Leonardo Feliciano

En Brasil, una familia negra de clase baja de cuatro integrantes intenta mantener el ánimo y los sueños en los meses posteriores a la elección de Jair Bolsonaro, un hombre que representa todo lo que ellos no son.

Mesmerized by the image of an active volcano on the other side of the world, a woman sets out to meet her fury. On the way, without being able to return, she finds herself in an extraordinary pregnancy, starting the account of the journey that gives shape to this play-film, a journey between theater and cinema inspired by the narratives of fantastic realism.

Una niña trans y su madre se mudan a una nueva ciudad para comenzar de nuevo, pero rápidamente enfrentan dilemas cuando la escuela secundaria local necesita una segunda firma de los padres para inscribirse.

A film about popular movements in defense of housing. Introducing: the State against the Homeless, in the capital of Brazil.

A film about popular movements in defense of housing. Introducing: the State against the Homeless, in the capital of Brazil.

Los vecinos del pueblo de Contagem, cerca de Belo Horizonte, sueñan con tener una vida mejor. Puede que los de mayor edad ya se han rendido. Las mujeres están dispuestas a trabajar de manera honrada, pero los hombres suelen ser vagos que tratan de llegar a lo que ellos llaman "El corazón del mundo" a través de acciones criminales. Este documental sigue la vida de sus vecinos y de sus quehaceres diarios.

Durante un período de cuatro años, Camila Freitas grabó las vidas de un grupo de trabajadores sin tierra en el estado brasileño de Goiás. Desde 2015, los trabajadores han ocupado una parte del sitio de una fábrica y han exigido una reforma agraria. Chão proporciona información sobre la rutina diaria del grupo, que se divide entre labrar la tierra, el activismo político y hablar de cómo podría ser un futuro mejor.

After being the victim of a violent eviction in the Parque Oeste neighborhood, in Goiânia, a woman rebuilds her life based on the struggle for housing.

After being the victim of a violent eviction in the Parque Oeste neighborhood, in Goiânia, a woman rebuilds her life based on the struggle for housing.

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.

André es un niño que vive en un barrio industrial de Ouro Preto, Brasil, cerca de una antigua fábrica de aluminio. Un día encuentra un cuaderno de uno de los trabajadores de la fábrica.

mariana, a young black woman is recovering from a heavy depression. she just wants to be happy, but hasn’t found her way yet.

Fragments of an endless night, Robert and Teresa meet and get to know each other, and get separate by the force of oppression and the threat of death and disappearance that continually creeps in.

This film touches on political thought, worldview, as well as the direct actions of a group of militants from autonomous movements in the Federal District of Brazil, from 2005 to 2013.

Shots fired inside a club frequented by black Brazilians in the outskirts of Brasilia leave two men wounded. A third man arrives from the future in order to investigate the incident and prove that the fault lies in the repressive society.

During the passage of the World Cup of Brazil through Brasilia, we accompanied Maninho, a former professional football player who today works as a street walker, selling bottles of water and flags of the national teams.

The film follows the Miss contest season in Brasilia and satellite cities of the Federal District in the year 2010, revealing the contradictions behind the catwalks of fashion.

The city of Brasilia hoped to become, from its very architecture, the expression of modern urban conception and an egalitarian society. However, neither the workers hired to pursue this project, nor the constant migratory flow that took place from the beginning, fitted in the government’s plan. In 1971, it began what was known as the “Campaign to Eradicate Invaders”. Together with other locals, the director reflects on the history, the transformations and the future of this place where the hypocritical official jingle “A cidade é uma só!” is no longer heard.

A documentary about football players in the low divisions of Brazilian football.

A documentary about rap artists from Ceilândia, a satellite-city of Brazil capital, Brasilia. The film portrait the struggle of the lives of the rapers and makes a parallel with the violent building of the city designed to settle the outcast from Brasilia after its completion.