Georges Barsky

This second feature in Nacer Khemir's Desert Trilogy is a visually ravishing folktale reminiscent of "The Thousand and One Nights." The story revolves around Hassan, who is studying Arabic calligraphy from a grand master. Coming across a fragment of manuscript, Hassan goes in search of the missing pieces, believing that once he finds them, he will learn the secrets of love. With the help of Zin, a lovers’ go-between, he meets the beautiful Aziz, Princess of Samarkand. After encountering wars, a battle between false prophets and an ancient curse, he learns that an entire lifetime would not suffice for him to learn the many dimensions of love.

Retrato de la alegre, sensual y mediterránea sociedad tunecina a través de los ojos adolescentes de Noura, de 12 años. (FILMAFFINITY)

Director Stanislav Stanojevic's award-winning drama tells eight stories of people whose human rights have been violated by their governments. Set in Zaire, Uruguay and several European countries, the stories all take place on November 10, 1983. Starring Juliette Andres, Anamaria Castro and Laurence Wistoursky, the film depicts the struggle of unjustly persecuted people trying to hold on to their dignity.

When his father dies a young man has the choice to continue the farmwork of his old man who suffered because of the hard labour and all the regulations.

Un cuarentón en paro se va a la aventura al sur de Francia, donde conocerá a una joven actriz.

Cuatro hombres violan una noche a una enfermera en Grenoble. La mujer cree que jamás se recuperará del trauma. Sigue el consejo de una amiga y presenta una demanda.

Pierre, a young man of Brussels, has lost his job. Unbeknowst to Barbara, the woman he lives with, he has become a pickpocket to survive. He works in partnership with a young Tunisian immigrant he meets every Sunday in an abandoned bus where they share the loot of the week. One day, Pierre finds his accomplice dead in their hiding place. Pierre suddenly realizes that he does not know much about his dead friend. Taking possession of his identity papers, Pierre decides to go to Tunisia to find out who his friend actually was.

Pignon y Melville son dos inspectores de policía encargados de investigar la violación y el asesinato de una joven a las afueras de una ciudad al sur de Francia. El curso de la investigación les lleva a la residencia de un rico industrial, cercana al lugar en el que ocurrió el crimen. (FILMAFFINITY)

Claire (Bulle Ogier) returns to France following the death of her actress friend Agathe (Loleh Bellon). She attends an auction of her friend's possessions, provoking memories of the past. As her camera glides across the auction house bric-a-brac, Yanick Bellon mixes past, present and future to create a delicate piece of cinematic poetry. Set to the music of Georges Delerue.

A semi-fictional account on the fatidic September 11, 1973, when the military commanded by General Pinochet took over the power from socialist president Salvador Allende, initiating a dictatorship that lasted until 1988 causing the deaths and disappearances of many people.

Cuando su madre muere, la policía quiere hablar con Aden Rey, pero Aden, un hombre epiléptico con un profundo sentimiento de culpa, ha huido al desierto. Allí se encuentra con Marvel, un hombre sin civilizar. Aden, Marvel y la cabra de éste se hacen compañeros a través de diversos viajes, una boda, el interrogatorio sobre el papel de Aden en la muerte de su madre, un juicio, muertes adicionales y comidas varias. También hay flashbacks relacionados con la infancia de Aden y su relación con su madre. Mientras, la policía intensifica sus esfuerzos para encontrar a Aden. (FILMAFFINITY)

El novio de Isabelle acaba de suicidarse. La joven vaga por las calles de París hasta que decide dar un cambio radical de vida y abandonar la ciudad. Viaja a la costa, donde conoce a un joven profesor de historia...

Octave, a young painter, realizes that his wife Marianne has left without a word or explanation. With his best friend Alfred he wanders the streets of Paris, in search of Marianne.

A genuine performance film as Bernadette Laffont and Bulle Ogier engage, with reckless abandon, in a flurry of senseless destruction in a house at night. Somewhere between a hallucination and a nightmare. Both the explosive soundtrack and narration that accompanies the mayhem was provided by François Tusques.

Rita is a girl that lives on taking gangsters as lovers. But when the money stops coming, she swears revenge.

An Anglo-French production, directed by Pierre Jallaud, and for Open University Productions. This is a background sketch on the about-to-be-unveiled supersonic airplane.

Durante un paseo por los acantilados no lejos de Marsella, Elisa Langerot ve a su marido resbalar y caer hasta morir. Inexplicablemente, Elisa huye del lugar del accidente, detiene a un conductor que pasa y le cuenta una historia inventada sobre un automóvil robado, ocultando la muerte de su esposo. Sintiendo pena por la niña, el conductor, Philippe Morçot, la lleva y luego la deja quedarse en su casa. La buena acción, sin embargo, no queda impune, y pronto Philippe se ve arrastrado al mundo crepuscular de fantasías, mentiras y paranoia de Elisa.

Rodada en España, en 1963, e inspirada en un poema de Pierre Emmanuel. Sucesión de imágenes de ruinas, de fiestas y de la vida cotidiana española. Este corto le sirvió al director para obtener las imágenes de la España franquista que necesitaba para rodar "Mourir à Madrid".

Morir en Madrid, reúne varios documentos sobre la Guerra Civil Española y los integra capturando diferentes puntos de vista, destinados a representar la continuidad del sufrimiento de los españoles durante el régimen de Franco. La muerte de Federico García Lorca, Guernica, la defensa de Madrid, las brigadas internacionales, son algunas de las referencias que componen este documento.

The heroine in L'Eau Vive is the unwilling heir to a fortune. Young Hortense (Pascale Audret) has always known that her family was greedy, but until she inherits her father's hidden millions she has no idea how loathsome her relatives could be. Surrounded on all sides by grubby, outstretched hands, Hortense takes some comfort in the fact that her legacy is still missing. When the money is finally recovered, our heroine does the "right thing" with her windfall, leaving her mercenary family empty-handed. Throughout the film, Hortense's dilemma is likened to a government dam project not far from her home; as the bridge grows in size, so too does Hortense's resolve to rise above the nastiness all around her.