Manuel Pozos

Luis Antonio, José Luis y Luis Manuel García son tres primos pendencieros que únicamente entran en orden cuando su abuela, la enérgica doña Luisa, los agarra a bastonazos. La llegada de Lupita Smith, prima de los muchachos nacida en los Estados Unidos, desata la competencia entre ellos por conquistar a su rubia pariente. Además, una venganza familiar enfrenta a los García con los temibles primos López. (FILMAFFINITY)

Legendary superstar María Félix, stars in this melodrama noir playing the role of Raquel, a woman who has a passionate love affair with married aristocrat Antonio. However, a sensual sculpture untitled “The Kneeling Goddess” and modeled after Raquel will lead Antonio down a memory lane he'd rather soon forget.

In Mexican Revolution times, a guerrilla general and his troops take the conservative town of Cholula, near by Mexico City. As the revolutionaries mistreat the town's riches, Armendáriz falls for beautiful and wild Beatriz Peñafiel, the daughter of one of the town's richest men.

On March 22, four days after returning to his home in Andalusia, Luis de Vargas writes the first of his letters to his uncle and favorite professor at the seminary. He reports that his father intends to fatten him up during his vacation, to have him ready to return in the fall to finish his training for the priesthood. He mentions in passing that his father is courting a twenty-year-old, attractive widow, Pepita Jiménez; his father is fifty-five years old. Pepita had been married for only a short time to an eighty-year-old moneylender named Gumersindo. Luis is not eager to see his father marry again, but he promises his uncle not to judge Pepita before he knows her.

Two charros from Hacienda A come a-courtin' to hacienda B, owned by a friend of their father's. Also a horse-race.

En el Guanajuato de mediados del siglo diecinueve, la belleza y simpatía de la joven heredera Amalia conquistan al humilde capataz Ricardo con resultados funestos. Impedido para consumar su amor, Ricardo se va de Guanajuato adonde vuelve tiempo después convertido en el rico dueño de una mina. A su regreso, el destino le tiene preparado un trágico reencuentro con Amalia.

Por una antigua rencilla familiar, el terrateniente Braulio Valdivia recuerda a su nieto Felipe y a Manuel que deben liquidar a Fernando Iturriaga. Al mismo tiempo, desde España llega María Ángela, también nieta de don Braulio y novia desde la infancia de Manuel. La joven se enamora de Fernando, pero se compromete con Manuel para evitar el derramamiento de sangre. Peleas, fiestas y serenatas serán parte del repertorio folklórico de una trágica historia. (FILMAFFINITY)

A manera de un vasto fresco fidedigno, se recapitula en esta película un importante capítulo de la historia mexicana, que arranca en 1810, con una reunión los conspiradores Hidalgo, Allende, Aldama, Lazo y la Corregidora, Doña Josefa Ortíz de Domínguez, quienes deciden que lo mejor para el país, es la insurrección armada y que el mejor estandarte y representante de este movimiento es la Guadalupana. El Cura Hidalgo repasa ante Allende los antecedentes históricos de México a manera de recapitulación fidedigna, sin olvidar la fábula de cuando la Virgen del Tepeyac se le aparece a Juan Diego con las rosas del milagro. Acto seguido, se inicia la gesta independentista con la Virgen como estandarte.

"Jesús de Nazareth" es la primera película mexicana que aborda la vida, pasión, y muerte de Jesús de Nazaret. Fue dirigida por José Díaz Morales, protagonizada por el argentino José Cibrián y estrenada el 27 de marzo de 1942.

Ranchera/western; white hats vs. black hats.

A 1941 film.

Isabel, the daughter of Don Antonio; a rich land owner in Tepestates, Jalisco returns to her town after five years away, to visit her father. She is confronted by the unpleasant surprise that her dad has been assassinated by the malicious municiple government, which has the whole town in a clutch of terror. "An excellent sharp-shooter is worth more here, than a good lawyer..." This phrase inspires lawyer Leonardo Torres to convert himself into a guardian of justice, who will defend the right of the weak against tyranny. Nobody would ever guess that the "timid" lawyer is in reality none other than the dreadful "Zorro of Jalisco."

A 1940 film directed by Ramón Pereda.

A 1940 film directed by Roberto E. Guzmán.

An elderly homeless dude lucks into a situation where a young woman's uncle and her boyfriend ask him to impersonate her long-lost father and give her some nurturing parent attention.

Historical drama, French occupation of the 1830s.