Georges Barsky

This second feature in Nacer Khemir's Desert Trilogy is a visually ravishing folktale reminiscent of "The Thousand and One Nights." The story revolves around Hassan, who is studying Arabic calligraphy from a grand master. Coming across a fragment of manuscript, Hassan goes in search of the missing pieces, believing that once he finds them, he will learn the secrets of love. With the help of Zin, a lovers’ go-between, he meets the beautiful Aziz, Princess of Samarkand. After encountering wars, a battle between false prophets and an ancient curse, he learns that an entire lifetime would not suffice for him to learn the many dimensions of love.

Twelve-year-old Noura dangles uncertainly in that difficult netherworld between childhood and adulthood. His growing libido has gotten him banned from the women's baths, where his mother took him when he was younger, but he's not yet old enough to participate in grown-up discussions with the men of his Tunisian village. Noura's only real friend is a troublemaker named Salih -- the village political outcast.

Director Stanislav Stanojevic's award-winning drama tells eight stories of people whose human rights have been violated by their governments. Set in Zaire, Uruguay and several European countries, the stories all take place on November 10, 1983. Starring Juliette Andres, Anamaria Castro and Laurence Wistoursky, the film depicts the struggle of unjustly persecuted people trying to hold on to their dignity.

When his father dies a young man has the choice to continue the farmwork of his old man who suffered because of the hard labour and all the regulations.

Nicole, nurse in Grenoble, is raped one night by four men. Deeply scarred, emotionally and physically, she thinks she will never recover from the trauma. Following a friend's advice, she decides to file a lawsuit.

Pierre, a young man of Brussels, has lost his job. Unbeknowst to Barbara, the woman he lives with, he has become a pickpocket to survive. He works in partnership with a young Tunisian immigrant he meets every Sunday in an abandoned bus where they share the loot of the week. One day, Pierre finds his accomplice dead in their hiding place. Pierre suddenly realizes that he does not know much about his dead friend. Taking possession of his identity papers, Pierre decides to go to Tunisia to find out who his friend actually was.

Claire (Bulle Ogier) returns to France following the death of her actress friend Agathe (Loleh Bellon). She attends an auction of her friend's possessions, provoking memories of the past. As her camera glides across the auction house bric-a-brac, Yanick Bellon mixes past, present and future to create a delicate piece of cinematic poetry. Set to the music of Georges Delerue.

A semi-fictional account on the fatidic September 11, 1973, when the military commanded by General Pinochet took over the power from socialist president Salvador Allende, initiating a dictatorship that lasted until 1988 causing the deaths and disappearances of many people.

Running away from the police, Aden goes to the desert where he meets an uncivilized man who has a special link with Mother-Earth. He ends up by convincing the hermit to come along with him into another desert... the big town!

The boyfriend of Isabelle has just committed suicide. Therefore Isabelle roams the streets of Paris until she decides to change her life radically and leave the city. She travels to the coast where she meets a young history professor on the beach...

Octave, a young painter, realizes that his wife Marianne has left without a word or explanation. With his best friend Alfred he wanders the streets of Paris, in search of Marianne.

A genuine performance film as Bernadette Laffont and Bulle Ogier engage, with reckless abandon, in a flurry of senseless destruction in a house at night. Somewhere between a hallucination and a nightmare. Both the explosive soundtrack and narration that accompanies the mayhem was provided by François Tusques.

Rita is a girl that lives on taking gangsters as lovers. But when the money stops coming, she swears revenge.

An Anglo-French production, directed by Pierre Jallaud, and for Open University Productions. This is a background sketch on the about-to-be-unveiled supersonic airplane.

During a walk along the cliffs not far from Marseille, Elisa Langerot sees her husband slip and fall to his death. Inexplicably, Elisa flees the scene of the accident, stops a passing driver and tells him a made-up story about a stolen car, concealing her husband's death. Feeling sorry for the girl, the driver, Philippe Morçot, gives her a lift and later lets her stay at his house. The good deed, however, doesn't go unpunished, and soon Philippe is drawn into Elisa's twilight world of fantasies, lies and paranoia.

Morir en Madrid brings together several papers on the Spanish Civil War and integrates capturing different points of view, intended to represent the continuity of the suffering of the Spanish during the Franco regime. The death of Federico Garcia Lorca, Guernica, the defense of Madrid, the International Brigades, are some of the items comprised in this document.

The heroine in L'Eau Vive is the unwilling heir to a fortune. Young Hortense (Pascale Audret) has always known that her family was greedy, but until she inherits her father's hidden millions she has no idea how loathsome her relatives could be. Surrounded on all sides by grubby, outstretched hands, Hortense takes some comfort in the fact that her legacy is still missing. When the money is finally recovered, our heroine does the "right thing" with her windfall, leaving her mercenary family empty-handed. Throughout the film, Hortense's dilemma is likened to a government dam project not far from her home; as the bridge grows in size, so too does Hortense's resolve to rise above the nastiness all around her.