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Un empresario irlandés se beneficia cuando los forajidos toman el control de una pacífica ciudad fronteriza estadounidense, pero su familia se ve amenazada a medida que aumenta la violencia.
Editor
Bernier es un escritor que pasa los días en la casa-estudio que la artista Luce tiene en una colina frente al Mediterráneo, en compañía también de una banda criminal. La llegada de la familia de Bernier y de unos policías inquisitivos detonará un tiroteo que Cattet y Forzani deconstruyen con su inimitable estilo, haciendo de esta adaptación de Manchette y Bastid un mareante festín para los sentidos.
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Una mujer desaparece. Su marido decide investigar las extrañas circunstancias de su desaparición. ¿Acaso le ha abandonado? ¿O es que está muerta? A medida que va indagando en las respuestas, el marido se verá gradualmente inmerso en una serie de situaciones violentas.
Editor
Esta obra fragmentaria, que carece de diálogos, penetra en la vida de una niña que es observada por el ojo de una cerradura. Film experimental y de impecable factura que avanza a golpe de sensaciones, siempre filmadas a flor de piel.
Editor
Santos Palace is a coffee shop in Belgium. There, a waitress serves a strange client. Their eyes meet, minutes pass and we seem to witness a love story that hasn’t began or may have already started, with its potential jealousies and passions, or which may never happen at all; another type of romance. The feeling of seeing or being seen, the rhythmical editing, the use of cinemascope to make objects and spaces appear as abstract forms, the predominance of detailed shots: these are all obsessions, forms and audiovisual ideas that explode in this surprising film.
Editor
A woman takes a shower when she suddenly hears something. What is causing the sound and what is it that we see?
Sound Editor
Pieces of memories restitute what remains from a lost love.
Sound Editor
The Giallo film reinvented as an experimental S&M-tinged fever dream, told through a combination of color-gelled cinematography and jump-cut photographs, infused with dark sensuality and perverse cruelty. The short films of the directors of Amer are technically rawer than that film, but they show what was to come in terms of themes based on giallo films and an abstract style, from the use of still frames like in Chris Marker's La Jetée to harsh coloured lighting. They are worth seeing by themselves as a refining of their ideas into a fantastic debut feature film.
