Enrique Ojeda

Los investigadores revelan cómo la supuesta prioridad de las ganancias de Boeing sobre la seguridad podría haber contribuido a dos accidentes catastróficos con meses de diferencia.

During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, but it is certain that his proclaim announced the separation of Mexican cinema and its audience. Discoveries may be found in the films made by Miguel, and bringing back to life these moving pictures might recover this history that was never told, a story that is almost lost and that Contreras Torres himself tried to pass on through his writings in The Black Book of Mexican Cinema.

During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, but it is certain that his proclaim announced the separation of Mexican cinema and its audience. Discoveries may be found in the films made by Miguel, and bringing back to life these moving pictures might recover this history that was never told, a story that is almost lost and that Contreras Torres himself tried to pass on through his writings in The Black Book of Mexican Cinema.

During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, but it is certain that his proclaim announced the separation of Mexican cinema and its audience. Discoveries may be found in the films made by Miguel, and bringing back to life these moving pictures might recover this history that was never told, a story that is almost lost and that Contreras Torres himself tried to pass on through his writings in The Black Book of Mexican Cinema.

Rocío es una niña maya mam que vive en las montañas del altiplano en Guatemala. Cuando su madre empieza a tener contracciones que anuncian un parto adelantado, Rocío se encuentra a punto de vivir la aventura de su vida. Debe hacerse cargo de un rebaño de ovejas y llevarlo a través de los pastos montañosos por su cuenta. Rocío es muy joven para tal tarea y cuando va en busca de una oveja perdida, el resto de la manada se escapa. Rocío debe encontrar la forma de superar el reto y hacer frente a sus peores miedos.

This is the story of a dysfunctional family in which each member engages in an illicit activity, but they don't know this about each other. One day, the Contreras family witnesses a police operation outside the building in which they live and, believing that they are coming for them, each member decides to hide incriminating objects in their room.

Documentary showing how the growing number of U.S. Citizens living in San Miguel de Allende has caused problems for the local population and their traditions.

Pablo (Alfonso Herrera) lo tiene todo… bueno, casi todo. Carismático y brillante Director Creativo de una renombrada firma de moda, difícilmente pasa desapercibido entre las mujeres aunque al día de hoy, lo vemos solo y primordialmente sumergido en su trabajo. Su musa es una locutora de radio llamada Mandala, pero el destino se encarga de que conozca a Sofía (Ximena Herrera), una dinámica reportera que podría ser su inspiración. Lo que Pablo no sabe es que ambas mujeres son la misma chica que conoció en un aeroparque en Argentina y de quien conserva sólo su recuerdo, una foto y una nota sin firmar. Volverte a ver es una comedia romántica de encuentros y desencuentros, del valor de la amistad y de las sorpresas en el amor que la vida nos tiene guardadas donde uno menos se lo espera.

Pablo (Alfonso Herrera) lo tiene todo… bueno, casi todo. Carismático y brillante Director Creativo de una renombrada firma de moda, difícilmente pasa desapercibido entre las mujeres aunque al día de hoy, lo vemos solo y primordialmente sumergido en su trabajo. Su musa es una locutora de radio llamada Mandala, pero el destino se encarga de que conozca a Sofía (Ximena Herrera), una dinámica reportera que podría ser su inspiración. Lo que Pablo no sabe es que ambas mujeres son la misma chica que conoció en un aeroparque en Argentina y de quien conserva sólo su recuerdo, una foto y una nota sin firmar. Volverte a ver es una comedia romántica de encuentros y desencuentros, del valor de la amistad y de las sorpresas en el amor que la vida nos tiene guardadas donde uno menos se lo espera.

This documentary deals with the stories, achievements and difficulties of women boxers and footballers. Their stories are told from the point of view of their daily lives where sport, family live and relationships intermingle in a complex and often contradictory whole. All these women share the desire to triumph in sports normally considered to be men´s sports. Some of them pursue their dream while working at other jobs such as driving taxis, selling tacos or being lawyers. They are not women victims, trapped in the family or in marriage; for the simple reason that they are still fighting, they have not accepted defeat. This documentary looks at the feminine aspect of these sports and the unfairness that there is.