Director
For thousands of centuries and in different cultures, flying fish have been understood as symbols of searching, freedom, and achievement. They are unique animals that swim and fly, that delve deep into the waters and pass through the air, reflecting the possibility of hope. Their transit has been understood as an observational journey through nature, but little by little the impact of human beings and technology is increasing, transforming and altering the environment…
Director of Photography
The beginning of the twenty-first century is marked by a contradictory intersection between the transformation of the global economy and the revolution in new technologies. These two disparate new realities have disrupted customs and traditions and are now bearing witness to different drifts, some with times that anesthetize and others that excite and exhilarate, yet without knowing where they are heading. The place portrayed in Derivas (Drifts), associated with the frontier of the sea and fishing boats, begins to be occupied by nomadic flows of people whose interests are very different to the origin of this place, completely redrawing and resituating new events.
Editor
The beginning of the twenty-first century is marked by a contradictory intersection between the transformation of the global economy and the revolution in new technologies. These two disparate new realities have disrupted customs and traditions and are now bearing witness to different drifts, some with times that anesthetize and others that excite and exhilarate, yet without knowing where they are heading. The place portrayed in Derivas (Drifts), associated with the frontier of the sea and fishing boats, begins to be occupied by nomadic flows of people whose interests are very different to the origin of this place, completely redrawing and resituating new events.
Screenplay
The beginning of the twenty-first century is marked by a contradictory intersection between the transformation of the global economy and the revolution in new technologies. These two disparate new realities have disrupted customs and traditions and are now bearing witness to different drifts, some with times that anesthetize and others that excite and exhilarate, yet without knowing where they are heading. The place portrayed in Derivas (Drifts), associated with the frontier of the sea and fishing boats, begins to be occupied by nomadic flows of people whose interests are very different to the origin of this place, completely redrawing and resituating new events.
Director
The beginning of the twenty-first century is marked by a contradictory intersection between the transformation of the global economy and the revolution in new technologies. These two disparate new realities have disrupted customs and traditions and are now bearing witness to different drifts, some with times that anesthetize and others that excite and exhilarate, yet without knowing where they are heading. The place portrayed in Derivas (Drifts), associated with the frontier of the sea and fishing boats, begins to be occupied by nomadic flows of people whose interests are very different to the origin of this place, completely redrawing and resituating new events.
Script
In this conceptual and sensorial miniature, the concept of social (self) portrait is rethought, playing with the distortions of a Big Brother who watches us impassively. A technological state of permanent control, of mechanization of a daily life dominated by the ingenuities that the human being has created and that have finally taken control of our lives.
Director of Photography
In this conceptual and sensorial miniature, the concept of social (self) portrait is rethought, playing with the distortions of a Big Brother who watches us impassively. A technological state of permanent control, of mechanization of a daily life dominated by the ingenuities that the human being has created and that have finally taken control of our lives.
Director
In this conceptual and sensorial miniature, the concept of social (self) portrait is rethought, playing with the distortions of a Big Brother who watches us impassively. A technological state of permanent control, of mechanization of a daily life dominated by the ingenuities that the human being has created and that have finally taken control of our lives.
Director
The camera leads us through a maze of cemeteries surrounded by vultures, and the trek ends with a view of a garbage dump. Sub Terrae poetically echoes with showing us such a terrifying terror: dystopian imagery of the foreseeable future, which is being seen from the current death chamber where the people of the past buried, signifying the contemporary global crisis in the present.
Editor
The documentary captures the fall or rebuilding what had been a symbol of the Franco regime, but the cessation of work due to the economic crisis turns into a viewer of the financial and economic paralysis of the country during these years.
