Manuel Pozos

Ruled by a tough grandma, the Garcías are three charro cousins who fall in love with young American-born Lupita and fight for her love until grandma quiets them.

Legendary superstar María Félix, stars in this melodrama noir playing the role of Raquel, a woman who has a passionate love affair with married aristocrat Antonio. However, a sensual sculpture untitled “The Kneeling Goddess” and modeled after Raquel will lead Antonio down a memory lane he'd rather soon forget.

맥시코 혁명 속에서 사랑에 빠진 남과 여.

On March 22, four days after returning to his home in Andalusia, Luis de Vargas writes the first of his letters to his uncle and favorite professor at the seminary. He reports that his father intends to fatten him up during his vacation, to have him ready to return in the fall to finish his training for the priesthood. He mentions in passing that his father is courting a twenty-year-old, attractive widow, Pepita Jiménez; his father is fifty-five years old. Pepita had been married for only a short time to an eighty-year-old moneylender named Gumersindo. Luis is not eager to see his father marry again, but he promises his uncle not to judge Pepita before he knows her.

Two charros from Hacienda A come a-courtin' to hacienda B, owned by a friend of their father's. Also a horse-race.

In mid-nineteenth century Guanajuato, the beauty and charm of the young heiress Amalia conquers the lowly foreman Ricardo with fatal results. Prevented from consummating their love, Ricardo is going to Guanajuato where again later become the rich owner of a mine. On his return, fate has prepared a tragic encounter with Amalia.

The love between María Ángela and Fernando is impossible because there's an ancient history of hate between their families. His father killed hers, and other family members have killed each other for years. When María Ángela's grandfather finds she's in love with Fernando, he frames the young man and forces her to marry Manuel. Maria Ángela finds that Manuel doesn't love her and together plan her escape with Fernando. But things go wrong and the lovers find their destiny in The Spirit's Canyon.

On the eve of the Grito de Dolores and faced with the threat of being arrested by the viceregal government, Miguel Hidalgo suggested to Captain Allende that the flag of the insurgent movement be the banner of the Virgin of Guadalupe.

The biblical story of The Messiah from his baptism through his crucifixion.

Ranchera/western; white hats vs. black hats.

A 1941 film.

Isabel, the daughter of Don Antonio; a rich land owner in Tepestates, Jalisco returns to her town after five years away, to visit her father. She is confronted by the unpleasant surprise that her dad has been assassinated by the malicious municiple government, which has the whole town in a clutch of terror. "An excellent sharp-shooter is worth more here, than a good lawyer..." This phrase inspires lawyer Leonardo Torres to convert himself into a guardian of justice, who will defend the right of the weak against tyranny. Nobody would ever guess that the "timid" lawyer is in reality none other than the dreadful "Zorro of Jalisco."

A 1940 film directed by Ramón Pereda.

A 1940 film directed by Roberto E. Guzmán.

An elderly homeless dude lucks into a situation where a young woman's uncle and her boyfriend ask him to impersonate her long-lost father and give her some nurturing parent attention.

Historical drama, French occupation of the 1830s.