Jonno Woodford-Robinson

헤스터 쇼는 알 수 없는 이유로 런던 최상류층이자 새로운 견인도시 시스템을 정착시킨 과학자 발렌타인을 살해하려 한다. 발렌타인을 평소 존경하던 하위계층 톰 내츠워디가 이를 목격하고 저지하는데 발렌타인의 음모에 의해 헤스터와 톰이 모두 런던 바깥으로 쫓겨나고 만다. 아무것도 모른 채 시키는 대로만 살아온 톰은 발렌타인 때문에 비운의 삶을 살게 된 헤스터 옆을 졸졸 따라다니면서 세상 돌아가는 풍경과 권력자들의 음모, 이를 저지하려는 반견인도시연맹 세력들과 만난다.

First-year acting student Stanley mines his girlfriend's family scandal as material for the end-of-year show at drama school. The result is a moral minefield.

Shakespeare’s tale of teen love reimagined as a rock opera set in a beachside caravan park. A triumphant blast of style and 21st-century Kiwi trailer trash pop. Classic tragedy probably shouldn’t be quite this much fun.

Behind the scenes look at the cult comedy series about Kiwi folk musicians Bret and Jemaine trying to make it big in their adopted home of New York. It follows the duo in the United States before and after the release of the first series, as they speak candidly about the road to fame, and we meet the other personalities, cast and crew that helped make their show a smash hit in America, NZ and the rest of the world. As Bret McKenzie's long-term partner, director Hannah Clarke was in a unique position to gain access to the Conchords at their most relaxed, as well as their most frantic and exhausted, and was able to get an up-close-and-personal glimpse into this experience. Through her insider's eye we are granted an intimate look into the lives of this great comedy act and discover how they won the hearts of America.

For the last two years, Ben has watched his best friend Phil have a sickeningly fantastic relationship with Maryann, the woman Phil snatched from under his nose. When Phil says he’s moving to Australia, this ‘perfect’ relationship starts to fall apart. Maryann asks Ben to fix things up. Unfortunately the more time Ben spends with Maryann, the more he’s attracted to her.

New Zealand’s first CGI short film gives “eyes on the road” a new meaning as a pair of eyeballs drive to a mind-bending purgatory. A collaboration between visual effects man John Sheils and his brother Michael, Scream was shot in early 1991; finally 25 minutes of footage was “brutally” edited down to three, and fulsomely scored by John Gibson. The sly ‘based on true events’ title-card nods to the makers’ ambitions to “treat animation like live action.” In 1994 it screened in NZ cinemas as opener to the ILM wizardry of Jim Carrey hit The Mask, followed by a number of overseas festivals.