Leo Mittler

Películas

Heimkehr des Helden
Director
Defraudanten
Director
Song of Russia
Story
En los años previos a la Segunda Guerra Mundial, un director de orquesta norteamericano, de gira por la Unión Soviética, se enamora de una muchacha nativa. Cuando los nazis atacan el país, ambos deben hacerles frente formando parte de la resistencia.
El barco fantasma
Story
Película sobre la relación entre un veterano capitán y su tercer oficial. Una serie de misteriosas muertes provocan que el joven crea que su superior está obsesionado con mostrar su autoridad. (FILMAFFINITY)
The Mayor's Dilemma
Scenario Writer
At the beginning of World War I in a village in the country of La Marne, two families are against the marriage of their children. The war changes the positions.
Cheer Up
Director
An impoverished team of composer and songwriter try to secure financial backing for their new musical, with the assistance of a struggling actress working as a housemaid.
The Last Waltz
Director
Count Dimitri is sentenced to death for hitting Prince Paul who was trying to steal a kiss from Countess Vera. Prince Paul pardons him because of a young girl who knew how to conquer his heart at the right time.
Honeymoon for Three
Director
In this musical comedy, the trouble begins when a carefree playboy steals the virtue of a young French maiden and is forced to marry her when her angry father, a financier finds out. The playboy is flat broke, but does the honorable thing. The newlyweds then board a ship and sail off to the States. They are accompanied by the girl's ex-fiance. The plan was for the young marrieds to get a divorce as soon as possible, but then the groom realizes that he really does love the girl. Happiness ensues
La voix sans visage
Director
The singer Saltore is accused of the murder of his wife's lover, and is sentenced to ten years' hard labour. His daughter proves his innocence when she discovers the culprit to be his wife, who wanted to end an embarrassing love affair.
The Night at the Hotel
Director
In a palace on the Côte d'Azur, a whole fauna evolves: a colonel who cheats on his wife, the colonel's daughter who flirts with Fred, Fred's friend, Emmanuel, who is in love with Marion, and Marion who kills himself. believing that Emmanuel does not forgive him for having, out of idleness, yielded to Fred one day.
Nights in Port Said
Director
The niece of a shady tavern-keeper of Port Said, surrounded by dangerous men who haunt the ports, meets a man whom she will love and with whom she flees.
The concert
Director
A concert pianist, the romantic idol of many women, is seduced away from his wife. The seductress's husband takes in the pianist's wife, and all four pretend to be happy with the new arrangement.
Frivolous youth
Director
Lydia is a spoiled young woman who thinks she can get anything for money. One day she causes an accident in which a motorcyclist is killed. At the trial she meets prosecutor Dan O'Bannon. She is sentenced to prison for manslaughter.
Tropical Nights
Director
"Tropical Nights" - The young violinist Alma comes to Simbali with an orchestra led by conductor Zangiacoma, hired for a series of performances at the Schomberg hotel. Both the conductor Zangiacomo and Schomberg are obsessed with Alma. One evening, when Alma is, as usual, forced to entertain the guests she meets Mr. Heyst from his island Sourabaya, where he lives in solitude. He takes Alma to his place on the island.
Sunday of Life
Director
Ellen Hobart is a gold-digging manicurist who sights her sights on David Stone, a wealthy young man. After they marry, Hobart is persuaded to accept $50,000 to give her husband up. She willingly goes along with this arrangement, only to realize she's genuinely in love with the boy when he falls dangerously ill. German-language version of the American pre-code film The Devil's Holiday.
Every Woman Has Something
Director
The King of Paris
Director
There is a woman who will never forget you
Director
Harbour Drift
Director
A pre-Depression slice of proletarian life from Weimar Germany, Harbour Drift is unusually interesting for its indifferent pessimism, rejecting even the minor rays of hope which permeate the other low-life ‘street films’ of the period. A sordid tale of poverty and greed set within a quayside milieu of crime and prostitution, the narrative centres on the quest for a sparkling pearl necklace stolen by a beggar under the gaze of a prostitute, who persuades her unemployed friend to steal it back, with tragic consequences. The story unfolds in flashback, without irony or a hint of redemption: life simply goes on. The film is remarkable for the innovative camerawork of Friedl Behn-Grund, which manipulates light and shadow to create a nightmarish atmosphere of fear and premonition.
Serenissimus und die letzte Jungfrau
Director