Elin Kirschfink

Elin Kirschfink

Perfil

Elin Kirschfink

Películas

The President's Wife
Director of Photography
When she arrived at the Elysée Palace, Bernadette Chirac expected to finally get the place she deserved, she who had always worked in the shadow of her husband to make him president. Put aside because she was considered too old-fashioned, Bernadette decided to take her revenge by becoming a major media figure.
Léon Trotsky - Un homme à abattre
Director
On August 21, 1940, Trotsky was assassinated in Mexico City, after eleven years of exile. The killer, Ramon Mercader, a young Spanish communist, was a character straight out of a spy movie. He was recruited in 1937 by Stalin's secret service when the latter decided to eliminate Trotsky, that tireless opponent. Through the epic story of Trotsky's last years in exile in Mexico, enriched with flashbacks to his political past, this film, a true historical thriller, offers a cross-narrative between Trotsky's life in exile and the setting up, at the same time, of "Operation Duck", the code name for his assassination.
That Which Does Not Kill
Director of Photography
Ada is 19. She agrees to have dinner at the home of a boy she knows. It all happens very quickly, she does not defend herself. It is in 2013, after a screening of her first film, that Alexe Poukine meets her: a woman of her age who shares with her something that happened nine years before and that she does not know what to do with.
The Horizon
Cinematography
On the northern outskirts of Paris, where housing projects rise out of fields, Adja, 18, burns with the desire to live intensely. While her brother breaks out as a pro soccer player, her best friend blows up as an influencer on social media, and her mother struggles to save her hometown in Senegal, Adja has only a blurred vision of her future. With Arthur, who becomes more than a friend, her political and environmental awareness rises, and Adja joins the fight of her generation.
Los jóvenes amantes
Director of Photography
Dos amantes se encuentran 15 años después, en el corredor de un hospital. Ella tiene 71, él tiene 45. Repelidos, pero atraídos el uno por el otro, vuelven a conectar. Viuda, madre, abuela, Shauma quiere reafirmar que sigue siendo mujer, ante todo.
200 Metros
Director of Photography
Mustafa y su esposa Salwa provienen de dos aldeas palestinas que están a solo 200 metros de distancia, pero separadas por el muro. Su situación de vida inusual está comenzando a afectar su matrimonio feliz, pero la pareja hace lo que puede para que funcione. Todas las noches, Mustafa enciende una luz desde su balcón para desear buenas noches a sus hijos del otro lado, y ellos le señalan que regrese. Un día, Mustafa recibe una llamada que todos los padres temen: su hijo ha tenido un accidente. Se apresura al punto de control donde debe esperar agonizadamente en la fila solo para descubrir que hay un problema con sus huellas dactilares y se le niega la entrada. Desesperado, Mustafa recurre a contratar a un contrabandista para que lo lleve al otro lado. Su viaje de 200 metros se convierte en una odisea de 200 kilómetros a la que se unen otros viajeros decididos a cruzar.
Camille
Director of Photography
Camille, una joven fotógrafa muy idealista, decide viajar a la República Central Africana para cubrir la guerra civil que allí tiene lugar. Lo que ve cambia su vida para siempre.
Nuestras pequeñas batallas
Cinematography
De un día para otro, Laura abandona el hogar familiar y Olivier debe hacer malabarismos entre las necesidades de los niños, los desafíos diarios de la vida y su trabajo.
Luna
Director of Photography
A film in which the director captures the beautiful and accurate qualities of reality when building the energetic portrait of a 16-year-old girl immersed in the macho culture of urban suburban south-west France, just a stone’s throw away from the nearby countryside.
La vaca
Director of Photography
Fatah, un pequeño granjero de Argelia sólo tiene ojos para su vaca Jacqueline y sueña con llevarla a París al Salón de la Agricultura. Al recibir la invitación, él que nunca ha dejado el campo, toma un barco en dirección a Marsella para cruzar toda Francia a pie. Es la oportunidad para Fatah y Jacqueline de vivir una aventura de grandes momentos de ayuda mutua y de risas.
Par accident
Director of Photography
Una tarde, Amra, una joven argelina que vive en Francia, atropella accidentalmente a un peatón. Acribillada por la culpa y la certeza de que perderá sus documentos de identidad franceses, Angélique, una bella pelirroja que es tan abierta y sin complejos como Amra es insociable e introvertida, demuestra milagrosamente su inocencia. Las dos jóvenes se hacen amigas, pero la actitud de Angélique se vuelve cada vez más extraña, incluso inquietante.
The Return
Cinematography
It has been a year since his older brother has left and Willy, fifteen, is waiting impatiently for him to come home. He thinks he knows everything about Théo, but shortly after his return, he discovers a secret about him.
The Good Life
Cinematography
Sylvain y Pierre, de 16 y 18 años respectivamente, parecen felices. Corren y ríen por el campo. Se bañan desnudos en el lago. No van al colegio. Son libres. Pero no es más que una libertad aparente, porque la verdad es que viven escondidos desde hace más de diez años. Su padre Yves les secuestró cuando tenían 5 y 7 años, cuando concedieron la custodia a su madre. Desde entonces viven escondidos en las montañas, bajo una identidad falsa, como nómadas. Parecen felices, pero no lo son. Al menos el mayor, Pierre, ha dejado de serlo y escapa. La “buena vida” no le basta, se siente ahogado por la soledad. (FILMAFFINITY)
Valse with Asmahan
Cinematography
Asmahan, the famous Syrian diva of the forties reigns as queen in the small apartment of a very pretty young Moroccan woman, desperate for a plane ticket to an Egypt where she dreams of being a singer ...
De retour
Director of Photography
During the 48 hours following his release from jail, a young man returns to his family and circle of friends.
Liar
Director of Photography
Due to drug abuse, a 13-year-old boy is placed into a detention center for young offenders. After a week, the judge will decide if he must stay there or go back home. Confronted with the adults, the judge, the psychologist and the social workers, the boy uses his most effective power to rebel against them all: lying.