Alexey Chupov

Captain Fedor Volkonogov works in law enforcement. He is on the good books of the management, and his colleagues respect him. But one day, his life abruptly changes: he is declared a criminal. The Captain manages to run away before he is arrested. Suddenly he turns into an outcast, whom his former colleagues search across the whole city. At night Volkonogov is visited by a messenger from the other world, who warns him that after death he will go hell and be tormented forever. But he has an opportunity to change his fate and get to paradise if he repents, and at least one person forgives him. The Captain embarks on his way to find forgiveness. But he cannot even fathom what tests are awaiting him on this way.

Captain Fedor Volkonogov works in law enforcement. He is on the good books of the management, and his colleagues respect him. But one day, his life abruptly changes: he is declared a criminal. The Captain manages to run away before he is arrested. Suddenly he turns into an outcast, whom his former colleagues search across the whole city. At night Volkonogov is visited by a messenger from the other world, who warns him that after death he will go hell and be tormented forever. But he has an opportunity to change his fate and get to paradise if he repents, and at least one person forgives him. The Captain embarks on his way to find forgiveness. But he cannot even fathom what tests are awaiting him on this way.

Durante el día, Lera estudia al ser humano y sus necesidades a través de encuestas de opinión, que son una práctica educativa en el instituto; por la noche, baila bajo el seudónimo de Gerda en un club para mantenerse a sí misma ya su madre. Las personas que conoce son tan desafortunadas como su familia. Su padre se ha ido recientemente por otra mujer, pero él regresa constantemente a casa, incapaz de hacer su elección y, por lo tanto, hace intolerable la vida de las personas cercanas. La madre soporta dolorosamente la ruptura y duerme constantemente, ignorando la realidad. Lera no sabe cómo continuar, a dónde ir y para qué vivir y, lo más importante, cómo mejorar la vida. El mundo adulto, invariablemente desafortunado, que Lera observa día y noche, parece desesperanzado.

Egor Korshunov (40) is a Siberian forest guard who works in a local environmental company, fighting fearlessly against poachers in taiga. Egor is a great family man, respected by his fellow villagers. He and his wife Natalia are expecting a second child. Unexpectedly, Egor finds out that he has terminal cancer and has only two months left to live. No traditional medicine or shamanic magic can save Egor. Finally, left with no other options, he decides to take the last desperate step. He attempts to completely change his identity in order to fool the oncoming death, just like Zhamba the drake, the hero of a legendary ancient Siberian epos, did.

Egor Korshunov (40) is a Siberian forest guard who works in a local environmental company, fighting fearlessly against poachers in taiga. Egor is a great family man, respected by his fellow villagers. He and his wife Natalia are expecting a second child. Unexpectedly, Egor finds out that he has terminal cancer and has only two months left to live. No traditional medicine or shamanic magic can save Egor. Finally, left with no other options, he decides to take the last desperate step. He attempts to completely change his identity in order to fool the oncoming death, just like Zhamba the drake, the hero of a legendary ancient Siberian epos, did.

Soon after Gogol's death, Binh names him guilty for the deaths of the Cossacks and the young women at the hands of the Dark Horseman, since he was the one who ordered them to be hidden in the barn. Bomgart is unable to perform a post-mortem analysis on the Gogol's body, while Vakula's daughter Vasilina (who secretly has magic abilities) proclaims denial about Gogol's demise.

A mysterious Dark Horseman slays young girls near the village of Dikanka, and he has already butchered 11 ladies. Nikolai Gogol, a scribe from Saint Petersburg has to take charge of the investigation, but the closer he gets to solving the case, the more fits he has, causing macabre visions. When he learns the next victim is his beloved, Liza, he doubts that he can protect her and resist the murderer. Fortunately, he meets somebody who can help him: Khoma Brut, the witch hunter, martial artist and philosopher. Together they spend three dreadful nights in an old chapel reading the funeral service for Ulyana, the witch, and calling upon the ghastly evil spirit Viy.

Era 1985: la Guerra Fría tenía como uno de sus puntales la carrera espacial. La estación Salyut-7 era una de las joyas de la corona de la industria soviética. Sin embargo, de repente dejó de comunicarse. Una de las mayores y más complejas misiones espaciales aterriza en la pantalla a través de esta soberbia película de aventuras, que incluye cuarenta minutos rodados en gravedad cero.

The second part of the film “About Love”. Moscow, summer 2016. A new lecture, a new lecturer with a new theme: “How to preserve love in the modern world” – and five new stories about love. The heroes still suffer, struggle for love, even more often get into absurd and ridiculous situations, and yet they trust in love even more.

The second part of the film “About Love”. Moscow, summer 2016. A new lecture, a new lecturer with a new theme: “How to preserve love in the modern world” – and five new stories about love. The heroes still suffer, struggle for love, even more often get into absurd and ridiculous situations, and yet they trust in love even more.

The year 1829. Nikolay Gogol, a young Third Section clerk, is desperate: his own books seem shallow and mediocre, so he keeps buying entire print runs just to burn them all. He is suffering from violent epileptic seizures and struggles to keep on working. Investigator Yakov Guro accidentally witnesses one such fit and realizes that Gogol's visions contain clues that could help solve actual crimes. Together, Gogol and Guro take on a particularly weird and baffling case that brings them to a small village of Dikanka, where everyone has a huge secret to hide.

Yana Titova is a very successful businesswoman, editor-in-chief of a fashion glossy magazine. She considers herself a self-sufficient, accomplished woman and supports "child-free". It doesn't bother Yana at all that at thirty-eight she doesn't have a husband or children. Having achieved popularity, Yana confidently goes forward, not wanting to compromise her own principles. But suddenly, clouds are gathering over Yana's well-being, and in order to strengthen her almost lost position, she agrees to an unthinkable step, deciding to adopt a child. Yana takes her from the orphanage a little gypsy by the name of Yanko. That's just Yana does not even suspect what will turn out for her such a PR move.

This is the story that could be behind the famous photo of Alexander Rodchenko "Stairs". Moscow, 1929. The end of the era of constructivism in the USSR. A young woman comes to visit a middle-aged woman to resolve their complicated relationship.

Visión melodramática e irónica de la vida de varios moscovitas de clase media. Cada uno de ellos tiene un secreto personal, oculto a los demás - su "parte íntima". El personaje principal, Ivan, un polémico fotógrafo, está convencido de que las personas nacen para ser felices, y la felicidad es la libertad de permanecer fiel a uno mismo.

Visión melodramática e irónica de la vida de varios moscovitas de clase media. Cada uno de ellos tiene un secreto personal, oculto a los demás - su "parte íntima". El personaje principal, Ivan, un polémico fotógrafo, está convencido de que las personas nacen para ser felices, y la felicidad es la libertad de permanecer fiel a uno mismo.

Visión melodramática e irónica de la vida de varios moscovitas de clase media. Cada uno de ellos tiene un secreto personal, oculto a los demás - su "parte íntima". El personaje principal, Ivan, un polémico fotógrafo, está convencido de que las personas nacen para ser felices, y la felicidad es la libertad de permanecer fiel a uno mismo.

Visión melodramática e irónica de la vida de varios moscovitas de clase media. Cada uno de ellos tiene un secreto personal, oculto a los demás - su "parte íntima". El personaje principal, Ivan, un polémico fotógrafo, está convencido de que las personas nacen para ser felices, y la felicidad es la libertad de permanecer fiel a uno mismo.