Davide Ferrario

Umberto Eco's private library was a world in itself: more than 30,000 contemporary books and 1,500 antique volumes. With the help of Eco's family, the director has produced a documentary that describes a one-of-a-kind place.

Umberto Eco's private library was a world in itself: more than 30,000 contemporary books and 1,500 antique volumes. With the help of Eco's family, the director has produced a documentary that describes a one-of-a-kind place.

Umberto Eco's private library was a world in itself: more than 30,000 contemporary books and 1,500 antique volumes. With the help of Eco's family, the director has produced a documentary that describes a one-of-a-kind place.

Joe, Carlo, Bobo and Giacomo have always been friends, each with their own life and problems, but united by an authentic bond and the passion that brought them together: music. The Boys, the band's name, had had lightning-fast success in the 1970s. In their routine - between love and personal affairs - a possibility bursts that takes them on a new journey: they will have to deal with the dreams and ambitions of the past and the world of today, but even more they will discover the meaning of their friendship. .

Joe, Carlo, Bobo and Giacomo have always been friends, each with their own life and problems, but united by an authentic bond and the passion that brought them together: music. The Boys, the band's name, had had lightning-fast success in the 1970s. In their routine - between love and personal affairs - a possibility bursts that takes them on a new journey: they will have to deal with the dreams and ambitions of the past and the world of today, but even more they will discover the meaning of their friendship. .

Handbook of Movie Theaters' History is a documentary about the history, the development in the present days and the future of movie theaters in the city of Turin, Italy. It mixes the documentary language with comedy and fiction, and is enriched by interviews to some of the most important voices of Turin cinematography. The film follows the evolution of movie theaters by enlightening its main milestones: the pre-cinema experiences in the late 19th Century, the colossals and the movie cathedrals of the silent era, the arthouse theaters, the National Museum of Cinema, the Torino Film Festival, the movie theaters system today and the main hypothesis about its future. The mission of Handbook of Movie Theaters' History is to explore and give back to the audience a deep reflection about the identity and the value of movie theater, in its social and anthropological role and as a mass media, and to analyze the experience of the viewer.

How the citizens of Malta fought for independence from Britain in 1919. When the Army was sent to quell the riots and the British government covered up the bloody encounter, more than 100 Maltese were accused of instigating the violence and jailed.

Shots of Turin, deserted because of the pandemic, interweave with images of the movies that have been shot in the city ever since the dawn of cinematography.

Art documentary about the Accademia Carrara gallery, which reopened in 2015 after seven years of extensive restoration.

Art documentary about the Accademia Carrara gallery, which reopened in 2015 after seven years of extensive restoration.

Art documentary about the Accademia Carrara gallery, which reopened in 2015 after seven years of extensive restoration.

"One evening, without any particular expectations, I went to the Lavanderia a Vapore theatre in Collegno, headquarters of the Balletto Teatro di Torino, directed by Loredana Furno, and I saw Sexxx, the ballet by Matteo Levaggi. I’m not a fan of modern dance, but I think this is why my fascination that evening was sincere and convinced. Above all, I was struck by the way the choreographer was able to take the explicit gestures and movements of sexual communication and transform them into the language of dance. And since body language is one of the topics I have been interested in filming since that ‘scandalous’ Guardami, I was already sufficiently motivated to transform the ballet into a movie." - Davide Ferrario

"One evening, without any particular expectations, I went to the Lavanderia a Vapore theatre in Collegno, headquarters of the Balletto Teatro di Torino, directed by Loredana Furno, and I saw Sexxx, the ballet by Matteo Levaggi. I’m not a fan of modern dance, but I think this is why my fascination that evening was sincere and convinced. Above all, I was struck by the way the choreographer was able to take the explicit gestures and movements of sexual communication and transform them into the language of dance. And since body language is one of the topics I have been interested in filming since that ‘scandalous’ Guardami, I was already sufficiently motivated to transform the ballet into a movie." - Davide Ferrario

Three friends live together in the house owned by one of them - and look for happiness

Three friends live together in the house owned by one of them - and look for happiness

Three friends live together in the house owned by one of them - and look for happiness

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

"Piazza Garibaldi" is a name found in almost any Italian town. It is a metaphor for the nation and its history. Like in the successful, award-winning "La strada di Levi", Ferrario sets off on a journey: this time, on the traces of the expedition of the Thousand. The aim: to verify the relationship between past and present, starting from Bergamo, formerly the "City of the Thousand" and today a bastion of Padania, and arriving at Teano. The voyage is full of surprises, meetings, reflections: a sweeping road movie through the history and geography of the country, seeking to answer a nagging question: why are Italians no longer able to imagine a future for themselves?

"Piazza Garibaldi" is a name found in almost any Italian town. It is a metaphor for the nation and its history. Like in the successful, award-winning "La strada di Levi", Ferrario sets off on a journey: this time, on the traces of the expedition of the Thousand. The aim: to verify the relationship between past and present, starting from Bergamo, formerly the "City of the Thousand" and today a bastion of Padania, and arriving at Teano. The voyage is full of surprises, meetings, reflections: a sweeping road movie through the history and geography of the country, seeking to answer a nagging question: why are Italians no longer able to imagine a future for themselves?

"Piazza Garibaldi" is a name found in almost any Italian town. It is a metaphor for the nation and its history. Like in the successful, award-winning "La strada di Levi", Ferrario sets off on a journey: this time, on the traces of the expedition of the Thousand. The aim: to verify the relationship between past and present, starting from Bergamo, formerly the "City of the Thousand" and today a bastion of Padania, and arriving at Teano. The voyage is full of surprises, meetings, reflections: a sweeping road movie through the history and geography of the country, seeking to answer a nagging question: why are Italians no longer able to imagine a future for themselves?

A prison-set musical about a female theater director who sets up a reinterpretation of the Crucifixion.

A prison-set musical about a female theater director who sets up a reinterpretation of the Crucifixion.

A prison-set musical about a female theater director who sets up a reinterpretation of the Crucifixion.

In February, 1945, Primo Levi (1919-1987) and other Auschwitz survivors set off for home. The journey took more then eight months. Sixty years later, a film crew retraces Levi's steps. Levi's words, mainly from "The Truce" (1963), tell us what he experienced. In turn, we see Poland's hollow post-war factories, nationalism in the Ukraine, Soviet-style Communism in Belarus, the abandoned town of Prypiat (Chernobyl), poverty and emigration from Moldavia, Italian factories in Romania, and on across Hungary and Slovakia to Munich where Levi's rage found no listeners. Then home to Turin. An aged Mario Rigoni Stern remembers his friend. What has changed? Some issues of the war remain unsettled.

In February, 1945, Primo Levi (1919-1987) and other Auschwitz survivors set off for home. The journey took more then eight months. Sixty years later, a film crew retraces Levi's steps. Levi's words, mainly from "The Truce" (1963), tell us what he experienced. In turn, we see Poland's hollow post-war factories, nationalism in the Ukraine, Soviet-style Communism in Belarus, the abandoned town of Prypiat (Chernobyl), poverty and emigration from Moldavia, Italian factories in Romania, and on across Hungary and Slovakia to Munich where Levi's rage found no listeners. Then home to Turin. An aged Mario Rigoni Stern remembers his friend. What has changed? Some issues of the war remain unsettled.

In February, 1945, Primo Levi (1919-1987) and other Auschwitz survivors set off for home. The journey took more then eight months. Sixty years later, a film crew retraces Levi's steps. Levi's words, mainly from "The Truce" (1963), tell us what he experienced. In turn, we see Poland's hollow post-war factories, nationalism in the Ukraine, Soviet-style Communism in Belarus, the abandoned town of Prypiat (Chernobyl), poverty and emigration from Moldavia, Italian factories in Romania, and on across Hungary and Slovakia to Munich where Levi's rage found no listeners. Then home to Turin. An aged Mario Rigoni Stern remembers his friend. What has changed? Some issues of the war remain unsettled.

En 1948, Orson Welles llega a Roma para protagonizar una película. Su carrera no atraviesa un buen momento y todavía no se ha recuperado de su divorcio de Rita Hayworth. Únicamente Lea, una esquiva actriz, parece darle nuevos ánimos. De repente, un actor muere en sus brazos mientras le susurra unas palabras al oído. La policía intenta demostrar que se trata de un suicidio, pero a Orson esta teoría no le convence.

Adelaide is a 40-year-old literature teacher married with children. One day, she learns about the murder of a wealthy and arrogant co-worker of hers, strangled in her own home. Adelaide meets Gaetano, the charming inspector dealing with the case and decides to help him in the investigation, much to her husband's chagrin.

La mágica Mole Antonelliana (el cavernoso Museo de Cine de Turín, Italia) es el escenario de una historia de amor muy poco probable. Una noche fatídica, el tímido vigilante nocturno del museo, acude en ayuda de un encantador joven cocinero de comida rápida que huye de la policía. El ensueño reino del museo de personajes de películas mudas se convierte en un santuario para ella mientras espera el rescate de su novio diabólico.

La mágica Mole Antonelliana (el cavernoso Museo de Cine de Turín, Italia) es el escenario de una historia de amor muy poco probable. Una noche fatídica, el tímido vigilante nocturno del museo, acude en ayuda de un encantador joven cocinero de comida rápida que huye de la policía. El ensueño reino del museo de personajes de películas mudas se convierte en un santuario para ella mientras espera el rescate de su novio diabólico.

La mágica Mole Antonelliana (el cavernoso Museo de Cine de Turín, Italia) es el escenario de una historia de amor muy poco probable. Una noche fatídica, el tímido vigilante nocturno del museo, acude en ayuda de un encantador joven cocinero de comida rápida que huye de la policía. El ensueño reino del museo de personajes de películas mudas se convierte en un santuario para ella mientras espera el rescate de su novio diabólico.

Nina is a young and very independent porno actress. She doesn't need the help of any agent or manager. She has a daughter and a lesbian relationship with Cristiana, a porno editor. Following a usual medical check she discovers she has a cancer. Her life is completely different now. Nina decides to visit her father. Also the real love finds now space in her heart. In fact at the hospital, she knows Flavio, a patient following her same therapies. Nevertheless their liaison Nina still continues to act in porn movies. But for one of them there won't be a future

Nina is a young and very independent porno actress. She doesn't need the help of any agent or manager. She has a daughter and a lesbian relationship with Cristiana, a porno editor. Following a usual medical check she discovers she has a cancer. Her life is completely different now. Nina decides to visit her father. Also the real love finds now space in her heart. In fact at the hospital, she knows Flavio, a patient following her same therapies. Nevertheless their liaison Nina still continues to act in porn movies. But for one of them there won't be a future

Imma falls in love with a fireman.

Unemployed Domenico robs a bank, but is forced to take a hostage when things go wrong. The hostage, Tommaso, is a man who hates his wife and job, and who was already planning to run away with his gay cop lover, so this seems to him like a good opportunity to disappear and start over again: the kidnapped becomes the kidnapper, and things get even more complicated when they're reached by Rita, Tommaso's daughter.

Unemployed Domenico robs a bank, but is forced to take a hostage when things go wrong. The hostage, Tommaso, is a man who hates his wife and job, and who was already planning to run away with his gay cop lover, so this seems to him like a good opportunity to disappear and start over again: the kidnapped becomes the kidnapper, and things get even more complicated when they're reached by Rita, Tommaso's daughter.

Unemployed Domenico robs a bank, but is forced to take a hostage when things go wrong. The hostage, Tommaso, is a man who hates his wife and job, and who was already planning to run away with his gay cop lover, so this seems to him like a good opportunity to disappear and start over again: the kidnapped becomes the kidnapper, and things get even more complicated when they're reached by Rita, Tommaso's daughter.

In 1996, Giovanni Lindo Ferretti and Massimo Zamboni, members of the band C.S.I. (Consorzio Suonatori Indipendenti) made a journey from Reggio Emilia to Mongolia.

The vicissitudes of Walter – a dissatisfied and disenchanted 20-year-old on-and-off philosophy student without a job, a girlfriend or any real beliefs – who reluctantly returns to his native Turin to live with his irascible blue-collar father and his mother, almost mute due to a severe nervous breakdown.

The vicissitudes of Walter – a dissatisfied and disenchanted 20-year-old on-and-off philosophy student without a job, a girlfriend or any real beliefs – who reluctantly returns to his native Turin to live with his irascible blue-collar father and his mother, almost mute due to a severe nervous breakdown.

Documentary about the concert for the 50th anniversary of Italy's liberation from Fascism, held in Correggio on April 25, 1995.

Documentary about the concert for the 50th anniversary of Italy's liberation from Fascism, held in Correggio on April 25, 1995.

Filmed in the coal country of West Virginia, "Matewan" celebrates labor organizing in the context of a 1920s work stoppage. Union organizer, Joe Kenehan, a scab named "Few Clothes" Johnson and a sympathetic mayor and police chief heroically fight the power represented by a coal company and Matewan's vested interests so that justice and workers' rights need not take a back seat to squalid working conditions, exploitation and the bottom line.

Filmed in the coal country of West Virginia, "Matewan" celebrates labor organizing in the context of a 1920s work stoppage. Union organizer, Joe Kenehan, a scab named "Few Clothes" Johnson and a sympathetic mayor and police chief heroically fight the power represented by a coal company and Matewan's vested interests so that justice and workers' rights need not take a back seat to squalid working conditions, exploitation and the bottom line.