Georges Bataille

Georges Bataille

Nacimiento : 1897-09-10, Billom, France

Muerte : 1962-07-09

Historia

Georges Albert Maurice Victor Bataille was a French intellectual and literary figure working in literature, philosophy, anthropology, economics, sociology and history of art. His writing, which included essays, novels, and poetry, explored such subjects as eroticism, mysticism, surrealism, and transgression. In the 1920, Bataille began frequenting the circles of Surrealists, he discovered he had an ideological dispute with the views of the influential Andre Breton, and he began calling himself “an enemy from within the movement”. During this period, Georges began taking psychoanalytical treatments which were successful and enabled him to write. He edited and formulated several works on sociology, literature and religion. He did various excursions on Barthes, Foucault and Derrida. In 1935, Bataille was among the co-founders of an anti-Fascist group, Contre Attaque. In 1939, Bataille also co-founded along with Michel Lieris and Roger Callois, the College de Sociologie. He also held a fellowship at the School of Advanced Hispanic Studies in Madrid. Bataille published his first novel on sexual excess, ‘Histoire de l’oeil’ (The Story of the Eye) in 1928, under the pseudonym of Lord Auch.

Perfil

Georges Bataille

Películas

Story of the Eye
Novel
Our male narrator, Georges, reminisces about his first sexual encounters with the enchanting Simone. As the encounters become increasingly transgressive, the two characters struggle for power and dominance. The tables are turned; the story is then retold from Simone's very different POV to a horrific climax. 'Story of the Eye' is a scathing critique of the tendency, in both Hollywood and literature, to trivialize female sexuality and power. Simone and Georges battle over the metaphorical 'eye' but the real tension exists in the struggle over who gets to tell the story and ultimately, which story gets told. The hyper-reality of opera as a musical/theatrical device further exaggerates this dichotomy.
La Nuit Obscure
Writer
Whipped by the death of her lover, a woman journey through a night of excess.
The Wars
Writer
In The Wars photographer Oscar van Alphen combines an adapted version of Georges Bataille's text 'Madame Edwarda' with images drawn from his archive. 'Madame Edwarda' is a story with no beginning nor an end. A male first-person narrator and a prostitute encounter in Paris by night. It's a story about lust, power, anxiety, desire, and humiliation. Van Alphen uses Bataille's text as a metaphor for the perversity of social structures, for the uncontrollability of political and economic power, and the effects of these on human dignity. He juxtaposes pictures from the decaying and almost deserted industrial regions in Northern France and of the 1968 student rebellion in Paris, with the pornographic text from the first years of World War II.
Four Short Films
Writer
Jean-Luc Godard, and Anne-Marie Miéville Four Short Films
Georges Bataille's Story of the Eye
Novel
Based on the 1928 novella written by Georges Bataille, the film takes place in a seemingly abandoned house where a group of people engage in bizarre wordless acts. Just as the book does, the film spans several vignettes.
Ma mère (Mi madre)
Novel
Pierre lleva, a sus diecisiete años, una vida pequeña, ordenada y casta en compañía de su abuela. El desastre está en Canarias, en casa de sus padres, una pareja peleada y dada al libertinaje. Pierre comienza a vivir con ellos, con Hélène, madre fascinante, femme fatale, con el padre, odiado y al que pronto enterrarán. Hélène arrastra a su hijo al placer, le cede a Réa, antiguo capricho lésbico. Con ella, Pierre descubre el éxtasis, la vergüenza y el respeto. La moral de Hélène, definitivamente relajada, no considera que desear a su propio hijo sea un tabú, ella no lo llamaría incesto.
Georges Bataille - À perte de vue
Self - Archive recordings
The film contains the interviews with Pierre Klossowski and Jacques Pimpanneau.
Georges Bataille - À perte de vue
In Memory Of
The film contains the interviews with Pierre Klossowski and Jacques Pimpanneau.
The Deadman
Writer
Made in collaboration with Keith Sanborn, The Deadman is based on a story by Bataille, charting "the adventures of a near-naked heroine who sets in motion a scabrous free-form orgy before returning to the house to die — a combination of elegance, raunchy defilement and barbaric splendor." — Jonathan Rosenbaum, Chicago Reader.
Yo soy la pasión
Novel
Durante una corrida de toros, Simona empieza a recordar la tórrida relación amorosa que tuvo con George; una aventura que estuvo llena de descubrimientos sexuales, pero que, finalmente, desembocó en una trama de venganza y asesinato.
Una partida de campo
Seminarian (uncredited)
Una familia pasa un domingo a orillas del Sena. Mientras los hombres duermen la siesta, unos jóvenes remeros invitan a la madre y a la hija a dar un paseo en barca; un paseo que se convertirá en algo más que una inocente excursión fluvial. Mediometraje de 40 minutos basado en un relato de Guy de Maupassant, en el que Renoir hace un homenaje a su padre, el pintor impresionista Pierre Auguste Renoir. Sus cuadros son mostrados en el film para suscitar una reflexión sobre las relaciones entre cine y pintura.