Editor
Miles de años después de la destrucción de la civilización por un cataclismo, la humanidad se ha adaptado y, ahora, existen gigantescas ciudades en movimiento que vagan por la tierra sobre enormes ruedas absorbiendo a los pueblos más pequeños para obtener recursos. En una de esas colosales urbes Tom Natsworthy (Robert Sheehan), proveniente de la clase baja de Londres, deberá luchar por su vida junto a la peligrosa fugitiva Hester Shaw (Hera Hilmar). Dos opuestos, cuyos caminos nunca debieron cruzarse, forman una peculiar alianza destinada a cambiar el curso del futuro.
Editor
Un estudiante de interpretación usa el escándalo familiar de su novia como material para crear la función de fin de curso de la escuela de arte dramático.
Editor
Shakespeare’s tale of teen love reimagined as a rock opera set in a beachside caravan park. A triumphant blast of style and 21st-century Kiwi trailer trash pop. Classic tragedy probably shouldn’t be quite this much fun.
Additional Editor
Behind the scenes look at the cult comedy series about Kiwi folk musicians Bret and Jemaine trying to make it big in their adopted home of New York. It follows the duo in the United States before and after the release of the first series, as they speak candidly about the road to fame, and we meet the other personalities, cast and crew that helped make their show a smash hit in America, NZ and the rest of the world. As Bret McKenzie's long-term partner, director Hannah Clarke was in a unique position to gain access to the Conchords at their most relaxed, as well as their most frantic and exhausted, and was able to get an up-close-and-personal glimpse into this experience. Through her insider's eye we are granted an intimate look into the lives of this great comedy act and discover how they won the hearts of America.
Editor
For the last two years, Ben has watched his best friend Phil have a sickeningly fantastic relationship with Maryann, the woman Phil snatched from under his nose. When Phil says he’s moving to Australia, this ‘perfect’ relationship starts to fall apart. Maryann asks Ben to fix things up. Unfortunately the more time Ben spends with Maryann, the more he’s attracted to her.
Editor
New Zealand’s first CGI short film gives “eyes on the road” a new meaning as a pair of eyeballs drive to a mind-bending purgatory. A collaboration between visual effects man John Sheils and his brother Michael, Scream was shot in early 1991; finally 25 minutes of footage was “brutally” edited down to three, and fulsomely scored by John Gibson. The sly ‘based on true events’ title-card nods to the makers’ ambitions to “treat animation like live action.” In 1994 it screened in NZ cinemas as opener to the ILM wizardry of Jim Carrey hit The Mask, followed by a number of overseas festivals.
