Benito Strangio

참여 작품

Under Water
Cinematography
Ever since she found out her husband Evert was having an affair, Foekje has been living in a hotel she cannot afford. In desperate need of money, she has a plan. The area surrounding her mother’s house is being bought by the government for large sums of money, and Foekje can collect this money by having her mother Nel sign a power of attorney. Unfortunately, Nel is a doomsday prepper who lives in her basement in anticipation of the apocalypse.
Feast
Director of Photography
In FEAST, perpetrators, victims and their spectators become involved in a dramatic reconstruction of the Groningen HIV case. The film tells a story about power and surrender, the reversibility of truth and the desire to come home somewhere.
Ring of Dreams
Director of Photography
In a world where fantasy meets reality, Tengkwa leads a band of Dutch wrestlers and tries to train a new generation of superheroes. With slim chances of fame and glory, only the most die-hard of them will succeed.
Headbutt
Cinematography
Headbutt portrays the desire of Tobias (15) to restore the old relationship he had with his brother Lucas (18). While they used to do everything together, Lucas now has no interest in his younger brother anymore. When Tobias fantasizes that Lucas will commit suicide, Tobias has no other option than to restore the relationship with his isolated brother.
We Moszkowicz
Camera Operator
The story is the search of the young Moszkowicz looking for his identity within his Jewish family, he wants to part with his inner demons and wants to break with the negative patterns in his life. In a country where 75 percent of Jews were murdered in the Holocaust, the Moszkowicz family of lawyers stood out as a unique Jewish success story.
Nick
Director of Photography
Young Nick, charming and talented, but restless and fickle, works as a chef in a restaurant. After his girlfriend kicks him out of her house and he is sacked by the restaurant, he goes on a long journey to Croatia in search of both the ultimate truffle, and himself.
Sensation
Director of Photography
Man-boy farmer Donal discovers that his father has suddenly passed away. Now on his own, Donal attempts to lose his virginity by hiring a prostitute to help him get out of his rut. And so he meets Kim, an aging Kiwi escort. After engaging in a strictly sexual encounter, their relationship soon progresses into a lusty romance, then to a business enterprise between two partners. Through these exploits, Donal and Kim provide each other with a sense of love and belonging that neither experienced beforehand.
Wing: The Fish That Talked Back
Cinematography
Wing is six years old and is living in the Netherlands with her family, who are expatriates from China. Little Wing is fascinated by marine life and curious about her ancestral homeland of China. Fantasy and reality begin to mingle in a story concerning little Wing, an old lady who does not talk, some fish and a cup of tea.
Starfish Hotel
Cinematography
Office drone Arisu finds his own life imitating the mystery novels of his favourite writer when his wife disappears and he finds he is being pursued by a sinister figure in a rabbit suit.
Eye
Camera Operator
In the trilogy ‘Rain, Sugar, Eye’ thoughts are captured and made visible. Each film is made in one single shot; in which a total shot slowly changes into a close-up. The leading characters in ‘Rain’, ‘Sugar’ and ‘Eye’ are focusing on a detail. Literally seeing another world in this detail causes a fundamental change of their ideas about this reality. In ‘Eye' a man and a woman look each other so profoundly in the eyes that they experience the impossibility of a symbiosis.
SOH10 the Opera
Cinematography
The opera begins at the end. The woman has just experienced a terrible accident, a crash of both the computer and her brain to which the computer is connected. The first two parts take us through the reconstruction of her story, the use of her body, speech, memory and the data banks and central brain of the computer. She shares genetic, organic material with the computer as the computer replaces parts of her body with its cybernetic material. The relationship is unclear to both of them. Where reality exists is in a floating multi-layered network of hallucinations, fractured memories and her externalized inner life viewed on the computers screens, the film itself. She is physically present, witnessing and participating in the story on the stage, the computer, consisting of screens, sounds, musical icons and a glass central unit on which the woman performs her rituals of reconstruction. The story unfolds to her and to us simultaneously in a quest to understand what caused the accident...