Georges Bataille

Georges Bataille

出生 : 1897-09-10, Billom, France

死亡 : 1962-07-09

略歴

Georges Albert Maurice Victor Bataille was a French intellectual and literary figure working in literature, philosophy, anthropology, economics, sociology and history of art. His writing, which included essays, novels, and poetry, explored such subjects as eroticism, mysticism, surrealism, and transgression. In the 1920, Bataille began frequenting the circles of Surrealists, he discovered he had an ideological dispute with the views of the influential Andre Breton, and he began calling himself “an enemy from within the movement”. During this period, Georges began taking psychoanalytical treatments which were successful and enabled him to write. He edited and formulated several works on sociology, literature and religion. He did various excursions on Barthes, Foucault and Derrida. In 1935, Bataille was among the co-founders of an anti-Fascist group, Contre Attaque. In 1939, Bataille also co-founded along with Michel Lieris and Roger Callois, the College de Sociologie. He also held a fellowship at the School of Advanced Hispanic Studies in Madrid. Bataille published his first novel on sexual excess, ‘Histoire de l’oeil’ (The Story of the Eye) in 1928, under the pseudonym of Lord Auch.

プロフィール写真

Georges Bataille

参加作品

Story of the Eye
Novel
Our male narrator, Georges, reminisces about his first sexual encounters with the enchanting Simone. As the encounters become increasingly transgressive, the two characters struggle for power and dominance. The tables are turned; the story is then retold from Simone's very different POV to a horrific climax. 'Story of the Eye' is a scathing critique of the tendency, in both Hollywood and literature, to trivialize female sexuality and power. Simone and Georges battle over the metaphorical 'eye' but the real tension exists in the struggle over who gets to tell the story and ultimately, which story gets told. The hyper-reality of opera as a musical/theatrical device further exaggerates this dichotomy.
La Nuit Obscure
Writer
Whipped by the death of her lover, a woman journey through a night of excess.
The Wars
Writer
In The Wars photographer Oscar van Alphen combines an adapted version of Georges Bataille's text 'Madame Edwarda' with images drawn from his archive. 'Madame Edwarda' is a story with no beginning nor an end. A male first-person narrator and a prostitute encounter in Paris by night. It's a story about lust, power, anxiety, desire, and humiliation. Van Alphen uses Bataille's text as a metaphor for the perversity of social structures, for the uncontrollability of political and economic power, and the effects of these on human dignity. He juxtaposes pictures from the decaying and almost deserted industrial regions in Northern France and of the 1968 student rebellion in Paris, with the pornographic text from the first years of World War II.
Four Short Films
Writer
Jean-Luc Godard, and Anne-Marie Miéville Four Short Films
Georges Bataille's Story of the Eye
Novel
Based on the 1928 novella written by Georges Bataille, the film takes place in a seemingly abandoned house where a group of people engage in bizarre wordless acts. Just as the book does, the film spans several vignettes.
ジョルジュ・バタイユ ママン
Novel
After his father's death, a young man is introduced to a world of hedonism and depravity by his amoral mother.
Georges Bataille - À perte de vue
Self - Archive recordings
The film contains the interviews with Pierre Klossowski and Jacques Pimpanneau.
Georges Bataille - À perte de vue
In Memory Of
The film contains the interviews with Pierre Klossowski and Jacques Pimpanneau.
The Deadman
Writer
Made in collaboration with Keith Sanborn, The Deadman is based on a story by Bataille, charting "the adventures of a near-naked heroine who sets in motion a scabrous free-form orgy before returning to the house to die — a combination of elegance, raunchy defilement and barbaric splendor." — Jonathan Rosenbaum, Chicago Reader.
Simona
Novel
While at a bullfight Simona begins flashing back to a torrid sexual relationship she had with George. Her relationship with George was one of open sexual discoveries which eventually led to revenge and murder.
ピクニック
Seminarian (uncredited)
1860年、夏のフランス。パリで金物商を営むデュフール(アンドレ・ガブリエロ)は、妻ジュリエット(ジャヌ・マルカン)、義母(ガブリエル・フォンタン)、まな娘アンリエット(シルヴィア・バタイユ)、そして彼女の婚約者で婿養子となる予定のアナトール(ポール・タン)とピクニックに出掛ける。馬車を走らせて田舎にやって来た彼らは、太陽の光や草木の匂いを楽しみながら穏やかな一日を過ごそうとする。そんな中アンリエットは、舟こぎの青年アンリ(ジョルジュ・サン=サーンス)から舟で川に出ないかと誘われる。