David Oberkogler

En la Navidad de 1877, Isabel de Austria (Sissi), celebra su 40º cumpleaños. Primera dama de Austria, mujer del emperador Francisco José I, no tiene derecho a expresarse y debe mantenerse hermosa y joven para siempre en su papel de emperatriz. Para satisfacer estas expectativas, adopta un estricto régimen de ayuno, ejercicios, peluquería y medición diaria de su cintura. Asfixiada por dichas convenciones, y con un apetito voraz de saber y de vida, Isabel se rebela cada vez más contra esta imagen.

A complicated marriage: She has a tumor, he is gay, both of them are keeping it a secret. When their only daughter moves out, he is ready to come out. But that is not going to happen. He arranges a date for a bizarre role-play and she is spying on him, firmly believing that he is having an affair with a younger woman. The chase is on.

Suffering from unexplained vaginal pain, a frustrated acting student goes to a string of doctors, convinced that she is going to find a specialist who will figure out what’s wrong with her.

Aunque aún no ha cumplido los 30, Lola (Valerie Pachner) maneja su vida con la misma eficiencia que emplea para optimizar su rendimiento como consultora financiera. Nadie conoce la existencia de su hermana Conny (Pia Hierzegger), ni tampoco el largo historial que relaciona a su familia con la enfermedad mental. Todo cambia cuando un trágico evento relacionado con Conny obliga Lola a reencontrarse con su pasado, destapando una serie de secretos que creía haber dejado atrás y que provocan que, poco a poco, vaya perdiendo la cordura y el contacto con la realidad

Riding on their tuned-up bikes, Mati and her posse of male friends intimidate their neighborhood and harass the girls. In their village, they rule. But when her closest pal Sebastian falls in love with Mati and her enemy Carla unexpectedly turns into a friend, Mati is in danger of losing her standing among her male friends. Meanwhile Mati’s parents have a decision to make: What's more important, appearances or reality?

Two policemen find themselves in obscure situation during their nightly duty on the Hoehenstrasse in Vienna

Vincent Baumann, un descorazonado vendedor de seguros dedicado a su carrera, y alcohólico de un sistema sin piedad, se convierte en la víctima de las mismas empresas que representan. Relegado a ser matón, lucha amargamente por volver a entrar al mercado laboral. Pelea para trepar los escalofones sociales. En el proceso, se da cuenta de que hay valores distintos al ingreso y el éxito. Decido contra anterior ideología, y a favor de otra persona, de Lisa Sokulowa. No tienen futuro, pero celebran un pequeño triunfo contra el dominio del sistema imperante.

Three couples in Vienna have children at around the same time. They're all in their mid-30s, successful, cool and live in a popular part of town. As idealistic as they are materialistic, they grow tomatoes on the balcony, drink locally roasted coffee and expensive cocktails and would never buy an electronic device sporting a half-eaten apple. And they're absolutely certain that you can have children without becoming bourgeois. But the reality tells a different story. Between career and kindergarten, Apple and alternative lifestyles, the satire plays cleverly with hipster clichés and mercilessly points up the gap between the old self-image and the new bourgeoisie.

Viena 1945. Christine una niña acostumbrada a la guerra se tiene que hospedar junto a su familia en una acomodada casa a las afueras de Viena. Ahora tienen un techo donde cobijarse pero nada más. La gente del pueblo espera la llegada de los rusos. Todos tienen miedo, Chirstine no.

Short by Stefan Bohun.

Ópera prima del actor austriaco Markus Schleinzer (también habitual director de casting de Michael Haneke y Ulrich Seidl). Describe la vida cotidiana de Michael, un oficinista de 35 años, que tiene secuestrado a un niño de diez años en el sótano de su casa.

The inner lives of six people are explored. Each has a connection to the Viennese subway station Schottentor.

Retrato del artista austríaco Gustav Klimt, cuyos suntuosos y eróticos cuadros marcaron el estilo Art Nouveau de finales del siglo XIX y principios del XX.

14-year-old MAX goes with his father WOLFGANG (45) and his friends on a camping trip in the woods. The two haven´t seen each other since the separation of the parents a few months ago and experience a weekend of rapprochement with beer, men´s talk and masculinity rites. Soon, however, the actual idyll of the trip becomes more and more frightening and the renewed bond between Max and Wolfgang is put to the test.