Director
The night of Marseille seen in a different way
Director
Documentation of a book project by artist Arturo Herrera.
Director
Borders (and all the politics attending the drawing of borders) exist to keep some people in (citizenship) and others out. This film is an attempt to capture the presence of people otherwise denied the political right to be at home in some place that is their home, where they have their roots, where they have their being.
Director
Filmmaker Robert Fenz returned to the locations of three classic films made by the pioneering American ethnographic filmmaker Robert Gardner. Dead Birds (1964) was filmed in West Papua, Rivers of Sand (1974) in Ethiopia and Forest of Bliss (1986) in Varanasi, India. Correspondence is an elegy for a kind of imagemaking that is in the process of disappearing.
Cinematography
샹탈 아커만은 이스라엘 텔 아비브 바닷가 근처의 아파트에서 짧은 시간을 보낸다. 그리고 이 작은 공간을 거의 떠나지 않은 채 창밖의 풍경과 소리, TV의 이미지들을 기록하기 시작한다. 과연 ‘저기’에는 무엇이 있을까.
Director of Photography
미국, 멕시코 국경 주변에서 살아가는 가난한 사람들의 이야기. 국경 마을의 공간을 담아낸 탁월한 이미지와 등장인물들의 삶에 대한 담담한 고백 속에서 빈곤 문제에 대한 깊은 통찰을 이끌어낸다.
Director
An evocative portrait of New York jazz artist Marion Brown.
Director
Captures the discipline of a boxer preparing for a figh
Director
Shots of streets and subways in New York, Mexico, and San Cristobal de las Casas are intertwined with images of revolutionary figures of the past.
Director
Filmed in Rochina, Latin America’s largest shantytown.
Director
Structured as an improvisational homage to Cuba's endurance and captures the serene rhythm of Havana's contemporary street life
Producer
The film is the result of a close bond between music and cinema testifying the many relationships between the two. It is visualized through American iconographic imagery and graphics combined with the great evocative power of ad libbing by the trumpet player Ishmael Wadada Leo Smith.
Director of Photography
The film is the result of a close bond between music and cinema testifying the many relationships between the two. It is visualized through American iconographic imagery and graphics combined with the great evocative power of ad libbing by the trumpet player Ishmael Wadada Leo Smith.
Sound Recordist
The film is the result of a close bond between music and cinema testifying the many relationships between the two. It is visualized through American iconographic imagery and graphics combined with the great evocative power of ad libbing by the trumpet player Ishmael Wadada Leo Smith.
Director
The film is the result of a close bond between music and cinema testifying the many relationships between the two. It is visualized through American iconographic imagery and graphics combined with the great evocative power of ad libbing by the trumpet player Ishmael Wadada Leo Smith.
