Dipankar Chaki

Crime reporter Vidhi investigates the sudden disappearance of a college student. While society associates different theories for his disappearance, what really is the true story?

A young Sardar Udham Singh left deeply scarred by the Jallianwala Bagh massacre, escaped into the mountains of Afghanistan, reaching London in 1933-34. Carrying an unhealed wound for 21 years, the revolutionary assassinated Michael O’Dwyer on 13th March, 1940, the man at the helm of affairs in Punjab, April 1919 to avenge the lost lives of his beloved brethren.

Shankar Mudi (শংকর মুদি) is a Bengali Political drama film directed by Aniket Chattopadhyay and produced by Kaustuv Ray.[1] This film was released on 15 March 2019 under the banner of RP Techvision India Private Limited. Bengali Actor-Director Shri Kaushik Ganguly plays the Titular role[2][3] and music direction of the film was made by Kabir Suman.[4]

Dan, a 21-year-old carefree boy is always surrounded by a bunch of friends and fellow hotel interns who feed off each other's everyday moments, their ups and downs. Shiuli is also an intern working in the same hotel, who at times is at a receiving end of Dan's audaciousness. Everything was normal in their life until a sudden turn of events smashes Dan and Shiuli's lives together, into a bond.

Taxi driver Phanishwar is living with a mysterious girl, Nanaam, who he keeps in chains. When a medical student, Rami, a victim of revenge porn leaked online by an ex-boyfriend, seeks refuge in Goa, she stumbles into the strange but placid lives of Phanishwar and Nanaam.

A Hindu woman elopes with her Muslim lover, moving with him to Syria. Eventually separated by war, she cares for their handicapped child on her own

Three single women, a professor, a banker, and a journalist, who are best friends, share their happy and joyous moments and support each other through hard times.

The film recounts the love story of Amit Ray, a barrister educated at Oxford, whose virulent intellectualism reveals itself in its opposition to all forms of tradition. He meets Labanya in a car accident and the romance builds up in the misty hills of Shillong. The iconoclastic Amit clashes with the sincerely simple Labanya. Labanya releases Amit's own submerged depth of sincerity, which he finds hard to adjust to. The struggle makes him a curiously pathetic figure. The tragedy is understood by the girl who releases him from his troth and disappears from his life.

Nirbaak is a hyperlink narrative comprising four love stories connected by a single woman. Every love story comprises one entity which is silent and thus Nirbaak (Speechless)

Focusing on the predicaments of those born with genetic defect causing dwarfism, the film is the love story between Khoka and Soma.

On a lunar eclipse midnight, in a desolate temple, six young newlywed couples and a priestess meet after a mass wedding. They sit in a circle and talk. This their last conversation - an exchange about life, death, beginning, end and every thing in between.

On a lunar eclipse midnight, in a desolate temple, six young newlywed couples and a priestess meet after a mass wedding. They sit in a circle and talk. This their last conversation - an exchange about life, death, beginning, end and every thing in between.

고전 연극을 각색한 이 판타지 영화에서, 파시스트 통치 하의 섬에 도착한 황태자에게 영감을 받은 이곳 여성들은 반란을 일으킨다.

Aborto is a film which talks about the relentless pursuit of prominence in professional career, and the resulting alienation from loved ones in terms of sensitivity, feeling and emotion. ...

Rameshchandra Chaudhry, a lawyer by profession, is in love with Hemnalini, and is displeased when he finds that his father wants him to marry Sushilla, the daughter of a widow. He initially refuses despite of his father disowning him, but changes his mind when the bride's mother pleads with him, and gets married without even seeing, leave alone getting to know his bride. After the marriage, they board a boat which overturns after a storm, and they end up being the only survivors. Unable to get Hemnalini out of his mind, he refuses to be intimate with his bride. On talking with her gradually over the next few months, it slowly sinks in that she is not Sushilla but Kamla - the bride of another male! The question remains: what can he do under these circumstances, and what impact will this have on Kamla - who has traditionally accepted him as her husband.

The film centers on the metaphysical dialog between a young student and the God of Death.

허무주의자 래퍼 간두는 어머니 내연남의 돈을 훔쳐 마약에 취한 상태에서 인력거꾼과 함께 광란의 질주를 시작한다.

Defying his father’s wishes by following his rebellious uncle’s example, a young Bengali from an upper caste tries to help those on the lower end of the spectrum and, while he’s at it, offers to marry his brother’s pregnant mistress.