Ana
A young and alienated kleptomaniac's aimless life unexpectedly complicates when he steals a bike from a stubborn young girl who is supposedly a crime fighting superhero.
A trip into grandma's intimate life shows the status of Slovenian women in the first half of the 20th century.
Jana
Bruno lives at a home for the elderly and is in love with a co-resident named Dusa. Their love story is fragmented, as they tend to constantly forget each other. Thus, they can always meet for the first time.
Member of the Chorus
Based on motifs from The Triple Life of Antigone by Slavoj Žižek, this film reflects on today’s planet and political “chaos” by placing the politicians, the decision-makers and the influencers of today in the roles of Žižek’s version of the ancient Greek drama Antigone. But what are the politicians roles? Does the Antigone of today represent populists, anti-migrants and fundamentalists, or those who would oppose them?
Five uniquely moving films about motherhood—bubbling up in the grocery store, the cemetery, or even a car ride—come together in this omnibus film set in Sarajevo.
Iva
A possessive mother, a loving son, the fiancée's first visit, a mute witness... Four players around a pie.
Tanja
Basado en hechos reales en Eslovenia, en los principios de los años 90. Ana da a luz en el hospital local y todo va bien. Solo hay un pequeño problema con el papeleo: su archivo no está en la computadora. Una pérdida temporal de datos parece deberse a una falla del software, no hay nada de qué preocuparse. A los pocos días, Ana se enreda en una red de burocracia de proporciones kafkianas: no estar en la computadora significa no tener la seguridad social, un reclamo y lo más importante y trágico a la vez, "no tener un bebé". De repente Ana es extranjera, aunque ha vivido en Eslovenia toda su vida. Legalmente, ella no existe. Entonces, su hijo es huérfano. Y los huérfanos se ponen en adopción.
Iva
Seventeen-year-old Iva is in the process of coming to terms with the death of her mother. Influenced by this deep personal loss and by the discovery that she didn't know everything about her mother, she slowly immerses herself into a strange, almost dreamlike world far from reality...
Servant Marija
Codelli is a feature-length docudrama about a little-known film project by Slovenian inventor Baron Anton Codelli. Together with filmmaker and adventurer Hans Schomburgk he filmed in Togo in 1914 the first live-action film in Africa, which possibly inspired James Rice Burroughs for his novel on Tarzan. In the company of three Codelli’s descendants and actor Primož Bezjak, we traced the fate of Codelli’s film, brought the remains from Togo and Berlin to Ljubljana and used the Green Screen technology to bring to life 15 live-action scenes based on 600 Codelli’s museum photographs.
Sarajevo Songs of Woe is a filmic triptych containing of the two tales (“Blue Ballad for Lovers” / “Blue Rondo for Survivors”) and the connecting middle part “Blue Psalm for Wolves” flowing into each other and so being united and building up one universal mosaic of life situated in Sarajevo.
Herself
Documentary film explores the role of women in the Slovenian film and is also looking for reflections in the film classics of the constant changing position of women in the society. Documentary also refers to popular and lesser-known women's roles in the history of Slovenian film, heroines in the literal sense, typical roles in many partisan films, as well as the established cliches: a suffering mother, adulteress, gossip. Through interviews with the actresses, theorists and artists as well as analyzing the most common phrases expressed by women in the Slovenian films, the film tries to reveal the true Slovenian film heroine.
Mojca
A una clase de instituto llega un profesor autoritario que hace saltar por los aires la rutina de los alumnos mediante tensiones y conflictos.
