Kenichi Benitani

Namiko Morita, who lived in Otaru, moved to this area with her husband, Yutaro, and opened the brewery "Morita Brewery". Eventually, they succeeded in this business and lived happily while raising three children. However, in August 1945, the situation changed completely due to the Soviet invasion of Manchuria.

As the film begins, Takao (Akira Terao) and Michiko (Kanako Higuchi) have already pulled up their Tokyo roots and moved to a village that is Takao's ancestral home. They visit a thatched cottage that serves as a memorial shrine (amidado) for the village dead and chat with the attendant, the spry 96-year-old Oume (Tanie Kitabayashi). Together they admire the view -- from an inspiring distance. Oume, it turns out, is a kind of sage, whose thoughts and observations are a popular feature in a column in a local newsletter. Her amanuensis is a mute, sweetly smiling young woman named Sayuri (Manami Konishi), who is as devoted to Oume as Oume is to the souls of her beloved dead.

Yosuke Sasano es un hombre en paro, de unos cuarenta años, al que acaba de abandonar su esposa. Cuando un viejo vagabundo le cuenta que tiene escondido el Buda de oro que robó en un templo de Kioto en una lejana casa situada cerca de un puente rojo, Yosuke decide emprender el viaje en su búsqueda. Cuando llega al lugar no encuentra el Buda pero sí a una extraña mujer que vive en la casa .

1945, vísperas de la rendición japonesa. En medio de una tensa atmósfera de guerra, el Doctor Akagi, médico de un pueblo pesquero en una de las islas japonesas, está consternado por la cantidad de personas que caen afectadas de hepatitis, primera causa de muerte en el desnutrido país. Ante esta grave situación decide implicarse para salvar su integridad profesional. Se alía con sus viejos colegas; un monje que ha colgado los hábitos, un cirujano nihilista adicto a la morfina y una mujer, formando así un grupo al margen de la sociedad militar japonesa

La lluvia negra la constituyen las particulas radiactivas procedentes de la explosión de las bombas que Estados Unidos lanzó sobre Hiroshima y Nagasaki. Basada en una famosa novela de Masuji Ibuse sobre la devastación causada por la bomba atómica, "Lluvia negra" relata las consecuencias de la explosión atómica en Hiroshima. La película se centra en la historia de una joven, Yasuko, que se vio sorprendida por esta lluvia radioactiva que cayó en los alrededores de la tristemente célebre ciudad. Las posibles consecuencias de su contacto con la radiación han dado lugar a un sinfín de habladurías entre los pretendientes de la joven: ¿estará enferma?, ¿podrá tener hijos? Su familia rememora aquellos días aciagos, tratando de conjurar el peligro que la acecha.

Basada en un hecho real. Hachiko es un perro de raza akita que es adquirido por el profesor Ueno, docente en la Facultad de Ingeniería Agrónoma de la Universidad de Tokio. Todas las mañanas, Hachiko acompaña a su amo hasta la estación de Shibuya, donde éste coge el tren para ir a su trabajo. Por las tardes, Hachiko regresa a Shibuya y espera a su amo a la puerta de la estación. Un día el profesor Ueno sufre un ataque cardíaco en el aula y fallece en el acto, y Hachiko acude día tras día a la estación para esperar a un amo que ya nunca más volverá.

Shuji was once a feared member of the Yakuza crime syndicate, but he's reformed his ways, abandoned his old life and left the city for a small coastal fishing town where he's become an honest fisherman.

Released after seven years in prison, an inveterate thug goes from strength to ruthless strength as he makes his way through a succession of dubious jobs, illegal schemes, and brutal romances.

Filled with guilt over his forbidden desires, a young man leaves home and his studies. He finds a new smaller place to stay, a low-paying but satisfying job and a girlfriend. Then his mother, unable to fight her forbidden desires, shows up.

Eiji, also known as Choji, quits the shipyard to start Izakaya [Snack Bar] Choji with his wife Shigeko on the outskirts of Hakodate. Eiji once had a girlfriend by the name of Sayo, but she is supposed to be happily married to a pasture owner in the countryside. Then, suddenly one day Sayo shows up at Choji before opening. Sayo is still in love with Eiji. The story expressively portrays the lives of random Choji customers and the daily interaction between Eiji and Shigeko, while also focusing on the feelings between Eiji and his past girlfriend Sayo.

A high school science teacher is the butt of all his students' jokes, until their bus is hijacked on a school trip. But something more sinister lurks beneath the surface: he's building an atomic bomb in his apartment.

Set at the height of the Japanese student rebellion in 1968, the film tells the story of the friendship between two very different men—a fortyish film maniac who spends nearly all his time at the movies and a 19-year-old going through the final rites of passage from adolescence to adulthood.

Ippei, a college student, finds a formula that can render him invisible. He uses it to spy on women's bathhouses, and have sex with female students. A professor becomes aware of his activities and punishes him.

Roman Porno from 1978. Director Toshiya Fujita and screenwriter Kaneto Shindo adapted Pierre Choderlos de Laclos' 18th-century epistolary novel 'Les Liaisons dangereuses' to a contemporary setting. An abominable and burning jealousy and an evil relationship between a man and a woman unfold in the nature of a game. Eventually, jealousy's ripples deeply hurt the true love of a chaste married woman.

A rich man buys a wife, whose father was in debt. Months later, the man's sister comes to visit, and discovers that the wife is secretly in love with another man.

A young teacher (Eiko Nagashima) is raped by students. She tries to resign but then decides to return and face the class.

When an American is murdered in a Japanese inn, Tokyo police detective Munesue follows the trail of the killer to New York. There he is joined by a New York City detective named Shuftan and together they sort out the crime.

Satirizing the Roman Porno genre, and the Office Lady Journal series in particular. Naomi Tani and Yuko Katagiri appear as themselves in the film, making fun of their on-screen personae.

There is a girl who is a student at a tailoring school. She has a friend who has a boyfriend and is always having sex. She herself, however, remains a virgin. She sees her brother masturbating one day. She asks her friend to have sex with her brother. Her friend asks her to spread it for her older brother in exchange. It is a deal and the four go on a hike.

Roman Porno from 1976.

Roman Porno from 1975.

Roman Porno from 1975.

Naomi, who runs a boutique, is a lesbian and has been having homosexual relationships with her staff, Reiko, and a married woman, Miyako. Her friend Mari, a singer, is also a lesbian, and this is a complicated love story between two women that begins when Reiko falls in love with her one-sidedly.

Roman Porno from 1975.

Drama about young people in the Japanese rock scene starring the lead singer of Japanese rock band The Tigers (1966-1971, 1981-1983).

A young woman fails her university entrance exam and starts shoplifting.

Akio's sister, Neri has separated from her boyfriend. They lived in Kamakura. She moves in with her brother. Her ex-boyfriend's sister, Eiko comes to see Neri. She wonders if the separation occurred due to her because the three of them used to live together. Eiko's brother has disappeared in the meantime.

A young and newly-married couple in Tokyo lives a hard life moving repeatedly because of their unfamiliar relationships with their surroundings.

Roman Porno from 1973.

Roman Porno from 1973.

Roman Porno from 1973.

A department store girl is robbed of her cash register by a boy, but for some reason she cannot forget the boy's mysterious eyes, and time passes. One day, she discovers the eyes by chance, and relentlessly pursues the boy.

The twelfth shogun, Ieyoshi, embraces Oruri day and night under the care of Fujioka, a guest attendant at the O-oku. However, Fujioka's senior, Kumoi, who recommends Oseki to him, is not amused at all. The scene between Fujioka and Kumoi was symbolic of the battle between women in the O-oku. Fujioka hears from Orui that she is pregnant and rejoices that she has nothing to fear if she bears the Shogun's child. Meanwhile, Kumoi comforts Bure, who is a lesbian, and asks Oseki to help her get a call from the shogun.

By going to the Philippines, Imamura comes to meet people living in an extreme poverty. He discovers very quickly that some communities are under the control of cruel & armed pirates. Imamura will come to meet those men in order to understand their position.

Tsutomu Yoshioka, a Tokyo office worker, is enaged to Mariko, the niece of his company's president. But Yoshioka has a crisis of consence when he remembers his former love Mitsu, a rural girl whom he met and later left while in college. Shimako, a former friend, persuades Yoshioka to meet with Mitsu while she plots to blackmail Yoshioka by photographing the meeting to break up Mariko and Yoshioka.

Un ingeniero de Tokyo llamado Kariya llega a una primitiva isla tropical para excavar un pozo que suministre agua a los campos de azúcar. En la isla, cuenta con la asistencia de Kametaro, un miembro de la familia Futori. Nekichi Futori está encadenado en un hoyo que debe ser excavado porque cree que debe apaciguar a los dioses antes de que acaben con la protección de la isla. Nekichi está enamorado de su hermana Uma, sacerdotisa chamán en el templo sagrado, que contiene el único agua potable cerca del campo de azúcar. Asimismo, ella es la amante de Ryu, el jefe del campo. El patriarca de los Futori intenta que el ingeniero se case con su hija retrasada Toriko. (FILMAFFINITY)

Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.