Elin Kirschfink

Elin Kirschfink

プロフィール写真

Elin Kirschfink

参加作品

The President's Wife
Director of Photography
When she arrived at the Elysée Palace, Bernadette Chirac expected to finally get the place she deserved, she who had always worked in the shadow of her husband to make him president. Put aside because she was considered too old-fashioned, Bernadette decided to take her revenge by becoming a major media figure.
Léon Trotsky - Un homme à abattre
Director
On August 21, 1940, Trotsky was assassinated in Mexico City, after eleven years of exile. The killer, Ramon Mercader, a young Spanish communist, was a character straight out of a spy movie. He was recruited in 1937 by Stalin's secret service when the latter decided to eliminate Trotsky, that tireless opponent. Through the epic story of Trotsky's last years in exile in Mexico, enriched with flashbacks to his political past, this film, a true historical thriller, offers a cross-narrative between Trotsky's life in exile and the setting up, at the same time, of "Operation Duck", the code name for his assassination.
That Which Does Not Kill
Director of Photography
Ada is 19. She agrees to have dinner at the home of a boy she knows. It all happens very quickly, she does not defend herself. It is in 2013, after a screening of her first film, that Alexe Poukine meets her: a woman of her age who shares with her something that happened nine years before and that she does not know what to do with.
The Horizon
Cinematography
On the northern outskirts of Paris, where housing projects rise out of fields, Adja, 18, burns with the desire to live intensely. While her brother breaks out as a pro soccer player, her best friend blows up as an influencer on social media, and her mother struggles to save her hometown in Senegal, Adja has only a blurred vision of her future. With Arthur, who becomes more than a friend, her political and environmental awareness rises, and Adja joins the fight of her generation.
The Young Lovers
Director of Photography
Elegant, retired architect Shauna (70) crosses paths with Pierre, a happily married doctor in his 40s, who first made an impression on her in a brief meeting 15 years previously. Both are quite troubled to meet again and begin an affair. While Pierre’s family life is soon turned upside down, Shauna struggles with feelings she thought belonged to the past.
200 Meters
Director of Photography
Mustafa and his wife Salwa come from two Palestinian villages that are only 200 meters apart, but separated by the wall. Their unusual living situation is starting to affect their otherwise happy marriage, but the couple does what they can to make it work. Every night, Mustafa flashes a light from his balcony to wish his children on the other side a goodnight, and they signal him back. One day Mustafa gets a call that every parent dreads: his son has been in an accident. He rushes to the checkpoint where he must agonisingly wait in line only to find out there is a problem with his fingerprints and is denied entry. Desperate, Mustafa resorts to hiring a smuggler to bring him across. His once 200-meter journey becomes a 200-kilometer odyssey joined by other travellers determined to cross.
Camille
Director of Photography
Camille, a young idealistic photojournalist, goes to the Central African Republic to cover the civil war that is brewing up. What she sees there will change her destiny forever.
Our Struggles
Cinematography
While Olivier, a 39 year-old foreman gives his job everything he’s got, Laura, his wife and the mother of their two children, abandons the family home, leaving Olivier alone to face his responsibilities. Lost and completely thrown, Olivier is going to have to come to terms with his new status as a single father raising his children alone. Because Laura’s not coming back.
Luna
Director of Photography
A film in which the director captures the beautiful and accurate qualities of reality when building the energetic portrait of a 16-year-old girl immersed in the macho culture of urban suburban south-west France, just a stone’s throw away from the nearby countryside.
One Man and his Cow
Director of Photography
An Algerian man's life-long dream finally comes true when he receives an invitation to take his cow Jacqueline to the Paris International Agriculture Fair.
Par accident
Director of Photography
One evening, Amra, a young Algerian living in France, accidentally runs over a pedestrian. Riddled with guilt and the certainty that she will lose her French identity papers, Amra is miraculously proved innocent by Angélique, a beautiful redhead who is as open and without any hang-ups as Amra is unsociable and introverted. The two young women become friends, but then Angélique's attitude becomes increasingly strange, indeed, even troubling...
The Return
Cinematography
It has been a year since his older brother has left and Willy, fifteen, is waiting impatiently for him to come home. He thinks he knows everything about Théo, but shortly after his return, he discovers a secret about him.
The Good Life
Cinematography
Sylvain and Pierre have been running from the law ever since a custody battle with their mother pushed their father Yves into hiding ten years ago. But now that they’re older, the two brothers are road-weary and eager to take advantage of the perks of young adulthood. When the authorities discover their whereabouts, they are forced to move yet again and Pierre, the elder, disappears. Alone with his father on an island in the Loire River, Sylvain meets Gilda: his first girl, his first crush, and the first stop on his way to “the good life” – his own.
Valse with Asmahan
Cinematography
Asmahan, the famous Syrian diva of the forties reigns as queen in the small apartment of a very pretty young Moroccan woman, desperate for a plane ticket to an Egypt where she dreams of being a singer ...
De retour
Director of Photography
During the 48 hours following his release from jail, a young man returns to his family and circle of friends.
Liar
Director of Photography
Due to drug abuse, a 13-year-old boy is placed into a detention center for young offenders. After a week, the judge will decide if he must stay there or go back home. Confronted with the adults, the judge, the psychologist and the social workers, the boy uses his most effective power to rebel against them all: lying.