Benito Strangio

Ever since she found out her husband Evert was having an affair, Foekje has been living in a hotel she cannot afford. In desperate need of money, she has a plan. The area surrounding her mother’s house is being bought by the government for large sums of money, and Foekje can collect this money by having her mother Nel sign a power of attorney. Unfortunately, Nel is a doomsday prepper who lives in her basement in anticipation of the apocalypse.

Basada en el tristemente célebre caso relacionado con el VIH de Groningen, en el que tres hombres drogaron a otros tres a quienes inocularon con su propia sangre infectada por el VIH. Feast es una película audaz y provocadora que refleja con habilidad las cuestiones de la vida, la muerte y la moralidad que confluyen en una de las historias más inquietantes de la vida holandesa contemporánea.

In a world where fantasy meets reality, Tengkwa leads a band of Dutch wrestlers and tries to train a new generation of superheroes. With slim chances of fame and glory, only the most die-hard of them will succeed.

Headbutt portrays the desire of Tobias (15) to restore the old relationship he had with his brother Lucas (18). While they used to do everything together, Lucas now has no interest in his younger brother anymore. When Tobias fantasizes that Lucas will commit suicide, Tobias has no other option than to restore the relationship with his isolated brother.

The story is the search of the young Moszkowicz looking for his identity within his Jewish family, he wants to part with his inner demons and wants to break with the negative patterns in his life. In a country where 75 percent of Jews were murdered in the Holocaust, the Moszkowicz family of lawyers stood out as a unique Jewish success story.

Young Nick, charming and talented, but restless and fickle, works as a chef in a restaurant. After his girlfriend kicks him out of her house and he is sacked by the restaurant, he goes on a long journey to Croatia in search of both the ultimate truffle, and himself.

Donal hereda unos acres de tierra tras la muerte de su padre, un ganadero irlandés. El problema es que Donal no ha heredado demasiadas aptitudes sociales. Muy a pesar de contar con la ayuda de su mejor amigo, no es capaz de hablar a las mujeres, y su frustración le lleva buscar cobijo en el cybersexo, donde contactará a una mujer con mentalidad de empresaria que planea abrir su propio burdel, misión en la que también contará con la ayuda del propio Donal. (FILMAFFINITY)

Wing is six years old and is living in the Netherlands with her family, who are expatriates from China. Little Wing is fascinated by marine life and curious about her ancestral homeland of China. Fantasy and reality begin to mingle in a story concerning little Wing, an old lady who does not talk, some fish and a cup of tea.

Office drone Arisu finds his own life imitating the mystery novels of his favourite writer when his wife disappears and he finds he is being pursued by a sinister figure in a rabbit suit.

In the trilogy ‘Rain, Sugar, Eye’ thoughts are captured and made visible. Each film is made in one single shot; in which a total shot slowly changes into a close-up. The leading characters in ‘Rain’, ‘Sugar’ and ‘Eye’ are focusing on a detail. Literally seeing another world in this detail causes a fundamental change of their ideas about this reality. In ‘Eye' a man and a woman look each other so profoundly in the eyes that they experience the impossibility of a symbiosis.

The opera begins at the end. The woman has just experienced a terrible accident, a crash of both the computer and her brain to which the computer is connected. The first two parts take us through the reconstruction of her story, the use of her body, speech, memory and the data banks and central brain of the computer. She shares genetic, organic material with the computer as the computer replaces parts of her body with its cybernetic material. The relationship is unclear to both of them. Where reality exists is in a floating multi-layered network of hallucinations, fractured memories and her externalized inner life viewed on the computers screens, the film itself. She is physically present, witnessing and participating in the story on the stage, the computer, consisting of screens, sounds, musical icons and a glass central unit on which the woman performs her rituals of reconstruction. The story unfolds to her and to us simultaneously in a quest to understand what caused the accident...