Arnaldo Montel

参加作品

La leona
Interpol llamando a Río
Britos
Two robbers flee to Brazil with a cabaret singer after robbing a bank.
Mãos Sangrentas
Maos Sangrentas translates to Bloody Hands in English, and that's just what this gruesome Brazilian melodrama delivers. The story begins when a gang of dangerous convicts escape from a penal colony. With the police in hot pursuit, the escapees cut a gory swath through the countryside. As his comrades are killed off one by one, the leader of the group descends into gibbering madness. In contrast to this, a subplot develops involving the least dangerous of the escapees, who murdered his wife in a peak of self-righteous rage and is now seriously in doubt about the wisdom of his deed. Principal scenes reworked in 1962 to make the film The Violent and the Damned (q.v.).
O Noivo da Girafa
The story of the confusion experienced by Aparicio Boamorte who works in the Zoo and has a giraffe as a confidante to vent the scolding he takes of all the people with whom he relates.
Rico Ri à Toa
Taxi driver gets in a jam when he receives a lot of money as inheritance from a distant family member when in fact, the money came from a bank robbery.
Chico Fumaça
Raposo
Hillbilly avoids a train disaster, becoming a hero. A dishonest politician tries to take advantage of the fact, to promote himself.
Rio, 40 Degrees C.
Banned by Brazil’s Federal Department of Public Safety, Rio, 40 Graus is a landmark film that ushered in the wave of Cinema Novo in Brazil. The film chronicles a day in the life of five peanut vendors from Rio de Janeiro's favelas. This was one of the first Brazilian films to address the issues of race, poverty, and class.