Nick Zinner

On her 18th birthday, tough-girl Jonny eats a cake baked by her aunt according to a magical family recipe and goes through a radical metamorphosis. As several classmates go missing, a bloody coming-of-age story takes its course.

Set against the backdrop of 9/11, this documentary tells the story of how a new generation kickstarted a musical rebirth for New York City that reverberated around the world.

It follows the untold story of how a network of pharmaceutical manufacturers, distributors, and retailers worked together to orchestrate and perpetuate the opioid crisis that has killed over half a million people in America.

In the wake of a high school student's mysterious disappearance, a collective awakening seems to overcome the town's teenage girls, gathering in force until it can no longer be contained.

LOLA, 15 is the first film in an upcoming series called LET ME GET WHAT I WANT THIS TIME. Its a short, formal documentary which intimately observes the sacred spaces of a fifteen year old girl named Lola. The larger series will examine many more of these spaces across a wide range of race, class, location and culture. The painful process of shedding adolescence is actualized in this highly curated interior--a sanctuary and visible elegy to childhood. Through languid drifts across the details of Lola's bedroom, a secret language is revealed.

From myth to legend Rowland Howard appeared on the early Melbourne punk scene like a phantom out of Kafkaesque Prague or Bram Stoker’s Dracula. A beautifully gaunt and gothic aristocrat, the unique distinctive fury of his guitar style shot him directly into the imagination of a generation. He was impeccable, the austerity of his artistry embodied in his finely wrought form, his obscure tastes and his intelligently wry wit. He radiated a searing personal integrity that never seemed to tarnish. Despite the trials and tribulations of his career, in an age of makeover and reinvention, Rowland Howard never ‘sold out’. With recent and moving interviews, archival interviews and other fascinating and original footage, AUTOLUMINESCENT traces the life of Rowland S Howard. Capturing moments with the man himself and intimate missives from those who knew him behind closed doors; words and images etch light into what has always been the mysterious dark.

A short film to accompany the reissue of Nick Cave & The Bad Seeds album No More Shall We Part (originally released in 2001). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.

A short film to accompany the reissue of Nick Cave & The Bad Seeds album The Boatman's Call (originally released in 1997). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.

A short film to accompany the reissue of Nick Cave & The Bad Seeds album Tender Prey (originally released in 1988). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.

A short film to accompany the reissue of Nick Cave & The Bad Seeds album The Good Son (originally released in 1990). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.

A short film to accompany the reissue of Nick Cave & The Bad Seeds album Kicking Against the Pricks (originally released in 1986). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.

A short film to accompany the reissue of Nick Cave & The Bad Seeds album The Firstborn is Dead (originally released in 1985). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.

Deep in the heart of the Appalachian Mountains in West Virginia, where every man owns a gun and a moonshine still, abides living legend Jesco White, "the dancing outlaw". As a boy Jesco was in and out of reform school and the insane asylum. To keep him out of trouble, his daddy D-Ray taught him the art of mountain dancing, a frenzied version of tap dancing to wild country banjo music. After his father's death, crazy Jesco dons his father's tap shoes and takes his show on the road.

A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century

There Is No Modern Romance follows New York indie rock band Yeah Yeah Yeahs as they support their cult classic debut Fever to Tell on the road in the UK in 2003