Dipankar Chaki

Crime reporter Vidhi investigates the sudden disappearance of a college student. While society associates different theories for his disappearance, what really is the true story?

A young Sardar Udham Singh left deeply scarred by the Jallianwala Bagh massacre, escaped into the mountains of Afghanistan, reaching London in 1933-34. Carrying an unhealed wound for 21 years, the revolutionary assassinated Michael O’Dwyer on 13th March, 1940, the man at the helm of affairs in Punjab, April 1919 to avenge the lost lives of his beloved brethren.

Shankar Mudi (শংকর মুদি) is a Bengali Political drama film directed by Aniket Chattopadhyay and produced by Kaustuv Ray.[1] This film was released on 15 March 2019 under the banner of RP Techvision India Private Limited. Bengali Actor-Director Shri Kaushik Ganguly plays the Titular role[2][3] and music direction of the film was made by Kabir Suman.[4]

Dan (Varun Dhawan) es un joven de 21 años que trabaja como interno en prácticas en un hotel. Comparte con sus compañeros del trabajo sus confidencias del día a día e inquietudes. Allí conoce a Shiuli (Banita Sandhu), otra interna en prácticas en el hotel. Todo transcurre con normalidad cuando de pronto una serie de acontecimientos revolucionan las vidas de estos dos jóvenes, precipitándolos a un vínculo sentimental muy intenso.

Taxi driver Phanishwar is living with a mysterious girl, Nanaam, who he keeps in chains. When a medical student, Rami, a victim of revenge porn leaked online by an ex-boyfriend, seeks refuge in Goa, she stumbles into the strange but placid lives of Phanishwar and Nanaam.

A Hindu woman elopes with her Muslim lover, moving with him to Syria. Eventually separated by war, she cares for their handicapped child on her own

Three single women, a professor, a banker, and a journalist, who are best friends, share their happy and joyous moments and support each other through hard times.

The film recounts the love story of Amit Ray, a barrister educated at Oxford, whose virulent intellectualism reveals itself in its opposition to all forms of tradition. He meets Labanya in a car accident and the romance builds up in the misty hills of Shillong. The iconoclastic Amit clashes with the sincerely simple Labanya. Labanya releases Amit's own submerged depth of sincerity, which he finds hard to adjust to. The struggle makes him a curiously pathetic figure. The tragedy is understood by the girl who releases him from his troth and disappears from his life.

Nirbaak is a hyperlink narrative comprising four love stories connected by a single woman. Every love story comprises one entity which is silent and thus Nirbaak (Speechless)

Focusing on the predicaments of those born with genetic defect causing dwarfism, the film is the love story between Khoka and Soma.

On a lunar eclipse midnight, in a desolate temple, six young newlywed couples and a priestess meet after a mass wedding. They sit in a circle and talk. This their last conversation - an exchange about life, death, beginning, end and every thing in between.

On a lunar eclipse midnight, in a desolate temple, six young newlywed couples and a priestess meet after a mass wedding. They sit in a circle and talk. This their last conversation - an exchange about life, death, beginning, end and every thing in between.

A royal prince arrives on an island of fascist rule and inspires a rebellion among its women in this hallucinogenic adaptation of a classic play.

Aborto is a film which talks about the relentless pursuit of prominence in professional career, and the resulting alienation from loved ones in terms of sensitivity, feeling and emotion. ...

Rameshchandra Chaudhry, a lawyer by profession, is in love with Hemnalini, and is displeased when he finds that his father wants him to marry Sushilla, the daughter of a widow. He initially refuses despite of his father disowning him, but changes his mind when the bride's mother pleads with him, and gets married without even seeing, leave alone getting to know his bride. After the marriage, they board a boat which overturns after a storm, and they end up being the only survivors. Unable to get Hemnalini out of his mind, he refuses to be intimate with his bride. On talking with her gradually over the next few months, it slowly sinks in that she is not Sushilla but Kamla - the bride of another male! The question remains: what can he do under these circumstances, and what impact will this have on Kamla - who has traditionally accepted him as her husband.

The film centers on the metaphysical dialog between a young student and the God of Death.

After Nihilistic rapper Gandu steals from his mother's lover, he embarks on a drug-fueled rampage with a rickshaw puller in this abstract film.

Defying his father’s wishes by following his rebellious uncle’s example, a young Bengali from an upper caste tries to help those on the lower end of the spectrum and, while he’s at it, offers to marry his brother’s pregnant mistress.