Alexey Chupov

O Capitão Fyodor Volkonogov, um respeitado agente da URSS, descobre que está sendo alvo de uma conspiração política e foge, sendo perseguido por seus ex-colegas. Vulnerável e sem esperança, Fyodor recebe uma mensagem do inferno: após a morte, ele será condenado a tormentos eternos. A única maneira de evitar isso é se arrepender e encontrar pelo menos uma pessoa que lhe conceda o perdão. Mas o tempo de Fyodor está se esgotando...

O Capitão Fyodor Volkonogov, um respeitado agente da URSS, descobre que está sendo alvo de uma conspiração política e foge, sendo perseguido por seus ex-colegas. Vulnerável e sem esperança, Fyodor recebe uma mensagem do inferno: após a morte, ele será condenado a tormentos eternos. A única maneira de evitar isso é se arrepender e encontrar pelo menos uma pessoa que lhe conceda o perdão. Mas o tempo de Fyodor está se esgotando...

During the day, Lera studies humankind and its needs through opinion polls, which are an educational practice at the institute; at night, she dances under the pseudonym Gerda in a club to support herself and her mother. The people she meets are as unfortunate as her family. Her father has recently left for another woman, but he constantly returns home, unable to make his choice and thereby making the life of close people intolerable. The mother painfully endures the breakup and constantly sleeps, ignoring reality. Lera doesn’t know how to carry on, where to go and what to live for, and — most importantly — how to improve life. The adult world, invariable unfortunate, which Lera observes day and night, seems hopeless.

Egor Korshunov (40) is a Siberian forest guard who works in a local environmental company, fighting fearlessly against poachers in taiga. Egor is a great family man, respected by his fellow villagers. He and his wife Natalia are expecting a second child. Unexpectedly, Egor finds out that he has terminal cancer and has only two months left to live. No traditional medicine or shamanic magic can save Egor. Finally, left with no other options, he decides to take the last desperate step. He attempts to completely change his identity in order to fool the oncoming death, just like Zhamba the drake, the hero of a legendary ancient Siberian epos, did.

Egor Korshunov (40) is a Siberian forest guard who works in a local environmental company, fighting fearlessly against poachers in taiga. Egor is a great family man, respected by his fellow villagers. He and his wife Natalia are expecting a second child. Unexpectedly, Egor finds out that he has terminal cancer and has only two months left to live. No traditional medicine or shamanic magic can save Egor. Finally, left with no other options, he decides to take the last desperate step. He attempts to completely change his identity in order to fool the oncoming death, just like Zhamba the drake, the hero of a legendary ancient Siberian epos, did.

Soon after Gogol's death, Binh names him guilty for the deaths of the Cossacks and the young women at the hands of the Dark Horseman, since he was the one who ordered them to be hidden in the barn. Bomgart is unable to perform a post-mortem analysis on the Gogol's body, while Vakula's daughter Vasilina (who secretly has magic abilities) proclaims denial about Gogol's demise.

A mysterious Dark Horseman slays young girls near the village of Dikanka, and he has already butchered 11 ladies. Nikolai Gogol, a scribe from Saint Petersburg has to take charge of the investigation, but the closer he gets to solving the case, the more fits he has, causing macabre visions. When he learns the next victim is his beloved, Liza, he doubts that he can protect her and resist the murderer. Fortunately, he meets somebody who can help him: Khoma Brut, the witch hunter, martial artist and philosopher. Together they spend three dreadful nights in an old chapel reading the funeral service for Ulyana, the witch, and calling upon the ghastly evil spirit Viy.

Salyut 7 é um filme de drama histórico russo lançado em 2017 e dirigido por Klim Shipenko. A história é baseada na missão Soyuz T-13 de 1985, parte do programa Salyut soviético. Foi a primeira vez na história em que uma estação espacial "morta" foi acoplada, e trazida de volta ao serviço.

O filme se passa em Moscou no verão. A cidade vive sua vida, algo acontece aqui todos os dias. Pessoas que têm pressa em seus negócios importantes, e também não se esquecem da aquisição de novos conhecimentos e habilidades.

O filme se passa em Moscou no verão. A cidade vive sua vida, algo acontece aqui todos os dias. Pessoas que têm pressa em seus negócios importantes, e também não se esquecem da aquisição de novos conhecimentos e habilidades.

The year 1829. Nikolay Gogol, a young Third Section clerk, is desperate: his own books seem shallow and mediocre, so he keeps buying entire print runs just to burn them all. He is suffering from violent epileptic seizures and struggles to keep on working. Investigator Yakov Guro accidentally witnesses one such fit and realizes that Gogol's visions contain clues that could help solve actual crimes. Together, Gogol and Guro take on a particularly weird and baffling case that brings them to a small village of Dikanka, where everyone has a huge secret to hide.

Yana Titova is a very successful businesswoman, editor-in-chief of a fashion glossy magazine. She considers herself a self-sufficient, accomplished woman and supports "child-free". It doesn't bother Yana at all that at thirty-eight she doesn't have a husband or children. Having achieved popularity, Yana confidently goes forward, not wanting to compromise her own principles. But suddenly, clouds are gathering over Yana's well-being, and in order to strengthen her almost lost position, she agrees to an unthinkable step, deciding to adopt a child. Yana takes her from the orphanage a little gypsy by the name of Yanko. That's just Yana does not even suspect what will turn out for her such a PR move.

This is the story that could be behind the famous photo of Alexander Rodchenko "Stairs". Moscow, 1929. The end of the era of constructivism in the USSR. A young woman comes to visit a middle-aged woman to resolve their complicated relationship.

Residents of a big city, each of whom has their own sexual problems and desires, secret and, most often, shameful from the point of view of society, need to solve them. Each of the characters tries to solve their problems in their own way: someone sublimates them, someone turns to a psychotherapist for help, someone rushes into experiments... but sooner or later they all return to where they started, and they have to overcome themselves again and again to get at least a little, even a millimeter closer to their happiness.

Residents of a big city, each of whom has their own sexual problems and desires, secret and, most often, shameful from the point of view of society, need to solve them. Each of the characters tries to solve their problems in their own way: someone sublimates them, someone turns to a psychotherapist for help, someone rushes into experiments... but sooner or later they all return to where they started, and they have to overcome themselves again and again to get at least a little, even a millimeter closer to their happiness.

Residents of a big city, each of whom has their own sexual problems and desires, secret and, most often, shameful from the point of view of society, need to solve them. Each of the characters tries to solve their problems in their own way: someone sublimates them, someone turns to a psychotherapist for help, someone rushes into experiments... but sooner or later they all return to where they started, and they have to overcome themselves again and again to get at least a little, even a millimeter closer to their happiness.

Residents of a big city, each of whom has their own sexual problems and desires, secret and, most often, shameful from the point of view of society, need to solve them. Each of the characters tries to solve their problems in their own way: someone sublimates them, someone turns to a psychotherapist for help, someone rushes into experiments... but sooner or later they all return to where they started, and they have to overcome themselves again and again to get at least a little, even a millimeter closer to their happiness.