Jetnipith Teerakulchanyut

A teenager creates a checklist to complete before she studies abroad and realizes that her toughest task is leaving behind her best friend.

A journalist meets with Pob, a Thai ghost, who confesses to a murder. Finally finding an outlet for complaint, Pob explains how the murder happened and requests for his story to be published. However, the journalist declines and the two make a deal of a lifetime.

Cuatro directores tailandeses narran, en este filme omnibus, cómo ven el futuro de su país. Así, vemos sendas piezas en las que el futuro se mezcla con la crítica a la situación política de Tailandia. Aditya Assarat filma a un joven soldado en una galería de arte, y transmite de forma sutil el estado de represión actual. Wisit Sasanatieng firma una fábula futurista poblada de hombres-gato. El artista visual Chulayarnnon Siriphol llena la pantalla de colores en una distopía animada. Y el maestro Apichatpong Weerasethakul filma con sosiego a un hombre que habla de máquinas del sueño en una plaza presidida por un monumento patrio.

Pueng, daughter of a military Colonel, has planned to spend her married life with Mann, a young Lieutenant with a promising future. On the day Martial Law was announced, she received a wedding invitation from a high school friend back in her hometown. Upon her return to Chanthaburi, Pueng is reunited with her old friends and encounters Boyd who came back to work at the promising event as a wedding photographer. The unresolved feelings between Pueng and Boyd resurface as they relive the old memories of their youthful days.

The Scala opened its doors in 1970. It had one thousand seats and every night, they were filled. In those days, going to the movies was something special. The cinema was a place where people got dressed up, went on dates, and fell in love. But today, everything has changed. There is a multiplex in every mall and the young generation watch movies on their phone. But at The Scala, time has stood still. The cinema is still run by many of the same staff who have been there from the beginning. It is now the last remaining standalone cinema left in Bangkok. And soon, its time will come to an end too.

A Thai documentary about 'Van VDO' the VHS shop in 1990s. The shop established the independent cinema scene for Thai audience by selling VHS of American, European, and Asian indie films. However, all of them are pirate and illegal.

Two different boys, from different backgrounds and ways of life, seek answers for themselves in religion.

A man cleaning an upscale house is joined by his mother and girlfriend for lunch. The women later help him clean, watching him with unease when he takes a phone call. Aditya Assarat's short film unravels restless and insecure emotions of love where the dusty, empty space of a house and its fluttering white sheets block our view.

Ananda has returned home from abroad. Unsure of his career plans, he accepts an invitation to act in a new movie for a famous director. During the filming in a small seaside town, Zoe, his American girlfriend from University, arrives for a week-long visit. But the change of country takes its toll and she soon becomes frustrated with the situation. Meanwhile, Ananda meets another girl on the beach.

Narra una historia de amor en un paraíso perdido al sur de Tailandia: Takua Pa, una pequeña aldea costera que se repone del tsunami que acabó con la vida de varios miles de personas. Tom, un arquitecto de Bangkok, se traslada hasta allí para supervisar las obras de reconstrucción de un hotel en la playa, arrasado por el tsunami sufrido 3 años antes. Instalado en el único hotel que queda en pie, su interés por Na, la joven propietaria del establecimiento, despertará la desaprobación de los pocos habitantes del pueblo, que no conciben que allí pueda florecer la esperanza. Mientras, ambos tratan de descubrir cómo dar sentido a su presente. Una película sobre el amor que nace donde no hay amor, como una flor que nace entre los escombros invisibles de Takua Pa.