Ana
A young and alienated kleptomaniac's aimless life unexpectedly complicates when he steals a bike from a stubborn young girl who is supposedly a crime fighting superhero.
A trip into grandma's intimate life shows the status of Slovenian women in the first half of the 20th century.
Jana
Uma história de amor em que memórias fragmentadas são trazidas de volta à mente por uma música.
Member of the Chorus
Based on motifs from The Triple Life of Antigone by Slavoj Žižek, this film reflects on today’s planet and political “chaos” by placing the politicians, the decision-makers and the influencers of today in the roles of Žižek’s version of the ancient Greek drama Antigone. But what are the politicians roles? Does the Antigone of today represent populists, anti-migrants and fundamentalists, or those who would oppose them?
Five uniquely moving films about motherhood—bubbling up in the grocery store, the cemetery, or even a car ride—come together in this omnibus film set in Sarajevo.
Iva
A possessive mother, a loving son, the fiancée's first visit, a mute witness... Four players around a pie.
Tanja
Ana dá à luz no hospital local e tudo ocorre bem. O único problema é com a papelada —o arquivo dela não está no computador—, mas isso é considerado apenas uma perda temporária de dados, provavelmente causada por uma falha técnica. Em poucos dias, no entanto, Ana se vê em uma teia de burocracia de proporções kafkianas. Ela é forçada a deixar a filha recém-nascida sozinha no hospital, sem o direito de visitá-la até que tudo esteja resolvido. De repente, Ana passa a ser uma estrangeira, apesar de ter vivido na Eslovênia durante a vida toda. Legalmente, ela não existe, então, sua filha é uma órfã. E órfãos são colocados para adoção.
Iva
Seventeen-year-old Iva is in the process of coming to terms with the death of her mother. Influenced by this deep personal loss and by the discovery that she didn't know everything about her mother, she slowly immerses herself into a strange, almost dreamlike world far from reality...
Servant Marija
Codelli is a feature-length docudrama about a little-known film project by Slovenian inventor Baron Anton Codelli. Together with filmmaker and adventurer Hans Schomburgk he filmed in Togo in 1914 the first live-action film in Africa, which possibly inspired James Rice Burroughs for his novel on Tarzan. In the company of three Codelli’s descendants and actor Primož Bezjak, we traced the fate of Codelli’s film, brought the remains from Togo and Berlin to Ljubljana and used the Green Screen technology to bring to life 15 live-action scenes based on 600 Codelli’s museum photographs.
Sarajevo Songs of Woe is a filmic triptych containing of the two tales (“Blue Ballad for Lovers” / “Blue Rondo for Survivors”) and the connecting middle part “Blue Psalm for Wolves” flowing into each other and so being united and building up one universal mosaic of life situated in Sarajevo.
Herself
Documentary film explores the role of women in the Slovenian film and is also looking for reflections in the film classics of the constant changing position of women in the society. Documentary also refers to popular and lesser-known women's roles in the history of Slovenian film, heroines in the literal sense, typical roles in many partisan films, as well as the established cliches: a suffering mother, adulteress, gossip. Through interviews with the actresses, theorists and artists as well as analyzing the most common phrases expressed by women in the Slovenian films, the film tries to reveal the true Slovenian film heroine.
Mojca
Relations between the students and the new teacher of German are extremely tense. When one female student commits suicide, her schoolmates blame the teacher for her death. An awareness that things are not quite so black and white comes too late.
