Enrique Ojeda

2018年10月末と2019年3月の間に相次いだ、ボーイング社が手掛ける旅客機の墜落事故。安全性より利益を優先したボーイング社は非難され、信用が崩れ落ちた。2度の大惨事につながった要因を、調査員たちが明かす。

During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, but it is certain that his proclaim announced the separation of Mexican cinema and its audience. Discoveries may be found in the films made by Miguel, and bringing back to life these moving pictures might recover this history that was never told, a story that is almost lost and that Contreras Torres himself tried to pass on through his writings in The Black Book of Mexican Cinema.

During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, but it is certain that his proclaim announced the separation of Mexican cinema and its audience. Discoveries may be found in the films made by Miguel, and bringing back to life these moving pictures might recover this history that was never told, a story that is almost lost and that Contreras Torres himself tried to pass on through his writings in The Black Book of Mexican Cinema.

During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, but it is certain that his proclaim announced the separation of Mexican cinema and its audience. Discoveries may be found in the films made by Miguel, and bringing back to life these moving pictures might recover this history that was never told, a story that is almost lost and that Contreras Torres himself tried to pass on through his writings in The Black Book of Mexican Cinema.

Rocio, a Maya Mam girl, lives in the mountains with her mother, who is pregnant and her granny. Due to an early delivery from her mother, Rocio is stuck with caring for a herd of sheep, the first time she has done it on her own. Playing in the mountains she loses one of the sheep. Looking for it, she will lose the rest of the herd. In the midst of this tragedy, Rocio will have to face her innocence, conquer her fear of fog and learn that freedom entails responsibility. Nature will teach her that you do not have to defeat your fears, you just have to experience them. The Greatest House in the World is a story of children -which we all are- when facing fears, the unknown, the uncertain... the fog.

This is the story of a dysfunctional family in which each member engages in an illicit activity, but they don't know this about each other. One day, the Contreras family witnesses a police operation outside the building in which they live and, believing that they are coming for them, each member decides to hide incriminating objects in their room.

Documentary showing how the growing number of U.S. Citizens living in San Miguel de Allende has caused problems for the local population and their traditions.

Pablo falls in love with two women without knowing that she is the same one…. Sofia

Pablo falls in love with two women without knowing that she is the same one…. Sofia

This documentary deals with the stories, achievements and difficulties of women boxers and footballers. Their stories are told from the point of view of their daily lives where sport, family live and relationships intermingle in a complex and often contradictory whole. All these women share the desire to triumph in sports normally considered to be men´s sports. Some of them pursue their dream while working at other jobs such as driving taxis, selling tacos or being lawyers. They are not women victims, trapped in the family or in marriage; for the simple reason that they are still fighting, they have not accepted defeat. This documentary looks at the feminine aspect of these sports and the unfairness that there is.