Director
The night of Marseille seen in a different way
Director
Documentation of a book project by artist Arturo Herrera.
Película perteneciente a la serie Light Licks filmada durante la celebración del festival Media City en Windsor.
Director
Borders (and all the politics attending the drawing of borders) exist to keep some people in (citizenship) and others out. This film is an attempt to capture the presence of people otherwise denied the political right to be at home in some place that is their home, where they have their roots, where they have their being.
Director
Filmmaker Robert Fenz returned to the locations of three classic films made by the pioneering American ethnographic filmmaker Robert Gardner. Dead Birds (1964) was filmed in West Papua, Rivers of Sand (1974) in Ethiopia and Forest of Bliss (1986) in Varanasi, India. Correspondence is an elegy for a kind of imagemaking that is in the process of disappearing.
Cinematography
Akerman spends a brief period on her own in an apartment by the sea in Tel Aviv. She films from the apartment and in her narration she talks about her family, her Jewish identity and her childhood. She wonders whether normal everyday life is possible in this place and whether filming is a realistic option.
Director of Photography
A documentary look at the fate of Mexicans who cross the border into the United States.
Director
An evocative portrait of New York jazz artist Marion Brown.
Director
Captures the discipline of a boxer preparing for a figh
Director
Shots of streets and subways in New York, Mexico, and San Cristobal de las Casas are intertwined with images of revolutionary figures of the past.
Director
Filmed in Rochina, Latin America’s largest shantytown.
Director
Structured as an improvisational homage to Cuba's endurance and captures the serene rhythm of Havana's contemporary street life
Producer
The film is the result of a close bond between music and cinema testifying the many relationships between the two. It is visualized through American iconographic imagery and graphics combined with the great evocative power of ad libbing by the trumpet player Ishmael Wadada Leo Smith.
Director of Photography
The film is the result of a close bond between music and cinema testifying the many relationships between the two. It is visualized through American iconographic imagery and graphics combined with the great evocative power of ad libbing by the trumpet player Ishmael Wadada Leo Smith.
Sound Recordist
The film is the result of a close bond between music and cinema testifying the many relationships between the two. It is visualized through American iconographic imagery and graphics combined with the great evocative power of ad libbing by the trumpet player Ishmael Wadada Leo Smith.
Director
The film is the result of a close bond between music and cinema testifying the many relationships between the two. It is visualized through American iconographic imagery and graphics combined with the great evocative power of ad libbing by the trumpet player Ishmael Wadada Leo Smith.
