Nayra Sanz Fuentes

Películas

Flying Fish
Director
For thousands of centuries and in different cultures, flying fish have been understood as symbols of searching, freedom, and achievement. They are unique animals that swim and fly, that delve deep into the waters and pass through the air, reflecting the possibility of hope. Their transit has been understood as an observational journey through nature, but little by little the impact of human beings and technology is increasing, transforming and altering the environment…
Derivas
Director of Photography
The beginning of the twenty-first century is marked by a contradictory intersection between the transformation of the global economy and the revolution in new technologies. These two disparate new realities have disrupted customs and traditions and are now bearing witness to different drifts, some with times that anesthetize and others that excite and exhilarate, yet without knowing where they are heading. The place portrayed in Derivas (Drifts), associated with the frontier of the sea and fishing boats, begins to be occupied by nomadic flows of people whose interests are very different to the origin of this place, completely redrawing and resituating new events.
Derivas
Editor
The beginning of the twenty-first century is marked by a contradictory intersection between the transformation of the global economy and the revolution in new technologies. These two disparate new realities have disrupted customs and traditions and are now bearing witness to different drifts, some with times that anesthetize and others that excite and exhilarate, yet without knowing where they are heading. The place portrayed in Derivas (Drifts), associated with the frontier of the sea and fishing boats, begins to be occupied by nomadic flows of people whose interests are very different to the origin of this place, completely redrawing and resituating new events.
Derivas
Screenplay
The beginning of the twenty-first century is marked by a contradictory intersection between the transformation of the global economy and the revolution in new technologies. These two disparate new realities have disrupted customs and traditions and are now bearing witness to different drifts, some with times that anesthetize and others that excite and exhilarate, yet without knowing where they are heading. The place portrayed in Derivas (Drifts), associated with the frontier of the sea and fishing boats, begins to be occupied by nomadic flows of people whose interests are very different to the origin of this place, completely redrawing and resituating new events.
Derivas
Director
The beginning of the twenty-first century is marked by a contradictory intersection between the transformation of the global economy and the revolution in new technologies. These two disparate new realities have disrupted customs and traditions and are now bearing witness to different drifts, some with times that anesthetize and others that excite and exhilarate, yet without knowing where they are heading. The place portrayed in Derivas (Drifts), associated with the frontier of the sea and fishing boats, begins to be occupied by nomadic flows of people whose interests are very different to the origin of this place, completely redrawing and resituating new events.
Selfie
Script
In this conceptual and sensorial miniature, the concept of social (self) portrait is rethought, playing with the distortions of a Big Brother who watches us impassively. A technological state of permanent control, of mechanization of a daily life dominated by the ingenuities that the human being has created and that have finally taken control of our lives.
Selfie
Director of Photography
In this conceptual and sensorial miniature, the concept of social (self) portrait is rethought, playing with the distortions of a Big Brother who watches us impassively. A technological state of permanent control, of mechanization of a daily life dominated by the ingenuities that the human being has created and that have finally taken control of our lives.
Selfie
Director
In this conceptual and sensorial miniature, the concept of social (self) portrait is rethought, playing with the distortions of a Big Brother who watches us impassively. A technological state of permanent control, of mechanization of a daily life dominated by the ingenuities that the human being has created and that have finally taken control of our lives.
Sub Terrae
Director
Un cementerio y un vertedero son los lugares en los que la abrumadora presencia de pájaros crea una extraña coreografía con las figuras humanas.
Edificio España
Editor
En 2007 se inicia un proyecto de reforma integral del Edificio España, un emblemático inmueble de Madrid que en tiempos del franquismo fue símbolo de prosperidad. En las obras participan más de doscientos trabajadores de diversas nacionalidades, generando un insólito anecdotario e incorporando sus vivencias a la propia memoria del lugar. Una inmensa Torre de Babel sobre la que quedarán impresas las huellas de nuestra época.