Germán Tejeira
Nacimiento : 1982-06-26, Montevideo, Uruguay
Historia
Germán Tejeira graduated from the Uruguayan Film School in 2004 in the specialties of filmmaking and photography. He has worked as a producer, director, editor and scriptwriter in various fiction, animation and documentary projects.
Camera Operator
Marcel Keoroglian, a public figure in Uruguay thanks to his works in carnival, television, radio and cinema, has at home eighteen records of the 1949 carnival that have never been heard. These records were recorded by José Goglian, an Armenian immigrant, who in the 1940s lived in Villa del Cerro (a Montevidean neighborhood made up of many immigrant groups) and who invited his neighbour carnival musicians to his apartment to record them with a phonograph. This documentary is focused on Marcel's passionate bond with the murga genre, as he writes the lyrics for a group that is preparing for the next carnival, while looking for a way to revive the music of these albums that awaited sixty-eight years to be heard.
Director of Photography
Marcel Keoroglian, a public figure in Uruguay thanks to his works in carnival, television, radio and cinema, has at home eighteen records of the 1949 carnival that have never been heard. These records were recorded by José Goglian, an Armenian immigrant, who in the 1940s lived in Villa del Cerro (a Montevidean neighborhood made up of many immigrant groups) and who invited his neighbour carnival musicians to his apartment to record them with a phonograph. This documentary is focused on Marcel's passionate bond with the murga genre, as he writes the lyrics for a group that is preparing for the next carnival, while looking for a way to revive the music of these albums that awaited sixty-eight years to be heard.
Screenplay
Marcel Keoroglian, a public figure in Uruguay thanks to his works in carnival, television, radio and cinema, has at home eighteen records of the 1949 carnival that have never been heard. These records were recorded by José Goglian, an Armenian immigrant, who in the 1940s lived in Villa del Cerro (a Montevidean neighborhood made up of many immigrant groups) and who invited his neighbour carnival musicians to his apartment to record them with a phonograph. This documentary is focused on Marcel's passionate bond with the murga genre, as he writes the lyrics for a group that is preparing for the next carnival, while looking for a way to revive the music of these albums that awaited sixty-eight years to be heard.
Director
Marcel Keoroglian, a public figure in Uruguay thanks to his works in carnival, television, radio and cinema, has at home eighteen records of the 1949 carnival that have never been heard. These records were recorded by José Goglian, an Armenian immigrant, who in the 1940s lived in Villa del Cerro (a Montevidean neighborhood made up of many immigrant groups) and who invited his neighbour carnival musicians to his apartment to record them with a phonograph. This documentary is focused on Marcel's passionate bond with the murga genre, as he writes the lyrics for a group that is preparing for the next carnival, while looking for a way to revive the music of these albums that awaited sixty-eight years to be heard.
Editor
Caridad no ha hablado con su padre en años, desde que él dejó el hogar bajo una ola de sospechas y acusaciones. Pero eso cambia cuando un volcán despierta con una explosión de cenizas, y Caridad se encuentra aislada y atrapada en la zona de riesgo. Sin mayor opción, contacta a su padre y confronta las emociones que reprimió durante tantos años.
Producer
Caridad no ha hablado con su padre en años, desde que él dejó el hogar bajo una ola de sospechas y acusaciones. Pero eso cambia cuando un volcán despierta con una explosión de cenizas, y Caridad se encuentra aislada y atrapada en la zona de riesgo. Sin mayor opción, contacta a su padre y confronta las emociones que reprimió durante tantos años.
Writer
Víctor (Pedro Cruz), un niño de 11 años, es adoptado por sus tíos luego de un traumático accidente donde fallecen sus padres. Su vida, debido al stress causado por el accidente, se convierte en un infierno plagado de visiones aterradoras que lo acosan. Sus tíos (César Troncoso, Florencia Zabaleta) intentarán romper su mutismo y acercarse a él, pero su visión del mundo ya ha pasado la barrera de la cordura. Ópera prima como director de cine del actor, dramaturgo y director teatral Roberto Suárez.
Director
Víctor (Pedro Cruz), un niño de 11 años, es adoptado por sus tíos luego de un traumático accidente donde fallecen sus padres. Su vida, debido al stress causado por el accidente, se convierte en un infierno plagado de visiones aterradoras que lo acosan. Sus tíos (César Troncoso, Florencia Zabaleta) intentarán romper su mutismo y acercarse a él, pero su visión del mundo ya ha pasado la barrera de la cordura. Ópera prima como director de cine del actor, dramaturgo y director teatral Roberto Suárez.
Editor
Este documental atraviesa la vida de Mary y Valery, la viuda y el hijo de Vladimir Roslik, el último muerto de la dictadura militar uruguaya. Hoy, ellos buscan cerrar una herida que es suya y es la de una comunidad perseguida por su origen ruso, bajo la sombra que dejó la ley de caducidad que impidió juzgar el asesinato.
Director of Photography
Este documental atraviesa la vida de Mary y Valery, la viuda y el hijo de Vladimir Roslik, el último muerto de la dictadura militar uruguaya. Hoy, ellos buscan cerrar una herida que es suya y es la de una comunidad perseguida por su origen ruso, bajo la sombra que dejó la ley de caducidad que impidió juzgar el asesinato.
Executive Producer
Este documental atraviesa la vida de Mary y Valery, la viuda y el hijo de Vladimir Roslik, el último muerto de la dictadura militar uruguaya. Hoy, ellos buscan cerrar una herida que es suya y es la de una comunidad perseguida por su origen ruso, bajo la sombra que dejó la ley de caducidad que impidió juzgar el asesinato.
Screenplay
Este documental atraviesa la vida de Mary y Valery, la viuda y el hijo de Vladimir Roslik, el último muerto de la dictadura militar uruguaya. Hoy, ellos buscan cerrar una herida que es suya y es la de una comunidad perseguida por su origen ruso, bajo la sombra que dejó la ley de caducidad que impidió juzgar el asesinato.
Sound Designer
In a city besieged by the wind and the cold, Irma, an old dressmaker living in a flat where the heating is broken, will take the initiative to do something for all her neighbours.
Sound
In a city besieged by the wind and the cold, Irma, an old dressmaker living in a flat where the heating is broken, will take the initiative to do something for all her neighbours.
Screenplay
In a city besieged by the wind and the cold, Irma, an old dressmaker living in a flat where the heating is broken, will take the initiative to do something for all her neighbours.
Director
In a city besieged by the wind and the cold, Irma, an old dressmaker living in a flat where the heating is broken, will take the initiative to do something for all her neighbours.
Editor
Una película de animación que relata las aventuras de una niña que debe resistir las burlas de sus compañeros de colegio por la particularidad de su nombre y apellidos: Anina Yatay Salas, ya que los tres se leen igual en ambos sentidos. Incluida en el apartado Generación del Festival de Cine de Berlín del 2013.
Producer
Una película de animación que relata las aventuras de una niña que debe resistir las burlas de sus compañeros de colegio por la particularidad de su nombre y apellidos: Anina Yatay Salas, ya que los tres se leen igual en ambos sentidos. Incluida en el apartado Generación del Festival de Cine de Berlín del 2013.
Writer
Una película de animación que relata las aventuras de una niña que debe resistir las burlas de sus compañeros de colegio por la particularidad de su nombre y apellidos: Anina Yatay Salas, ya que los tres se leen igual en ambos sentidos. Incluida en el apartado Generación del Festival de Cine de Berlín del 2013.
Editor
Durante la noche de fin de año, tres personajes solitarios llegan a un pequeño pueblo perdido en el campo uruguayo donde tendrán una oportunidad para cambiar su destino.
Producer
Durante la noche de fin de año, tres personajes solitarios llegan a un pequeño pueblo perdido en el campo uruguayo donde tendrán una oportunidad para cambiar su destino.
Writer
Durante la noche de fin de año, tres personajes solitarios llegan a un pequeño pueblo perdido en el campo uruguayo donde tendrán una oportunidad para cambiar su destino.
Director
Durante la noche de fin de año, tres personajes solitarios llegan a un pequeño pueblo perdido en el campo uruguayo donde tendrán una oportunidad para cambiar su destino.
Producer
Liya and her younger brothers, Cocoa and Chino, work as caddies at the luxurious golf club "Cantegril" in Punta del Este, Uruguay, and they live with their children in the illegal settlement called Kennedy, located next to the club. Accustomed to being always in the background, they now face the possibility of winning a labor lawsuit that would allow them gain control over their own destinies and those of their families.
Editor
A rural worker suffers an accident and understands that in a few minutes he is going to die. In absolute solitude and surrounded by a natural environment indifferent to his tragedy, he will face, without drama, the fact that these are his last minutes of life and nothing he can do to modify that destiny. Based on a story by Horacio Quiroga.
Producer
A rural worker suffers an accident and understands that in a few minutes he is going to die. In absolute solitude and surrounded by a natural environment indifferent to his tragedy, he will face, without drama, the fact that these are his last minutes of life and nothing he can do to modify that destiny. Based on a story by Horacio Quiroga.
Director
A rural worker suffers an accident and understands that in a few minutes he is going to die. In absolute solitude and surrounded by a natural environment indifferent to his tragedy, he will face, without drama, the fact that these are his last minutes of life and nothing he can do to modify that destiny. Based on a story by Horacio Quiroga.
Sound Editor
A box with no addressee or sender arrives at an office awakening the desire of the employees to get a hold of it.
Producer
A box with no addressee or sender arrives at an office awakening the desire of the employees to get a hold of it.
Screenplay
A box with no addressee or sender arrives at an office awakening the desire of the employees to get a hold of it.
Director
A box with no addressee or sender arrives at an office awakening the desire of the employees to get a hold of it.
Producer
Two old crime partners meet again. One of them just got out of jail and is looking for a new gig, while the other one now has a legitimate business. They go to catch up at a bar while Peñarol plays the final of the 1987 Copa Libertadores de América.
Screenplay
Two old crime partners meet again. One of them just got out of jail and is looking for a new gig, while the other one now has a legitimate business. They go to catch up at a bar while Peñarol plays the final of the 1987 Copa Libertadores de América.
Director
Two old crime partners meet again. One of them just got out of jail and is looking for a new gig, while the other one now has a legitimate business. They go to catch up at a bar while Peñarol plays the final of the 1987 Copa Libertadores de América.
