Arnaldo Montel

Películas

La leona
Un empresario millonario debe afrontar simultáneamente el secuestro de su mujer y un reclamo de sus obreros.
Interpol llamando a Río
Britos
Dos ladrones huyen a Brasil con una cantante de cabaret luego de asaltar un banco.
Mãos Sangrentas
Maos Sangrentas translates to Bloody Hands in English, and that's just what this gruesome Brazilian melodrama delivers. The story begins when a gang of dangerous convicts escape from a penal colony. With the police in hot pursuit, the escapees cut a gory swath through the countryside. As his comrades are killed off one by one, the leader of the group descends into gibbering madness. In contrast to this, a subplot develops involving the least dangerous of the escapees, who murdered his wife in a peak of self-righteous rage and is now seriously in doubt about the wisdom of his deed. Principal scenes reworked in 1962 to make the film The Violent and the Damned (q.v.).
O Noivo da Girafa
The story of the confusion experienced by Aparicio Boamorte who works in the Zoo and has a giraffe as a confidante to vent the scolding he takes of all the people with whom he relates.
Rico Ri à Toa
Taxi driver gets in a jam when he receives a lot of money as inheritance from a distant family member when in fact, the money came from a bank robbery.
Chico Fumaça
Raposo
Hillbilly avoids a train disaster, becoming a hero. A dishonest politician tries to take advantage of the fact, to promote himself.
Rio, 40 Degrees C.
Banned by Brazil’s Federal Department of Public Safety, Rio, 40 Graus is a landmark film that ushered in the wave of Cinema Novo in Brazil. The film chronicles a day in the life of five peanut vendors from Rio de Janeiro's favelas. This was one of the first Brazilian films to address the issues of race, poverty, and class.