lonely flat. Night is falling, in Orléans, shortly before Christmas.

After years of exile, Rafa returns to his village in the south of Spain and has to face all the ghosts left behind.

A triptych of short stereoscopic films by Peter Greenaway, Jean-Luc Godard and Edgar Pêra. Includes "The Three Disasters" by Godard, "Cinesapiens" by Pêra and "Just in Time" by Greenaway.

Una pareja y su sirvienta travesti planean una orgía. Entre los invitados, se esperan La perra, La estrella, El semental y El adolescente. Eso sí, antes de entrar en materia, deberán conocerse unos a otros.

Part memoir, part city symphony, part noir-ish B-movie adventure, the new feature from critically acclaimed film-making duo João Pedro Rodrigues and João Rui Guerra da Mata (To Die Like a Man) is a sensual, shape-shifting ode to one of the world's most mythic, alluring and exoticized cities.

Part memoir, part city symphony, part noir-ish B-movie adventure, the new feature from critically acclaimed film-making duo João Pedro Rodrigues and João Rui Guerra da Mata (To Die Like a Man) is a sensual, shape-shifting ode to one of the world's most mythic, alluring and exoticized cities.

In the darkness of their respective rooms, two girls, in love with one another, converse on the Internet. But something is broken.

Fanny and Simon, two young people of hardly twenty years, flee an industrial park and sink into the mountain. An unfortunate incident, arisen on their workplace, binds them in a common adventure. Along the way, they seduce and learn to know each other. The discovery, in the middle of nowhere, of a mysterious object, is going to tip over their fate.

A film by Stefan Lauper.