Music
On her 18th birthday, tough-girl Jonny eats a cake baked by her aunt according to a magical family recipe and goes through a radical metamorphosis. As several classmates go missing, a bloody coming-of-age story takes its course.
Self
Con el telón de fondo del 11 de septiembre, Meet Me In The Bathroom cuenta la historia de la última gran época romántica del Rock'n'Roll y cómo bandas como The Strokes, LCD Soundsystem, Yeah Yeah Yeahs e Interpol redefinieron una metrópolis en apuros y catalizaron Una generación. También participa en una exploración más amplia de la cultura juvenil y la modernidad; la transformación de la ciudad de Nueva York en la primera década del 2000 y las fuerzas culturales que la moldearon. Desde una Internet anterior a las redes sociales, el boom de las puntocom, el auge de Napster y la muerte de la industria de la música tradicional, hasta la gentrificación, la explosión de Vice y el hipster como fenómeno global. Este es un documental que se centra en las formas en que el mundo ha cambiado irrevocablemente en las décadas posteriores.
Original Music Composer
It follows the untold story of how a network of pharmaceutical manufacturers, distributors, and retailers worked together to orchestrate and perpetuate the opioid crisis that has killed over half a million people in America.
Original Music Composer
Un pueblo perdido del medio oeste de los Estados Unidos. Para los adolescentes que acuden al instituto, la vida no estaría completa sin su equipo de fútbol americano, una banda de marcha, sus cheerleaders y una mascota. Los adultos, por otro lado, se preocupan más por el deseo, las crisis de mediana edad que sufren y sus respectivos problemas maritales. Sin embargo, la desaparición de una chica llamada Carolyn Harper rompe la rutina diaria de los habitantes de un pueblo cualquiera. El miedo y la ansiedad por la desaparición de un ser querido lleva a su familia a desarrollar extrañas estrategias para superar lo sucedido.
Original Music Composer
LOLA, 15 is the first film in an upcoming series called LET ME GET WHAT I WANT THIS TIME. Its a short, formal documentary which intimately observes the sacred spaces of a fifteen year old girl named Lola. The larger series will examine many more of these spaces across a wide range of race, class, location and culture. The painful process of shedding adolescence is actualized in this highly curated interior--a sanctuary and visible elegy to childhood. Through languid drifts across the details of Lola's bedroom, a secret language is revealed.
Self
From myth to legend Rowland Howard appeared on the early Melbourne punk scene like a phantom out of Kafkaesque Prague or Bram Stoker’s Dracula. A beautifully gaunt and gothic aristocrat, the unique distinctive fury of his guitar style shot him directly into the imagination of a generation. He was impeccable, the austerity of his artistry embodied in his finely wrought form, his obscure tastes and his intelligently wry wit. He radiated a searing personal integrity that never seemed to tarnish. Despite the trials and tribulations of his career, in an age of makeover and reinvention, Rowland Howard never ‘sold out’. With recent and moving interviews, archival interviews and other fascinating and original footage, AUTOLUMINESCENT traces the life of Rowland S Howard. Capturing moments with the man himself and intimate missives from those who knew him behind closed doors; words and images etch light into what has always been the mysterious dark.
Self
A short film to accompany the reissue of Nick Cave & The Bad Seeds album No More Shall We Part (originally released in 2001). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.
Self
A short film to accompany the reissue of Nick Cave & The Bad Seeds album The Boatman's Call (originally released in 1997). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.
Self
A short film to accompany the reissue of Nick Cave & The Bad Seeds album Tender Prey (originally released in 1988). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.
Self
A short film to accompany the reissue of Nick Cave & The Bad Seeds album The Good Son (originally released in 1990). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.
Self
A short film to accompany the reissue of Nick Cave & The Bad Seeds album Kicking Against the Pricks (originally released in 1986). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.
Self
A short film to accompany the reissue of Nick Cave & The Bad Seeds album The Firstborn is Dead (originally released in 1985). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.
Original Music Composer
Jesco vive en una caravana hecha pedazos en lo más profundo de los Apalaches, allí donde todo el mundo sigue teniendo un fusil y una destilería clandestina. Su padre le enseñó a bailar al ritmo del banjo, para que no se desviara del buen camino, pero las tentaciones del diablo son más fuertes que el resto. Jesco escucha voces en su cabeza y se mete a menudo en problemas con las autoridades. Finalmente es internado en un centro de reinserción social, éste será el periodo más duro de su vida, sobre todo después del brutal y absurdo asesinato de su padre. Sin embargo, bailando en una gira por el sur, conoce al amor de su vida, Enid Carter. La pareja lleva una vida feliz hasta que un día Long y Davie, los asesinos de su padre, llegan a la cuidad. El diablo tienta de nuevo a Jesco, y esta vez las voces traen aires de venganza...
Himself
A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century
Himself
There Is No Modern Romance follows New York indie rock band Yeah Yeah Yeahs as they support their cult classic debut Fever to Tell on the road in the UK in 2003
